Heritage is a highly lucrative business model amid the upper echelons of the OEM motor industry. For carmakers with a history to plunder and a reputation to uphold, there are seemingly unlimited numbers of what are politely termed high net worth individuals with bank accounts fit to burst, seeking super-priced, super-exclusive, supercar nirvana. For those at the sharp end, cost, it does appear really is not an object, but execution is, heritage is, provenance certainly is and authenticity, not to mention bragging rights very definitely are.
Given the strictures, regulations and privations currently visited upon carmakers, finding new and profitable revenue streams has become the very stuff of life itself. Currently there appear to be two main prongs to this end of the market: The limited run series, (or one-off), which largely tend to Continue reading “Scribing a Line”
Although comfort-oriented big Citroëns such as the DS and CX would seem to be very suitable cars for the North American driving environment, the French manufacturer has never really been able to achieve any sustained or economically viable market penetration there. A too-thin dealer network, quality and durability levels unsuited to American driving conditions (in certain aspects), the idiosyncrasies inherent in their design concept and construction and a high price tag were the main impediments to their sales success.
Was the Alfa Romeo Arna one of the ‘worst cars ever’?
At the beginning of the 1980’s Alfa Romeo was in grave trouble. Its reputation had been marred by the problems that afflicted its C-segment Alfasud. Built at the behest of the Italian government in a new factory in Pomigliano d’Arco near Naples, it was riddled with faults, the most serious of which was its tendency to dissolve into ferrous oxide at an alarming rate.
By 1980, the Alfasud’s build quality had improved noticeably, but not so Alfa Romeo’s reputation. A replacement model, the 33, was in development and would be launched in 1983. The 33 would be a somewhat larger and more expensive car, growing by just 20mm (¾”) in wheelbase, but by a more substantial 185mm (7¼”) in overall length. This left room for a smaller and cheaper car to replace the entry-level Alfasud. It is a moot point as to whether or not Alfa Romeo actually needed such a car in its range, unless it was really determined to Continue reading “Trojan Mule?”
Outstanding: As an adjective, it’s one that’s prone to be overused, or maybe ill-employed; frequently used to describe something which is at best average. The 1993 Coupé Fiat (as it was designated by the marketers in Turin) was an above-average car, well regarded, possessed of the expected verve and swagger one had come to expect from a close coupled Italian. However, despite its undoubted appeal as a driving tool, the descriptor did not entirely apply. For while the Coupé Fiat was rather good, it did not raise the art of corner-carving, or apex skirting to any noticeable extent.
Where Fiat’s mid-’90s coupé offering did stand out however was in the visual realm. Because, it can be said without fear of contradiction, that at its debut, the Coupé Fiat looked like nothing else on the road. Part of the reason for that of course was the fact that it was, in stylistic terms wholly unoriginal. Now before you Continue reading “Sunday Service : Standing Out”
When George Lucas survived a serious automobile accident, his ambitions of becoming a professional racing driver ended. Fortunately, his ideas concerning movie making took an altogether less destructive route.
American Graffiti revolves around several characters on the cusp of life changing affirmations – leaving school, home, starting college or jobs – growing up. Gawky, inexperienced teenagers fighting with pent up emotions; some brim with confidence, others Continue reading “The Coming Of Age”
By 1965, Giorgetto Giugiaro was already a name of significance amid Turin car design circles – and by the mid-point of the 1960s, there were no design circles more influential or significant than those within the Piedmontese capital. The year in question was a highly significant one for the 27-year old automotive designer, having departed Stile Bertone somewhat abruptly that November, leaving behind several partly completed designs for his successor to complete.
It did not matter, Giorgetto was moving on; first to carrozzeria Ghia where a position awaited him, but he had other, more elaborate plans. His stay at Ghia therefore was brief; a couple of commissions, a pair of designs for the de Tomaso concern, and more significantly, the Ghibli gran turismo for Maserati, making its debut as a prototipo at that November’s Turin motor show.
The 1975 Camargue proved conclusively that more is not necessarily better.
