Three Objects, and three premium saloons.
Link the objects to the cars.
The cars: Continue reading “Festive Teaser 4”
Three Objects, and three premium saloons.
Link the objects to the cars.
The cars: Continue reading “Festive Teaser 4”
No, it’s not the opening to a joke, but another festive puzzle.
A politician, a dog, and a gramophone record. Together they link to a significant mid-20th century saloon car. What’s the car? Continue reading “Festive Teaser 3 – What’s the Car?”
These 1986-1989 drawings were unrealised proposals for the replacement of a multi-million selling small car.
From which manufacturer? Continue reading “Festive Teaser 2 – Mystery Concept”
Three of these cars have something in common – which is the misfit?
Lloyd Alexander Continue reading “Festive Teaser 1 – Odd Car Out”
The 2020 European Car of the Year announcement is but three months away. As the shortlist is announced, DTW looks at the seven hopefuls.
Will we ever again experience the like of last year’s CotY final? Two desirable cars, well off the mainstream in affordability and conventional functionality, race ahead of their run-of-the mill rivals to a dead heat.
When the winner is declared – on a frenzied count of first placings – its manufacturer is found to have no official representative at the Salon. Jaguar’s soon-to-retire styling chief, in Geneva on a day trip, steps up to Continue reading “Under that Electric Glare – The 2020 ECotY shortlist”
In the second part, we examine R8’s mid-career and consider the heart of the matter – the all-new K-Series power unit.
In mid-life, the proliferation continued with three wholly Rover developed variants codenamed Tracer (1992), Tomcat (1993), and Tex (1994), respectively a convertible, T-roofed coupe, and sporting estate car. Continue reading “The Brightest Hour Is Just Before Twilight (2)”
30 Years ago this week, the Rover Group launched perhaps its best realised product. We look back at the R8, née Rover 200-Series.
In the late 1980s it really did seem that at last Rover Group had finally found its place. Much of the credit was due to their new Japanese friends, but the rump of British Leyland was at last demonstrating a new found competence and confidence. However, agony would eventually follow the ecstasy of these heady days.
On 11 October 1989 Rover Group presented, with justifiable pride, the second-generation Rover 200 series, and with it the eagerly anticipated and all-new K-series engine. Every new Rover of the era had an equal and opposite Honda, and the 200’s was the Concerto, which had gone on sale in Japan in June 1998, only 16 months after Rover and Honda had signed the contract to build Project YY as a joint venture. Continue reading “The Brightest Hour Is Just Before Twilight (1)”
Sir Michael Edwardes has left us at the age of 88. It should be less of a shock given his advanced years, but the bold colonial boy called to rescue British Leyland at the age of 46 somehow seemed ever-youthful. We reflect on his five years in the hardest job in the motor industry, and his influence on the years which followed.
When Michael Edwardes was appointed Chief Executive of British Leyland in October 1977, on a three year secondment from his post at the head of Chloride Group, the company was an industrial disaster zone. Eight years from its formation, it was state-controlled, chronically loss-making and blighted by turbulent industrial relations and product quality failings which were the talk of the nation.
Edwardes was either an enlightened or desperation-led choice. From Southern African business aristocracy, and far from the core of the motor industry, he was an outsider taking on a task which had been beyond those born to the industry. Continue reading “Sir Michael Edwardes. 1930 – 2019”
Nearly four years have passed since neue Borgward presented the BX7 at the 2015 Frankfurt IAA. DTW’s Borgward-obsessive shares his impressions of one of the first Shanghai-built cars to arrive in the great lost carmaker’s home city.
The car is a left hand drive BX7 TS Limited Edition, not long arrived at Bremerhaven from Shanghai, but tested in south-east England. The first visual impression is how easily the car fits into the British carscape, registering in the visual continuum as just another big European SUV, not quite an Audi Q5 or XC 60 clone, but only by the grace of some well-executed details of its own. There’s nothing awkward or ham-fisted about the styling, but neither is there much that hints at the brand’s ancestry in a subtle or ingenious way. Continue reading “Have I come in at a bad time? The Borgward BX7 TS”
Continuing our meditation on the Austin Maxi and Fiat 128, some thoughts prompted by encounters with two survivors.
