The Beta and its derivatives were developed progressively over its production life. A smaller 1,297cc 81bhp (60kW) engine replaced the 1,438cc entry-level unit in 1974, at which time power steering was offered on LHD models. In 1975, the 1,592cc engine was replaced by a slightly smaller capacity 1,585cc 99bhp (74kW) unit and the 1,756cc engine was supplanted by a 1,995cc 117bhp (88kW) powerplant. Electronic ignition was fitted from 1978 and automatic transmission became an option, making the Beta the first Lancia to Continue reading “Deserving Beta (Part Two)”
We break out the wool tufts for a two-part story documenting the early days of streamlining.
In the 1930s they were widely publicised as the shape of automotive things to come, the so-called raindrop-shaped streamliners. That raindrops are tadpole-shaped is a common misconception however; falling raindrops are perfectly round. Ball bearing and lead-shot manufacturers exploit this phenomenon of falling liquids: molten lead is dropped from a great height into a cooling liquid with perfect spheres as a result.
Some raindrop cars made it to the actual volume production phase; early Tatras, the Fiat 600 Multipla and of course the SAAB 92-96 being amongst the best known examples, but most efforts would fail to find investors or public interest and remained one-offs or extremely limited production at best. Nevertheless some of the endeavours, initiated by people as diverse as a geneticist, a rocket scientist and a carrot juice maker are worthy and interesting enough to Continue reading “Drop the Subject – (Part One)”
What use has DTW’s South Yorkshire correspondent, Andrew Miles for hairpins?
Once a border between Italy and the Austro-Hungarian empire, nowadays oft-frequented by those choosing to wear multicoloured Lycra® whilst pedalling a two wheeled carbon fibre device. Also, for powered vehicles seeking hairpin heaven, the Passo dello Stelvio has, for practically two centuries, delivered.
Carlo Danegoni’s original pass contains over seventy hairpin bends, but suffers extended closure due to winter snows. In the Great War, fierce battles were pitched here in the Alps at practically 1900 metres above sea level. And of course it has now lent its name to that most bulbous of the Biscione’s range – the Stelvio SUV. It’s a decent moniker; trips off the tongue a little better than the Stilsferjoch for language-averse Brits, though how many Continue reading “Stelvio!”
The 1972 Beta heralded a brave new start under Fiat ownership for Lancia. We tell its story.
Over six decades from its foundation in 1906, Lancia & C. had earned an enviable reputation for the excellence of its engineering and its finely crafted, innovative and desirable cars. Unfortunately, Vincenzo Lancia, his friend and business partner Claudio Fogolin, and Vincenzo’s son, Gianni, who took over the company when his father died suddenly in 1937, were far more talented engineers than they were businessmen. Consequently, Lancia always struggled to Continue reading “Deserving Beta (Part One)”
It has been stated here many times before, but the art of product planning is often somewhat akin to an act of faith. Certainly, the job of the strategic planner during the latter part of the 1970s was anything but straightforward. This was a particularly acute problem for luxury carmakers; having already weathered dramatic market reorientation following two successive fuel crises, attempting to Continue reading “A Disproportionate Response”
The 2011 Lexus CT200h was an awkwardly proportioned and unhappy design. Could it have been better resolved?
My recent DTW piece on the Lexus CT 200h contained an analysis of its design and identified the rear door profile and C-pillar treatment as the primary cause of its awkward proportions and stance. In particular, the too-short rear door glass and badly drawn shut-line between the door and rear quarter panel are poorly resolved and jarring details.
Why should we let facts get in the way of a good story? History is written by the winners, some say. Henry Ford disregarded such matters, but stories have to begin somewhere, so let us head to America, 1701. The French had cornered parts of the new world, establishing settlements, later growing into towns. Fur trading was big business and its centrepiece was Fort Pontchatrain du-Détroit, the latter being the French word for strait. When the British showed up later, they immediately shortened the name to Detroit.