The rules of automotive design that apply to Rolls-Royce motor cars are quite different to those that apply to other, less rarefied marques. Because of their low production volumes and the longevity of their model cycles, they eschewed the fashionable and ephemeral in favour of timeless elegance, understatement and peerless quality. The 1965 Silver Shadow exemplified these qualities perfectly, and Rolls-Royce was rewarded by it becoming the company’s best-selling model in history.
The fine art of badge-engineering – Franco-Japanese style.
Just as Karl had given life to the patentwagen in 1886, the emergent car industry’s Frankenstein-like adoration brought ever newer machines to market. In turn, ideas became distilled, since begging borrowing or stealing ideas was easier than inventing something from scratch. Financial incentives greased wheels leading to similar, if not identical machines wearing different badges; nothing new under the sun.
Concurrently, French composer, Erik Satie experimented to form three pieces for piano, sharing a common structure and theme. Possibly evolved from the French version of the Greek phrase, gymnopaedia, an annual festival where young men would Continue reading “Trois Gymnopédies”
Even amongst the more rarefied universe of Portello’s competition cars, there are the outliers, the runts, the ugly sisters. Today, we briefly examine one of this less than happy breed.
Pretty, lovely, delicate. Three words that immediately spring to mind whenever one envisions an Alfa Romeo coupé of the ‘Sixties: Giulietta Coupé, Sprint Speciale, Sprint GT as well as the more rarefied sisters, the Giulia TZ 1 and 2 to name just a few. There does however exist a third Giulia TZ sister, but she was relegated to a dark corner and kept out of sight at AutoDelta for decades.
Ludovico Chizzola, AutoDelta’s co-founder, designed and built the Giulia TZ Prototipo Berlinetta (also known as the TZ 1.5) after a
request by Alfa Romeo to Continue reading “Secret Sister”
We recall the ill-fated 1987 revival of Bugatti and celebrate the thirtieth anniversary of the one car it produced, the extraordinary EB110 hypercar.
Bugatti is undoubtedly one of the most revered names in the automotive firmament. The company’s heyday was its first era, under the ownership of Ettore Bugatti, its eponymous founder. Bugatti was born in Milan in 1881, the son of a successful Art Nouveau furniture designer. Although he chose engineering as his profession, an innate understanding and appreciation of fine art was very much part of both his genetic inheritance and upbringing, with renowned sculptors, painters and architects in his extended family. This would manifest itself in a series of cars that were not only technically accomplished, but things of great beauty that are still held in the highest regard today. Continue reading “Sic Transit Gloria Mundi”
Some might consider the 1994 reworking of the Jaguar XJ40 under Ford’s direction as a retrograde step, but the X300 was the best built Jaguar in years and is still a highly impressive car.
An acquaintance of mine, Dennis, is a long-time Jaguar aficionado having owned a number of Browns Lane’s finest over the years. His impressive tally comprises Mk1 and Mk2 saloons, two XJ-S coupés, an XJ40 and a (previous) X300. After a period of abstinence, he took the plunge again in 2019 and bought the car you see here, a pristine 1996 XJ6 in metallic Solent Blue with a light grey leather interior.
First, a brief history. Ford purchased Jaguar for US $2.5 billion in 1990, ending its six years as an independent company. Under the leadership of Sir John Egan, Jaguar had in 1986 launched the technically ambitious XJ40 replacement for the venerable Series III XJ saloon. Egan had also cut Jaguar’s workforce by a third and improved productivity and build quality significantly during his tenure. Disentangled from the chaos and rancour of British Leyland, the external perception of the company had also improved markedly. Continue reading “Driven, Written: 1996 Jaguar XJ6”
Gardening and plucky optimism; British affairs if ever there were. From hoping the weather will turn to running a cheaper, underdog of a motor, this sceptred isle revels in such hopes, however forlorn.
Starting life as the Proton Wira, which is Malay for Hero by the way, the Mitsubishi Lancer-derived platform gave life to an unpretentious pick-up that caused your author to gasp out loud as not one but three examples were viewed in extremely quick succession recently.
In the UK, Australian and Taiwanese markets, it wore the Jumbuck badge, elsewhere known as the Arena. On sale from 2002-07, the Shah Alam-manufactured pick-up had a market pretty much to itself. As other manufacturers’ furrows lay with larger platforms, diesel engines and distinctly un-British characteristics bordering the violent, Proton appeared quite happy to Continue reading “Gardening Leave”
Landmark design, vanity project, or just simply a pretty face?