The two cars pictured were photographed in the last 12 months. As well as being impressively original and looking as if they work for a living, they’re also examples of the last of their breeds.
The Maxi is one of the final ‘Maxi 2’ iteration, introduced to a largely indifferent world in August 1980, just 11 months from the end of production. The bright colour – ‘Snapdragon’ in BL parlance – suits it well. Far too many Maxis were specified in Russet Brown, Damask Red, or hearing-aid beige (formally known as “Champagne”), 1950s colours two decades on, in a time when BLMC’s Austin Morris colour pallet suddenly became positively vibrant. Tellingly, the archetypal Maxi customer avoided Bronze Yellow, Limeflower, or Blaze Red. Continue reading “Every Day Is Judgement Day.”
We return to our analysis of the 50-year old Austin and Fiat contemporaries with a look at their engines. One was the work of a revered racing engine designer, the other was cobbled together by two capable engineers in the backrooms of Longbridge under the thumb of an unsympathetic boss with his own peculiar agenda.
On paper a conservative design, the Maxi’s E series engine turns out to be downright odd in its execution. It evolved from a 1300cc prototype with a belt-driven overhead camshaft, one of many experimental designs being developed in the West Works at Longbridge. Long-serving engine designers Eric Bareham and Bill Appleby were handed the task of reworking the inchoate power unit into an engine suitable for BMC’s new mid-range car.
More capacity was needed, so it was bored out to accommodate 3 inch pistons, leaving no space for waterways between bores or any further outward expansion. Issigonis vetoed belt drive for the camshaft in favour of a traditional single-roller chain, on the reasonable grounds that belt technology was new and unproven at the time. Continue reading “128 vs Maxi Part 4: The Racehorse and the Donkey”
We return to our two stars of the spring 1969 season with a look at the different approaches to chassis design adopted at Longbridge and Lingotto. One car defied convention, the other defined the new orthodoxy.
Raw facts first: The Fiat 128 uses MacPherson struts at the front, with coil springs and a transverse anti-roll bar, and a fully independent system at the rear, comprising a transverse leaf spring, struts, and a single wishbone per side. The Austin Maxi has Hydrolastic springing and interconnection, with upper and lower links in a parallelogram arrangement at the front, and fully trailing arms at the rear.
That disregards the detail, which is significant in the understanding of the designers’ mindsets. Continue reading “128 vs Maxi Part 3 : Spring Song”
We continue our look at the spring 1969 debutants, contemplating heady matters of gestalt.
The rather Lancia Beta-like profile rendering from the early stages of BMC’s ADO14 project shows considerable promise. Too short in the nose, probably at Issigonis’ prompting, but otherwise elegant in spite of the ‘carry-over’ 1800 doors. So what went wrong along the road to BLMC’s five-door fiasco? Continue reading “128 vs Maxi Part 2 : Function over Form”
A little over 50 years ago, two of Europe’s leading automotive businesses introduced a pair of rather utilitarian cars to the world. One was hugely successful and influential, the other turned out to be a prophet with little honour in its own time.
In bombastic terms, there’s a ‘clash of giants’ story to be told. Issigonis v. Giacosa. BLMC v. Fiat SpA. Maxi v. 128. It’s not quite ‘rumble in the jungle’, but a comparison tells a lot about the way things were done at Lingotto and Longbridge.
In a curious coincidence, the Austin Maxi and Fiat 128 were the last cars developed by their lead designers which reached production, although Issigonis’ input to the Maxi project was sporadic and remote.
In Dante Giacosa’s words, “On 3rd January 1970, the chequered flag signalled my arrival at the finish of my career”. He had reached the age of 65, and resigned in compliance with company rules. Continue reading “128 v. Maxi Part 1 : Last Tango of the Titans”
As the halls of Palexpo return to their quiescent state, one DTW reporter reflects on an engaging Estonian, a divisive dreamer, and new masters at Pickersleigh Road.
So how was Geneva? “Very electric” has become my customary reply, when I choose not to elaborate. In Europe at least, the internal combustion is likely to Continue reading “Geneva 2019 Reflections – Eclectic and Electric”
For one DTW reporter, there was only one star of the 2019 Geneva International Motor Show. We take stock of Fiat’s Concept Centoventi.