The town’s founding father was one Antone Laumet de la Mothe Cadillac, who according to history writers was either a soldier who had King Louis’ ear, along with his own heraldic majesty or had fabricated his own importance, to gain higher status. As town governor, he regularly popped over the border to Canada for skirmishes, before an eventual recall back to his homeland, obscurity and never to Continue reading “Fort Pontchatrain, the Ducks and the Dutch Artists”
We recall a legendary name in American coachbuilding.
Today’s Escalade SUV is routinely paraded as the new-millennial personification of the classic full-size Cadillac sedan, but with the sort of ground clearance and utility the Cadillacs of yesteryear could only dream about. During the roseate era of fins, dagmars and chrome plating, Cadillacs were not created with practicality foremost in mind – these were profound statements, potent symbols of attainment.
Throughout the 1950s, Cadillac sales were seemingly impervious to market vagaries or the state of the economy. While its brash appearance may not have been to everyone’s taste – even in more-is-more boomtime fifties America – the Cadillac was the domestic car the vast majority of the American public aspired to. Cadillac customers were also said to be the most brand-loyal; even in more difficult times, a new Cadillac on the suburban driveway clearly illustrated to peers and associates that everything was ‘just swell’.
The Matra-Renault Espace sired a number of imitators, but what about outright copies? Bruno Vijverman investigates.
The Renault Espace opened up a whole new market segment when it was introduced in 1984 (across the Atlantic the Dodge Caravan and Plymouth Voyager did likewise) and as soon as its commercial viability was confirmed, competitors rushed to their drawing boards to join the party. Not long after, several competing brands would introduce their own take on the monospace theme. And although conceptually they obviously followed the trail cleared by Renault, within the styling constraints of the monospace concept they produced designs that remained reasonably faithful to each make’s family appearance.
Years later however two suspiciously similar vehicles would surface in both India and Brazil. Even though one of them only went on sale shortly before the original Espace would be replaced by a new generation model, Renault nevertheless successfully threatened legal action, while the other clone never really reached series production at all. Let’s Continue reading “Espace Invaders”
The idea of designing or styling cars is almost as old as the industry itself. Stemming from coach and carriage works, in the beginning the car was made and effectively styled by those same engineers whose only goal was a mechanically powered carriage. Short framed, high bodied creations, and rudimentary in weather protection, imbuing style was barely considered. Wealthy customers hired craftsmen to create a unique automobile – America had dozens of such custom builders but even with Henry’s Model T, mass production barely stirred the creative soul.
Alfred Pritchard Sloan Jr wrote a letter to the general manager of Buick, H.H. Bassett in 1926 expressing his interest in styling a car in order to sell more. Cadillac general manager, Lawrence Fisher concurred with Sloan’s and Basset’s ideas on appearance. On a trip of Cadillac dealers in California, Fisher was introduced to Don Lee who aside from flogging Cadillacs ran a custom workshop in Hollywood. Contained within were those craftsmen building film stars their dream cars. Fisher was impressed by not only the workmanship, but by the young fellow directing the designers – Harley J Earl.
Launched a decade ago, the CT was an uncharacteristic misstep for its maker and a failure in the market.
In the first decade of the new millennium, Lexus would have looked on with interest and a degree of envy as the German premium trio successfully marched downwards into the C-segment. Even though the Audi A3, BMW 1-Series and Mercedes-Benz A-Class(1) were not significantly (if at all) better than the best of the mainstream models in this sector, the appeal of their prestigious badges was such that buyers were happy to pay up for the kudos of having one on their driveway.
Everybody in the enthusiast community has an opinion on the Land Rover Defender – be it the old stager lately retired, or its more contested replacement from 2019. Like most opinions in today’s febrile media environment, these are as fiercely held as they are emphatically expressed.