There was no sensible rationale for the Fiat 130 Coupé. The market didn’t ask for it. Fiat Auto’s bottom line would not be strengthened by its presence. There was no gaping hole in the product line-up that it would fill. So why did it come to exist? Why did the normally market-savvy Mirafiori behemoth go to the trouble and expense of creating a Fiat like no other – was it simply because they could?
The Fiat 131 Mirafiori was facelifted twice during its decade-long lifespan. The first was highly effective, the second rather less so. That was not, however, the end of the story…
The 1974 131 Mirafiori(1) was Fiat’s replacement for its 1966 124 model. It was offered in two and four-door saloon and five-door estate variants. Like its predecessor, the 131 was a resolutely conventional front-engined RWD design, with 1.3 and 1.6-litre OHV engines derived from those in the 124 and mounted longitudinally. Transmission was via a four-speed manual gearbox, with the option of a five-speed manual or three-speed automatic on the larger engined model.
The styling was neat and conservative, and the car grew modestly in wheelbase, length and width compared to the 124. One notable change was the abandonment of the 124’s pronounced shoulder line: the 131’s glasshouse was pushed out to be almost flush with the lower bodysides, to increase shoulder room and the feeling of interior space. The design had few stylistic flourishes. These were limited to a groove in the bodysides and indented longitudinal pressings in the bonnet and boot lid inboard of the wings. Continue reading “Under the Knife: Hit and Miss (and Hit again)”
Raindrops keep falling – bringing our monopod history to a close.
McCarty Mustang, 1948
Had he been able to actually get his new car enterprise off the ground, Ford Motor Company may have had to think of a different name for one of its most successful models. Roy McCarty worked at a Lincoln dealership but had bigger plans – to Continue reading “Drop the Subject – (Part Three)”
Turinese ideas have flowed many a year, largely with a great deal of success – on paper at least – diminishing returns, alongside awkward timing often diverting the flow. Having the relative novelty of seeing a perfectly unkempt example in person recently and referencing Mr. Editor Doyle’s take on the Lancia version, we must Continue reading “A Car Rolled Over Not Yet Matters”
The 2005 Alfa Romeo 159 had a tough act to follow in the delightful 156. We examine how it fared.
The 1997 Alfa 156 was the first Alfa Romeo for many years that was greeted with near-universal praise for its styling. The company’s designers had spent the previous couple of decades playing with their geometry sets and producing rectilinear designs that were, to say the least, rather challenging in their appearance.
Under the styling leadership of Walter de Silva at Centro Stile Alfa Romeo, the designers of the 156 looked further back into the company’s past and produced a shape that was organic, lithe and sinuous, one that was regarded by many Alfisti as the most authentic expression of the marque’s qualities in years.
Those alluring looks did not come without some penalty, in this case limited accommodation for passengers and their luggage(1) and that old Alfa Romeo bugbear, poor reliability. Premature cambelt and tensioner failures were common on the Twin-Spark engines, forcing the company to Continue reading “An Alfa Less Loved”
It has been said before, but bears repeating: no single European car designer has done more to shape the modern everyday motor car than Giorgetto Giugiaro, either during his time working for Bertone, Ghia or later for himself at ItalDesign.
We take a brief dive into Volvo’s Italian coachbuilt past.
Turin based coachbuilder, Carrozeria Fissore had confidence aplenty. Founded in 1919 by the four brothers; Antonio, Bernardo, Giovanni, and Costanzo, the reins fell under Bernado’s control in 1936. Originally horse carriage experts then car repairers, by wartime the carrozzeria had moved on to manufacturing – mail cars, vans, even hearses after military service.
No prizes for guessing much of Fissore’s work lay within the Fiat purview. By the 1960s, Fissore may not have been the household name far outside the confines of their homeland but their reputation had grown. To the point that Motauto, the Italian import agent for Volvo believed the carrozzeria possessed the skills to Continue reading “Confidence Might Be Z-Shaped but Knock-backs Wear Iron Marks”
Further precipitation. Continuing our examination of the streamlined monopod.
