What killed the MGB?

In the summer of 1979, the UK airwaves were dominated by the synthesized sound of Gary Newman and Tubeway Army’s ‘Are Friends Electric’. A single inspired by a novel which dealt with the subject of artificial intelligence was hardly your usual chart-topping fare, but as the decade moved towards its conclusion, it was becoming apparent that more than just music was moving in an increasingly technologically-driven direction[1].
But the pace of change would not be sufficient to doom the decidedly analogue MGB. A number of not wholly unrelated, but intractable elements would join forces to Continue reading “Being There [Part Five]”