At this point therefore I feel compelled to make an admission: I don’t much care for the original Land Rover. I do understand the rudiments of its appeal and acknowledge its unquestionable position in the pantheon, but I am becoming a little tired of being metaphorically beaten over the brow about how marvellous they are. Because, no matter how often I am pinned to a stout object and guided towards the path of righteousness by a defender of the faith, I simply cannot Continue reading “A Photo for Sunday – No Defence”
If George Orwell wasn’t volunteering to fight in the Spanish civil war, he might just have been found causing literary chaos whilst craving a pint of stout in his perfect pub. A turbulent life ended aged just 46, Orwell spent many years inventing (and searching for) the Moon Under Water – his perfect, Londinium watering hole.
In his (final) Saturday essay published in the Evening Standard, 9th February 1946, Orwell set out ten significant bullet points, eight of which he eventually found in one unnamed hostelry. In turn, this led to me thinking can similar attributes be used to Continue reading “The Moon Under Water”
We recall the Talbot-Matra Murena, successor to the successful Matra-Simca Bagheera, and chart Matra’s departure from the automotive business.
1978 saw the departure from Europe of Chrysler, the US automotive giant that was in considerable financial distress at that time. It offloaded its European assets (and very considerable debts) to the PSA Group(1) for a nominal US $1. In the preceding years, Chrysler had replaced the individual European marque names it had acquired with its own, which meant that PSA now had to find a new name for its acquisition.
It might have resurrected the recently deceased Simca and/or Hillman names but chose instead to dig deeper into its past and found Talbot. This marque name, which had been retired in 1958, had the advantage of being perceived as British in the UK and French in continental Europe, and so was revived in August 1979.
In its last year of production, the Matra-Simca Bagheera was rebranded Talbot-Matra. A replacement was in the final stages of development under the project code numbers M551 and M552(2) and would Continue reading “Three’s Company (Part Two)”
An unsung car design essential under the microscope.
“We’ve simply never found anything better.”
Prosaic words in a modern world where the non-use of a computer or software could be deemed a disability – thank heavens then for a material still requiring skilled human hands to shape and form – clay. Used for eons, clay in the automotive industry requires chemical alterations. Natural clay requires baking to gain its strength and rigidity but which renders the product non-alterable. To allow for modelling complex curves or knife-sharp edges, natural clay contains added oils or waxes and in the early days a volume filler, (sulphur) to maintain its pliable attributes.
Delivered in blocks (or billets), once warmed through, the clay can then be applied to a rudimentary shaped wooden buck or wire armature in clumps, literally thrown on then hand kneaded to express a basic shape. Once air dried, this automotive modelling clay maintains its malleable state and allows the skilled human along with a variety of hands tools to Continue reading “Chavant and Di-NOC”
In the early 1970s Automobiles Matra enjoyed popularity as a manufacturer of relatively inexpensive light sportscars such as the Djet, 530 and Bagheera. The French firm’s racing arm – Equipe Matra Sports, founded in 1965 – likewise had swiftly built up an impressive palmares in motorsports. Matra won the 1969 Formula One Championship with the MS80 driven by Jackie Stewart and with the MS670 emerged the overall victor at the gruelling 24h Le Mans endurance race three years in a row starting in 1972.
Bostelbek’s resourceful and determined Kleinlaster manufacturer reached the mid-1950s in a state of existential crisis, with their promising Matador range in desperate need of a suitably powerful, efficient, and dependable engine. The smaller Wiking truck was selling satisfactorily, but the Land Rover joint venture had no future, and the once-staple Hanseat Dreirad was a vehicle type soon to Continue reading “Strict Tempo – Part 2. The Unassailable Matador”
The Matra-Simca Bagheera combined supercar-apeing looks and robust if rather prosaic mechanicals to produce a practical, everyday sports car.
Mention the name Matra-Simca to a car enthusiast of mature years and their mind will almost certainly turn to the 1977 Rancho, a modestly successful vehicle that was decades ahead of its time. The Rancho was based on the FWD Simca 1100 but had a bespoke fibreglass body aft of the B-pillars, with a raised roof and a large split tailgate. It also had a raised ride height, plastic wheel arch extensions and other faux off-road addenda. It was, in effect, a crossover, long before that term was coined.