Bridges Lightning Bug, 1936
Doctor Calvin Blackman Bridges (1889-1938) did not have the background one would expect of a car designer. He was a highly respected geneticist who had contributed the first paper ever to the journal, Genetics and had invented the binocular dissecting microscope.
Bridges built his car in his spare time, machining many parts himself on a lathe. Being rather safety-conscious by the standards of the time the doctor used an early plastic named Pyralin instead of glass for the windows, a forced air ventilation system to prevent carbon monoxide poisoning and a steel and asbestos firewall between engine and passenger compartment. Unusually the front suspension was constructed of a motorcycle fork on each side.
The 1971 Alfasud was a game-changing car, not only for what we would now call the C-segment, but for Alfa Romeo itself. Unfortunately, while the ‘Sud was to become the conceptual template for an entire generation of similarly sized (if not as technically ambitious) cars from rival manufacturers, it was something of a disaster for il Biscione. Not a brand-killer by any stretch, but nevertheless the case against the ‘Sud is not inconsiderable.
By re-orientating the carmaker’s centre of gravity to the crowded and heavily contested free-for-all of the compact C-segment the Alfa Sud programme placed the Milanese carmaker squarely in the gunsights of the mighty Fiat Auto group. It also had the effect of lowering Alfa Romeo’s average transaction prices, driving down its image as the builder of superior motor cars – a matter its subsequent reputation for slapdash build and premature corrosion would only serve to amplify.
By the early 1970s, the Italian economic miracle was unravelling in a spiral of politically-motivated industrial unrest and violence amid growing inequalities between affluence and economic stagnation. Terrorist atrocities, assassinations, strikes and stoppages became the daily news headlines as Italy’s position as posterchild for post-war reconstruction and prosperity faded.
The Alfasud lands to great acclaim. But trouble is just around the corner.
The Alfasud was launched at the 1971 Turin motor show and was greeted with widespread praise. The compact mechanical package allowed for a low bonnet line and a spacious interior. Despite appearances, the Alfasud, like many contemporaries, was not a hatchback, but a four-door saloon with a conventional boot. The exposed boot hinges were just a minor visual flaw in what was a notably modern, attractive and aerodynamic design.
The front end featured integrated headlamp/indicator units framing a simple horizontal grille that contained the traditional Alfa Romeo shield. Eagle-eyed observers would Continue reading “Going South (Part Two)”
An irregular current blows through the neighbourhood.
Maserati: the very name evokes charisma, although broad Yorkshire tones tend to offer a less divine-sounding Mazz-Uratty. The model names themselves convey equally evocative overtones; even a dusty, dry wind from North Africa manages to cleave enigmatic inflections – Ghibli.
Not the poster boy from the 1960s however – today we pore over the modern, everyday Ghibli – the tipo M157, revealed to the world in Shanghai 2013. Produced in the former Bertone manufacturing plant of Grugliasco, close to Turin, life for the new Ghibli began under FCA’s Centro Stile direction, Marco Tencone seemingly responsible for overseeing those dashingly good looks.
More than merely a car, a state-sponsored project in political and social engineering. Celebrating the Alfa Romeo Alfasud on its 50th anniversary.
In the years that followed the end of the Second World War, successive Italian governments faced a seemingly intractable problem. Northern Italy had become increasingly urbanised, industrialised and prosperous, but the south remained largely a rural backwater. By 1950, income per capita in the south was roughly half that in the north, and the gap was widening. Much of the south’s agricultural land remained in the hands of large landowners and was poorly managed and often unproductive. Many unemployed young people simply migrated north, robbing the south of much of its potential labour force.
Acknowledging this economic and social divide, the Italian government established the Cassa per il Mezzogiorno (Southern Development Fund) in 1950. Its initial purpose was to Continue reading “Going South (Part One)”
The Pet Shop Boys considered them hell, Chevrolet named a vehicle after them eighty years ago. The award winning band Arcade Fire devoted an entire album towards them in 2010. According to lead singer, Win Butler, the album “is neither a love letter to, nor an indictment of, the suburbs – it’s a letter from the suburbs.” The Canadian band’s genre has proved difficult to pin down; journalists having dubbed them indie or art rock – one amongst them resorting to baroque pop. Today, let’s Continue reading “The Sprawl”
Imagining a brighter alternative future for the Beta, and for Lancia.
