Questions of style.
There are certain irrefutable qualities which help determine successful product design. Of these, appearance, while arguably the least important in absolute terms, is the most easily perceived, and clearly the most subjective, but it goes without saying that in the absence of a robust visual appeal, even the best wrought product will struggle. The Allegro’s appearance forms an essential component of its subsequent notoriety, but like most aspects of the car’s iconography, this aspect of ADO67 remains subject to varying levels of hysteria.
The Allegro’s style garnered little overt press criticism[1] at its introduction. This would not have been unusual behaviour from the home team – but in this instance the UK press may have been a little over-keen to Continue reading “Running With Scissors [Part Three]”
Driven To Write 