There is, however, an earlier and less well-known vehicle that carried the Matra-Simca name. This is the 1973 Bagheera, a sports coupé, the most unusual feature of which was its three-abreast seating arrangement.
Matra(1) was a French industrial engineering conglomerate that was established in 1945. Its activities included aviation, satellite and defence technology. Following the acquisition of Automobiles René Bonnet in 1963, it also became a car manufacturer, albeit on a modest scale: it inherited Bonnet’s small two-seater mid-engined sports car, the Djet. This was succeeded in 1967 by the somewhat larger Matra 530, still mid-engined, but now with 2+2 accommodation. The latter was only produced in small numbers because Matra simply did not Continue reading “Three’s Company (Part One)”
A highly selective, subjective (and lengthy) IAA-themed grab for the week ending 12/09/2021.
The first indoor European motorshow since the onset of SARS CoV-2 is not something to be taken lightly, but neither is it of direct consequence to those of us who routinely fail to attend them. It’s not that I was ever particularly averse – in fact I rather enjoy perusing the putative, spectating over the speculative and free-associating over the fantastical, but the events themselves always seemed to have fallen at an inconvenient time. For the past 18 months or so this has been largely academic, but once again my coverage of a major motor event must by necessity be of a remote nature.
Philibert Le Roy is credited with turning a backwater shooting lodge into a chateau fit for a king. Then, through a succession of architects along with an army of builders, the Sun King’s dream of the most opulent palace was made real. From small beginnings to a lavish labyrinth, the Palace of Versailles has borne witness to history.
Metaphorically and literally distanced from such overt flourishes lies an altogether different theatre of dreams. A place that too has borne change, seen careers grow to unprecedented heights, scarred many by its inner machinations and created millions of objects idolised the world over. Enter architect, Eero Saarinen (1910-61), creative inspiration for the somewhat bland sounding 1956 GM Technical Center in Warren, Michigan.
During the 1960s, Fiat basked in the glory of good times – the Turinese giant had a firm grip on the domestic market and elsewhere in Europe enjoyed considerable popularity. North America was proving to be trickier than expected, but in South
America, Fiat achieved good sales figures. A pleasant and often eye-pleasing by-product of Fiat’s booming business was the appearance of many special-bodied coupé and convertible variants usually designed and built by Italian coachbuilders like Pininfarina, Moretti, Bertone and Vignale to name a few. Continue reading “Southern Belles”
A chance sighting in a Hamburg suburb prompts a DTW writer to contemplate the life and times of one of Germany’s lesser known automotive dynasties.
For me, this story starts on a quiet street in a south-western suburb of Hamburg almost exactly two years ago, although the times we have lived through since make the experience feel far more distant. I had based myself in an apartment in west Harburg, close to the A7 autobahn, and on my first morning, set out further west in search of breakfast, and found myself on a street called Tempoweg, close to the Neuwiedenthal S-Bahn station.
Ještêd, at 1,012 metres is only the 347th highest of the Czech Republic’s mountains yet is a coveted location. The reason being since 1973, at the summit resides an award winning single piece circular building, hyperboloid in shape, pointedly aiming another hundred metres toward the heavens. Partly hotel, but mainly transmitting TV signals, this striking edifice which took six years to construct came from the mind of Karel Hubáček, co-founder of SIAL, a Czech architectural studio.
Melding elements of beauty with science fiction, a sense of playfulness with functionality, the tower serves the important function of searching further into the great unknown. And whilst Hubáček, surviving enforced wartime labour, concentrated his work upon buildings for humans, he might perhaps have been influenced by something equally futuristic, but on four wheels.