In an alternative reality, the Beta berlina would not have suffered the structural corrosion problems that proved catastrophic to Lancia’s reputation and prospects. Instead, it would have evolved into a full range of models in its own right.
“To create an unfavourable impression, it is not necessary that certain things be true, but that they have been said. The imagination is of so delicate a texture that even words wound it”. [William Hazlitt (1778-1830) – Writer, critic, philosopher]
With a now unassailable position within the annals of infamy; derided and patronised by legions of uninformed writers and journalists, has sufficient time elapsed to speak dispassionately about the Lancia Beta? It’s difficult to be certain, but the point of today’s exercise is to Continue reading “Beta Living Through Chemistry”
The Beta and its derivatives were developed progressively over its production life. A smaller 1,297cc 81bhp (60kW) engine replaced the 1,438cc entry-level unit in 1974, at which time power steering was offered on LHD models. In 1975, the 1,592cc engine was replaced by a slightly smaller capacity 1,585cc 99bhp (74kW) unit and the 1,756cc engine was supplanted by a 1,995cc 117bhp (88kW) powerplant. Electronic ignition was fitted from 1978 and automatic transmission became an option, making the Beta the first Lancia to Continue reading “Deserving Beta (Part Two)”
We break out the wool tufts for a two-part story documenting the early days of streamlining.
In the 1930s they were widely publicised as the shape of automotive things to come, the so-called raindrop-shaped streamliners. That raindrops are tadpole-shaped is a common misconception however; falling raindrops are perfectly round. Ball bearing and lead-shot manufacturers exploit this phenomenon of falling liquids: molten lead is dropped from a great height into a cooling liquid with perfect spheres as a result.
Some raindrop cars made it to the actual volume production phase; early Tatras, the Fiat 600 Multipla and of course the SAAB 92-96 being amongst the best known examples, but most efforts would fail to find investors or public interest and remained one-offs or extremely limited production at best. Nevertheless some of the endeavours, initiated by people as diverse as a geneticist, a rocket scientist and a carrot juice maker are worthy and interesting enough to Continue reading “Drop the Subject – (Part One)”
What use has DTW’s South Yorkshire correspondent, Andrew Miles for hairpins?
Once a border between Italy and the Austro-Hungarian empire, nowadays oft-frequented by those choosing to wear multicoloured Lycra® whilst pedalling a two wheeled carbon fibre device. Also, for powered vehicles seeking hairpin heaven, the Passo dello Stelvio has, for practically two centuries, delivered.
Carlo Danegoni’s original pass contains over seventy hairpin bends, but suffers extended closure due to winter snows. In the Great War, fierce battles were pitched here in the Alps at practically 1900 metres above sea level. And of course it has now lent its name to that most bulbous of the Biscione’s range – the Stelvio SUV. It’s a decent moniker; trips off the tongue a little better than the Stilsferjoch for language-averse Brits, though how many Continue reading “Stelvio!”
The 1972 Beta heralded a brave new start under Fiat ownership for Lancia. We tell its story.
Over six decades from its foundation in 1906, Lancia & C. had earned an enviable reputation for the excellence of its engineering and its finely crafted, innovative and desirable cars. Unfortunately, Vincenzo Lancia, his friend and business partner Claudio Fogolin, and Vincenzo’s son, Gianni, who took over the company when his father died suddenly in 1937, were far more talented engineers than they were businessmen. Consequently, Lancia always struggled to Continue reading “Deserving Beta (Part One)”
It has been stated here many times before, but the art of product planning is often somewhat akin to an act of faith. Certainly, the job of the strategic planner during the latter part of the 1970s was anything but straightforward. This was a particularly acute problem for luxury carmakers; having already weathered dramatic market reorientation following two successive fuel crises, attempting to Continue reading “A Disproportionate Response”
The 2011 Lexus CT200h was an awkwardly proportioned and unhappy design. Could it have been better resolved?
