It has been thirty years since the Citroen launched the XM, on this day in 1989. On sale for 11 years and out of production for nearly twice as long, that makes it a real antique, doesn’t it.
(There are now people around who may never have seen an XM in motion, anyone born after 1999, I suppose.)
It is something of a pleasant coincidence (for me) that the self-titled album by Tin Machine came out just one day before Citroen announced the CX´s replacement. If Tin Machine was David Bowie’s way of getting back to what he most wanted to do, the XM presented another step towards watering down Citroenisme.
In the long game of a professional musician at Bowie’s level, Tin Machine was a necessary experiment, a form of throwing paint around and casting off unwanted rules. It was a step toward something else. For Citroen, the XM was claimed to Continue reading “Tin Machine, Tin Machine, Take Me Anywhere”