GM’s Firebird I concept stood for high performance. II being the futuristic family car, whereas III was GM’s own trip to the final frontier – an earthbound automobile with otherworldly ideals. Continue reading “Reaching for the Stars”
The 1981 Volkswagen Polo Mk2 hatchback was more French than Germanic in character with its functionality-led design.
The original 1974 Polo was not a Volkswagen at all, but a repurposed Audi 50. Designed in Ingolstadt with some input from Bertone, the 50 was a pert and pretty supermini, intended as the ideal second car for an Audi-driving household. Volkswagen upended Audi’s plans by requisitioning the design for itself as a junior sibling to the Golf.
This was an expedient move for Volkswagen, but it stymied any prospect the 50 had of establishing itself as the first premium supermini, selling on style and badge-appeal rather than practicality. The Polo was obviously identical to the 50 and undercut it on price, hence the baby Audi remained in production for only four years.
Initial impressions of the Rover 75’s rebellious younger sibling.
Regular DTW readers may by now recognise my curious obsession with the ill-fated products of the late MG Rover company and may also recall a recent report on spending nearly a year with a 2.5 litre Rover 75 Sterling. At the time, I intimated that the Rover had been replaced with something related that was just a little bit rare and special.
Over the years the hair may have lightened, thinned somewhat but his passion remained strong. Edward H. Mertz (1937-2020) took over Buick’s tiller in 1987, steering GM’s original brand for just over a decade. Helping usher in front wheel drive, wanting to make the right impression whilst reserving the typical, reservist, conservative Buick buyer, Mertz immersed himself into the role with a smile as confident as his policies, including better relations between the company and their dealers.
Mertz could be found in his office, alighting a tri-shield, the 19th hole or the affectionately named War Room where ideas and designs were thrashed out for his pre-recorded dealer-eyes-only Curbside Chats. Averaging every five weeks, he hosted sixty six episodes of around thirty minutes length (in total approximately a working week, 35 or so hours) all recorded to VCR tape and posted out to the three thousand stateside dealers. That, in itself is commitment.
Another good idea poorly executed by Jeep – did the Compass simply start out with bad directions?
By the mid-2000’s it was becoming clear that the market for SUV-type vehicles was changing. The vast majority of buyers liked the looks and versatility of such vehicles, but never put their off-road abilities to the test on anything more challenging than a high kerb in the supermarket car park. Good ground clearance and steep approach and departure angles were largely irrelevant to such customers. What buyers really wanted was to Continue reading “Missing the Marque: 2006 Jeep Compass”
Dodging bullets, our resident Mr. Miles offers his thoughts on an underappreciated Pentastar.
I’m Fortunate enough to have a scenic commute to and from work, the route encompassing rolling hills and open moorland before plunging headlong into suburbia and masses of unwashed vehicles. Vicious in winter, the summer weather has allowed occasional non-use of wipers alongside higher external temperatures, accompanied by regular morning sightings of a car whose rarity increases daily.DTW’s Richard Herriott wrote about the Chrysler Crossfire six years ago. Inspired by his words and my daily flash past this black bolide, I wanted to Continue reading “The Gamine”
Pacer begets Porsche – Porsche begets Pacer. Which is it?
Editor’s note: This is an expanded and amended version of an article first published on DTW on 28 January 2016.
The 1975 AMC Pacer is a car that seems to have become a four wheeled punchline to some joke or other for almost half a century. Derided and satirised in both print and in celluloid, it’s been a staple in every worst and ugliest-car-ever list. After all, it’s easy to kick an underdog.
Double F1 world champion Niki Lauda switched from Ferrari to Brabham-Alfa Romeo for the 1978 season, and this highly publicised move was of course a prime publicity opportunity for Alfa’s marketing department. Although Lauda’s results in 1978 were certainly not bad (two victories and five podium appearances) the great expectations of bringing the Alfa Romeo name back to the top were never met: Lauda did not even Continue reading “Bisogna Navigare Quando il Vento e Propizio*”