My recent DTW piece on the Lexus CT 200h contained an analysis of its design and identified the rear door profile and C-pillar treatment as the primary cause of its awkward proportions and stance. In particular, the too-short rear door glass and badly drawn shut-line between the door and rear quarter panel are poorly resolved and jarring details.
Why should we let facts get in the way of a good story? History is written by the winners, some say. Henry Ford disregarded such matters, but stories have to begin somewhere, so let us head to America, 1701. The French had cornered parts of the new world, establishing settlements, later growing into towns. Fur trading was big business and its centrepiece was Fort Pontchatrain du-Détroit, the latter being the French word for strait. When the British showed up later, they immediately shortened the name to Detroit.
The town’s founding father was one Antone Laumet de la Mothe Cadillac, who according to history writers was either a soldier who had King Louis’ ear, along with his own heraldic majesty or had fabricated his own importance, to gain higher status. As town governor, he regularly popped over the border to Canada for skirmishes, before an eventual recall back to his homeland, obscurity and never to Continue reading “Fort Pontchatrain, the Ducks and the Dutch Artists”
We recall a legendary name in American coachbuilding.
Today’s Escalade SUV is routinely paraded as the new-millennial personification of the classic full-size Cadillac sedan, but with the sort of ground clearance and utility the Cadillacs of yesteryear could only dream about. During the roseate era of fins, dagmars and chrome plating, Cadillacs were not created with practicality foremost in mind – these were profound statements, potent symbols of attainment.
Throughout the 1950s, Cadillac sales were seemingly impervious to market vagaries or the state of the economy. While its brash appearance may not have been to everyone’s taste – even in more-is-more boomtime fifties America – the Cadillac was the domestic car the vast majority of the American public aspired to. Cadillac customers were also said to be the most brand-loyal; even in more difficult times, a new Cadillac on the suburban driveway clearly illustrated to peers and associates that everything was ‘just swell’.
The Matra-Renault Espace sired a number of imitators, but what about outright copies? Bruno Vijverman investigates.
The Renault Espace opened up a whole new market segment when it was introduced in 1984 (across the Atlantic the Dodge Caravan and Plymouth Voyager did likewise) and as soon as its commercial viability was confirmed, competitors rushed to their drawing boards to join the party. Not long after, several competing brands would introduce their own take on the monospace theme. And although conceptually they obviously followed the trail cleared by Renault, within the styling constraints of the monospace concept they produced designs that remained reasonably faithful to each make’s family appearance.
Years later however two suspiciously similar vehicles would surface in both India and Brazil. Even though one of them only went on sale shortly before the original Espace would be replaced by a new generation model, Renault nevertheless successfully threatened legal action, while the other clone never really reached series production at all. Let’s Continue reading “Espace Invaders”
The idea of designing or styling cars is almost as old as the industry itself. Stemming from coach and carriage works, in the beginning the car was made and effectively styled by those same engineers whose only goal was a mechanically powered carriage. Short framed, high bodied creations, and rudimentary in weather protection, imbuing style was barely considered. Wealthy customers hired craftsmen to create a unique automobile – America had dozens of such custom builders but even with Henry’s Model T, mass production barely stirred the creative soul.
Alfred Pritchard Sloan Jr wrote a letter to the general manager of Buick, H.H. Bassett in 1926 expressing his interest in styling a car in order to sell more. Cadillac general manager, Lawrence Fisher concurred with Sloan’s and Basset’s ideas on appearance. On a trip of Cadillac dealers in California, Fisher was introduced to Don Lee who aside from flogging Cadillacs ran a custom workshop in Hollywood. Contained within were those craftsmen building film stars their dream cars. Fisher was impressed by not only the workmanship, but by the young fellow directing the designers – Harley J Earl.
Launched a decade ago, the CT was an uncharacteristic misstep for its maker and a failure in the market.
In the first decade of the new millennium, Lexus would have looked on with interest and a degree of envy as the German premium trio successfully marched downwards into the C-segment. Even though the Audi A3, BMW 1-Series and Mercedes-Benz A-Class(1) were not significantly (if at all) better than the best of the mainstream models in this sector, the appeal of their prestigious badges was such that buyers were happy to pay up for the kudos of having one on their driveway.
