The Quintessence : (Part Eight)

In the spring of 1975, the XJ finally went on sale in coupé form, but the timing proved somewhat inauspicious.

(c) Autocar

From the point of inception, it had been Jaguar’s intention to produce the XJ in two door coupé form. Indeed, during 1967, Jaguar’s North American distributors stated that they were only interested in this body style. But with the XJ4 programme already a good 18-months behind schedule, and other BLMC programmes being accorded priority, PSF ceased development of the coupé body entirely.

This remained the state of affairs in 1969. With XJ6 production getting under way, PSF were in no position to expedite matters and with demand for the saloon so high, all hands were set to fulfilling it. However that year, Sir William Lyons had the artisans within his secret styling shop convert a surplus saloon shell into a pillarless coupé.

This was a cut and shut job, largely to ascertain its feasibility and prove the styling. Once Lyons was satisfied, the finished car – the only Series 1 Coupé ever made was secreted within Browns Lane, awaiting sanction. But despite efforts to add it to the product plan, no BLMC funding was forthcoming. It appeared as though the final car whose styling Sir William personally supervised prior to his retirement would remain a one-off.

But it seems Lyons’ successor, ‘Lofty’ England, was determined to see Sir William’s final opus reach production and having cobbled together a business plan for the model, obtained backing for it to be shown at the 1973 Frankfurt Motor show as an adjunct to the revised Series II XJ saloons. But while the car caused something of a sensation, XJ33 was anything but production-ready.

Much of the XJ saloon’s torsional rigidity stemmed from its substantial side sills and hefty transmission tunnel. However, the centre pillars also carried a great deal of the body stresses and because Sir William was insistent upon a pillarless style, the consequences of their removal was profound, as Jim Randle recalls.

It was a difficult car to develop. That was largely because of the loss of the b-pillar. The car used to go on resonance, so road noise and so forth would bring up a low-frequency boom. You could cure it entirely by putting a piece of wood between the base of the b-pillars, but sales and marketing wouldn’t go for that, even if we veneered it! But actually, we more or less cured it by putting damping door seals in there; foam seals, because those doors were heavy.

But the pillarless layout exposed other issues as well. Aerodynamically, the presence of a low pressure area had the effect of sucking the unsupported side-glass outwards, leading to excessive wind noise and sealing problems. Furthermore, developing a reliable winding mechanism which would allow the rear side glass to fully retract proved intensely difficult. Jaguar’s senior body engineer, Cyril Crouch was given that unenviable task to perform – the resultant cable and pulley system being the result.

Despite a good deal of development, which delayed the car’s introduction some eighteen months, the sealing and wind-noise problems were never fully eradicated. Some owners, including Jaguar’s Tom Jones allegedly solved the problem by having the side glass screwed shut.

The XJ-C was an exceptionally elegant car, the side window DLO being particularly harmonious in execution. However, it remains a matter of conjecture whether it matched or exceeded the visual purity of the short wheelbase saloon. Not particularly aiding the XJ-C’s cause was the standard fitment of that de-rigueur Seventies accoutrement, the vinyl covered roof.

There was an element of fashion to this – many Series II saloons were so fitted – but also, it’s believed that owing to flexing of the coupé bodyshell and the somewhat rudimentary paint technology employed, it could also be said to have covered a multitude.

(c) Jaguar Heritage

Technically, the XJ-C was identical to the saloon and was offered with the same combination of 4.2 or 5.3 litre engines, transmissions and marque nameplates as the four-door. Only the bodyshell, which shared the same wheelbase as the SWB saloon differed markedly. But if the standard XJ saloon was a complex car from a build perspective, the coupé proved a good deal more so, and owing to complications associated with its assembly it required a dedicated line at Browns Lane.

UK demand for the car was weak, owing perhaps to prevailing economic conditions, the aftermath of the oil embargo, the negative publicity surrounding the embattled BL group and the fact that the four-door XJ looked as good, cost less and in LWB form offered a good deal more practicality.