Everybody in the enthusiast community has an opinion on the Land Rover Defender – be it the old stager lately retired, or its more contested replacement from 2019. Like most opinions in today’s febrile media environment, these are as fiercely held as they are emphatically expressed.
At this point therefore I feel compelled to make an admission: I don’t much care for the original Land Rover. I do understand the rudiments of its appeal and acknowledge its unquestionable position in the pantheon, but I am becoming a little tired of being metaphorically beaten over the brow about how marvellous they are. Because, no matter how often I am pinned to a stout object and guided towards the path of righteousness by a defender of the faith, I simply cannot Continue reading “A Photo for Sunday – No Defence”
If George Orwell wasn’t volunteering to fight in the Spanish civil war, he might just have been found causing literary chaos whilst craving a pint of stout in his perfect pub. A turbulent life ended aged just 46, Orwell spent many years inventing (and searching for) the Moon Under Water – his perfect, Londinium watering hole.
In his (final) Saturday essay published in the Evening Standard, 9th February 1946, Orwell set out ten significant bullet points, eight of which he eventually found in one unnamed hostelry. In turn, this led to me thinking can similar attributes be used to Continue reading “The Moon Under Water”
We recall the Talbot-Matra Murena, successor to the successful Matra-Simca Bagheera, and chart Matra’s departure from the automotive business.
1978 saw the departure from Europe of Chrysler, the US automotive giant that was in considerable financial distress at that time. It offloaded its European assets (and very considerable debts) to the PSA Group(1) for a nominal US $1. In the preceding years, Chrysler had replaced the individual European marque names it had acquired with its own, which meant that PSA now had to find a new name for its acquisition.
It might have resurrected the recently deceased Simca and/or Hillman names but chose instead to dig deeper into its past and found Talbot. This marque name, which had been retired in 1958, had the advantage of being perceived as British in the UK and French in continental Europe, and so was revived in August 1979.
In its last year of production, the Matra-Simca Bagheera was rebranded Talbot-Matra. A replacement was in the final stages of development under the project code numbers M551 and M552(2) and would Continue reading “Three’s Company (Part Two)”
An unsung car design essential under the microscope.
“We’ve simply never found anything better.”
Prosaic words in a modern world where the non-use of a computer or software could be deemed a disability – thank heavens then for a material still requiring skilled human hands to shape and form – clay. Used for eons, clay in the automotive industry requires chemical alterations. Natural clay requires baking to gain its strength and rigidity but which renders the product non-alterable. To allow for modelling complex curves or knife-sharp edges, natural clay contains added oils or waxes and in the early days a volume filler, (sulphur) to maintain its pliable attributes.
Delivered in blocks (or billets), once warmed through, the clay can then be applied to a rudimentary shaped wooden buck or wire armature in clumps, literally thrown on then hand kneaded to express a basic shape. Once air dried, this automotive modelling clay maintains its malleable state and allows the skilled human along with a variety of hands tools to Continue reading “Chavant and Di-NOC”
In the early 1970s Automobiles Matra enjoyed popularity as a manufacturer of relatively inexpensive light sportscars such as the Djet, 530 and Bagheera. The French firm’s racing arm – Equipe Matra Sports, founded in 1965 – likewise had swiftly built up an impressive palmares in motorsports. Matra won the 1969 Formula One Championship with the MS80 driven by Jackie Stewart and with the MS670 emerged the overall victor at the gruelling 24h Le Mans endurance race three years in a row starting in 1972.
Bostelbek’s resourceful and determined Kleinlaster manufacturer reached the mid-1950s in a state of existential crisis, with their promising Matador range in desperate need of a suitably powerful, efficient, and dependable engine. The smaller Wiking truck was selling satisfactorily, but the Land Rover joint venture had no future, and the once-staple Hanseat Dreirad was a vehicle type soon to Continue reading “Strict Tempo – Part 2. The Unassailable Matador”
The Matra-Simca Bagheera combined supercar-apeing looks and robust if rather prosaic mechanicals to produce a practical, everyday sports car.