In the US market, while sales of personal luxury coupés hadn’t completely nose-dived, they were in significant decline. The XJ-C had simply arrived a decade too late. Furthermore, the Autumn announcement of the mechanically similar XJ-S saw potential V12 XJ-C customers on both sides of the Atlantic opt instead for the newer, more modish alternative, despite there being some reservations to the XJ-S’ more radical style.

(c) Jaglovers

The XJ-C quickly became something of a liability for Jaguar, owing to its complex build, NVH, refinement and sealing issues, so the decision was taken to discontinue the model in 1977. Oddly, the last few hundred were listed as 1978 models; these cars, in V12 form were fitted with the far-superior GM 400 automatic gearbox, which became common to all V12-engined Jaguar’s that year. In all, 10,487 coupé models were built.

The XJ-C wouldn’t be the first or last car which entered production with significant and fundamental flaws, largely because its creators were hooked upon its styling. Certainly its looks and suave demeanour acted as a powerful counterbalance to its foibles, but it’s debatable as to whether these were sufficient, then or now. But for many however, it remains (from a visual perspective at least) the XJ perfected.

It’s somewhat ironic that XJ-C, despite being planned from the outset, arrived as something of an afterthought and having been eclipsed by in-house rivals, went out with something of a whimper – a consequence perhaps of having been left on the back burner too long. Realistically then, while a nice idea in theory, the Coupé probably ought to have remained a one-off.

Continue reading.

©Driven to Write. All rights reserved.

Author: Eóin Doyle

Founding Editor. Content Provider.

5 thoughts on “The Quintessence : (Part Eight)”

  1. Although a pretty car, I agree that the XJ-C should have remained an experiment. The standard XJ6 was, to my eyes, even more attractive and more useful with its four doors. Still, I would have picked an XJ-C over an XJ-S. The XJ-S just looked like something you would see parked in front of the Playboy Mansion. (Hope I haven’t insulted anyones car!)

  2. My favourite of all the XJs. Would it have been such an admission of failure to introduce a B-pillar – the XJ-S shows how it could have been done.

    There’s mention of the pillarless woes in this splendidly mad letter in CAR November 1974:

  3. I don’t think over ten thousand cars produced were all that bad, considering the times. Except for the Germans most exotic car sales tanked in 1973. Citroen SM sold half of its production in a single year, 1971. US sales took half the rest of the production in ’72 and ’73, while the rest of the world was only a trickle after that. BMW E9 sales tanked in ’73, mostly because of an outdated model. The E24 sold steadily between 5-7000 units per year throughout the ’70s. Total Fiat 130 Coupe production was a tad over 4000 units, Lancia Gamma Coupe a tad under 7000 units. While Mercedes sold about 7000 cars per year of the SLC alone for a total production number of a little over 60 000 coupes. They also sold close to 7500 units of the 6.9 during those years. Ferrari sold less then a thousand 365’s and 400 Coupes during the 70’s, Maserati sold less than half of that of their Khamsin. Seen in that view ten thousand cars really ain’t half bad for the XJ-C, with over 2000 V12 cars included in that number. What really surprised me though was the numbers for the XJ-S, close to 15 000 units for the Series I, all of them V12’s. That ain’t bad at all…

  4. I’ve always found this car to be so attractive. Big luxury coupes have always been my favorites. Buick Rivieras of the 1960s had been my choice for years. I suppose that the XJ-C could have been engineered like a convertible conversion first, then they could have welded a steel top on! A “B” pillar and framed door glass worked out quite well on the XK 140 FHC. There’s no way that the market could have supported the XJ-C as well as the new XJ-S. They would have been targeted to the same demographic. The XJ-S of course went on to became a huge success. I’ve got an ’89 convertible but never got my invitation to the Playboy mansion.

    1. There´s an interesting comparison – the 1963-1966 Buick Riviera and the XJ-C. The Jaguar has a good sized engine and it´s a two door. It is also almost sylph-like by comparison.
      I´ve never thought of the XJ-C as a failure and not as a smash success either. It is among that large crop of very charming cars whose audience was big enough yet not massive enough to guarantee legend status. As it stands, the car is lovely to behold, somehow improving on the saloon which in isolation stands as an enduring landmark of car design, despite the horrors of Leyland and the three day week.

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