Mention the name Matra-Simca to a car enthusiast of mature years and their mind will almost certainly turn to the 1977 Rancho, a modestly successful vehicle that was decades ahead of its time. The Rancho was based on the FWD Simca 1100 but had a bespoke fibreglass body aft of the B-pillars, with a raised roof and a large split tailgate. It also had a raised ride height, plastic wheel arch extensions and other faux off-road addenda. It was, in effect, a crossover, long before that term was coined.
There is, however, an earlier and less well-known vehicle that carried the Matra-Simca name. This is the 1973 Bagheera, a sports coupé, the most unusual feature of which was its three-abreast seating arrangement.
Matra(1) was a French industrial engineering conglomerate that was established in 1945. Its activities included aviation, satellite and defence technology. Following the acquisition of Automobiles René Bonnet in 1963, it also became a car manufacturer, albeit on a modest scale: it inherited Bonnet’s small two-seater mid-engined sports car, the Djet. This was succeeded in 1967 by the somewhat larger Matra 530, still mid-engined, but now with 2+2 accommodation. The latter was only produced in small numbers because Matra simply did not Continue reading “Three’s Company (Part One)”
A highly selective, subjective (and lengthy) IAA-themed grab for the week ending 12/09/2021.
The first indoor European motorshow since the onset of SARS CoV-2 is not something to be taken lightly, but neither is it of direct consequence to those of us who routinely fail to attend them. It’s not that I was ever particularly averse – in fact I rather enjoy perusing the putative, spectating over the speculative and free-associating over the fantastical, but the events themselves always seemed to have fallen at an inconvenient time. For the past 18 months or so this has been largely academic, but once again my coverage of a major motor event must by necessity be of a remote nature.
Philibert Le Roy is credited with turning a backwater shooting lodge into a chateau fit for a king. Then, through a succession of architects along with an army of builders, the Sun King’s dream of the most opulent palace was made real. From small beginnings to a lavish labyrinth, the Palace of Versailles has borne witness to history.
Metaphorically and literally distanced from such overt flourishes lies an altogether different theatre of dreams. A place that too has borne change, seen careers grow to unprecedented heights, scarred many by its inner machinations and created millions of objects idolised the world over. Enter architect, Eero Saarinen (1910-61), creative inspiration for the somewhat bland sounding 1956 GM Technical Center in Warren, Michigan.
During the 1960s, Fiat basked in the glory of good times – the Turinese giant had a firm grip on the domestic market and elsewhere in Europe enjoyed considerable popularity. North America was proving to be trickier than expected, but in South
America, Fiat achieved good sales figures. A pleasant and often eye-pleasing by-product of Fiat’s booming business was the appearance of many special-bodied coupé and convertible variants usually designed and built by Italian coachbuilders like Pininfarina, Moretti, Bertone and Vignale to name a few. Continue reading “Southern Belles”
A chance sighting in a Hamburg suburb prompts a DTW writer to contemplate the life and times of one of Germany’s lesser known automotive dynasties.
For me, this story starts on a quiet street in a south-western suburb of Hamburg almost exactly two years ago, although the times we have lived through since make the experience feel far more distant. I had based myself in an apartment in west Harburg, close to the A7 autobahn, and on my first morning, set out further west in search of breakfast, and found myself on a street called Tempoweg, close to the Neuwiedenthal S-Bahn station.
Ještêd, at 1,012 metres is only the 347th highest of the Czech Republic’s mountains yet is a coveted location. The reason being since 1973, at the summit resides an award winning single piece circular building, hyperboloid in shape, pointedly aiming another hundred metres toward the heavens. Partly hotel, but mainly transmitting TV signals, this striking edifice which took six years to construct came from the mind of Karel Hubáček, co-founder of SIAL, a Czech architectural studio.
Melding elements of beauty with science fiction, a sense of playfulness with functionality, the tower serves the important function of searching further into the great unknown. And whilst Hubáček, surviving enforced wartime labour, concentrated his work upon buildings for humans, he might perhaps have been influenced by something equally futuristic, but on four wheels.
GM’s Firebird I concept stood for high performance. II being the futuristic family car, whereas III was GM’s own trip to the final frontier – an earthbound automobile with otherworldly ideals. Continue reading “Reaching for the Stars”