Still in mild shock at the most dramatic ECotY announcement in years, my Geneva companions and I took our customary evening promenade round the halls of Palexpo. The FCA stand promised little. We knew they had no new cars, but at least they turned up, unlike some, and Alfa and Fiat had heavily concealed concept cars to show the following morning.
Later in the evening we talked of what is to become of Fiat. Three of us, we have all had various Fiats in our lives and enjoyed the experience. Now the company seemed to be ever more marginalised in the increasingly Jeep-centric world of FCA in the Manley Era.
The FCA Press Conference was therefore a must-see. New introductions were thin on the ground. Alfa Romeo had the Tonale SUV concept, but no mention was made of the GTV. Jeep showed petrol-hybrid Renegades and Compasses, but they will not Continue reading “Geneva 2019 Reflections – Pio Would Have Loved This”
The 56th European Car of the Year announcement is almost upon us. Robertas Parazitas looks at the hopefuls and their prospects.
Lest readers need to be reminded, these are the favoured ones which made it through to the long list:
Citroen C5 Aircross
In the days when ECotY was restricted to European products the continent’s carmakers would have done well to Continue reading “Hopes May Rise on the Grasmere”
Another four cars with something unusual in common, and a rogue in the company. Who can spot it?
A neat coupe from a still-operational coachbuilder. Who can identify it?
Four apparently unrelated cars. What links them and which is the misfit?
We take a moment to reflect on the short career of the Opel Cascada, a glamorous under-achiever, conceived in the most parlous of times for its maker.
Its names were once legion, but the Cascada is no more. Production ended at Gliwice not long into 2018, but Vauxhall and Opel Ireland have only gone public on the matter in the last week. All over Europe, Opel’s national sales operations are Continue reading “By the calm Kłodnica, a Waterfall Runs Dry”
DTW takes a look at the advanced and stylish Jowett Javelin on the seventieth anniversary of the delivery of the first car, with some reflections on the machine and its creators.
The psalmist’s full three score years and ten have passed since the happy owner of Jowett Javelin serial number D8 PA 1 received his or her keys on 16th. April 1948. It is therefore appropriate to do a little scene-setting before considering the labour and sorrow which led to this remarkable car’s production, and followed it to the end of its days.
What do we think of when we think of Jowett? A family firm? A provincial carmaker? A worthy but vainglorious enterprise inevitably doomed to Continue reading “Javelin at 70 – Part 1: Fortunes of War”
Fiat didn’t hold an official “Exhibitors Conference” on the first media day at this year’s Geneva Salon, but that didn’t prevent FCA’s CEO pronouncing on the future of Fiat’s European activities.
Sergio Marchionne declared that “for the 500, 500X and Panda it is worth pursuing, I am less in love with the Tipo, despite its sales success. We have to be careful how we distribute large amounts of capital. The Tipo is less encouraged, because that sector of the market is very crowded and not very profitable. It was a part of the market where Fiat traditionally was, but maybe we need to Continue reading “Geneva Fallout 2018 – The Things Bosses Say”
Robertas Parazitas looks at the changing shape of the European car market over the last twenty years. The numbers tell several stories; some are manifestly obvious, others may surprise you.
The right-hand column lists European sales in 2017, highest to lowest. The numbers to the left tell several stories, many of them unhappy. Continue reading “Two Fevered Decades – Taking the Temperature of the European Car Market.”
For Robertas Parazitas it’s been a strange Salon. Great for star-spotting and social interaction, but none of the new crop of premieres and concepts lit the flame of his desire, or the warm feeling that the future of motordom is going to be all right, after all.
Last year my personal favourites were the Alpine A110 and the Jaguar I-Pace, both machines I could aspire to owning in the right set of circumstances. Wim Oubouter’s Microlino, an electric Isetta hommage also appealed – it was back this year, with sales reported to Continue reading “Geneva 2018 Reflections – Are Objects in the Mirror Closer Than They Appear?”
It’s amazing what you’ll find washed up on beaches these days…
Is it only for me that the first two months of 2018 have flown by? On Monday it will be time to gather in the rather gloomy hall in the backlands of Palexpo to hear the results of European Car of the Year 2018, along with the grandees of the world’s automotive media, and a few captains of the motor industry feigning insouciance, in the face of the reality that a CotY win still has real sales and profits value.
The Salon des Refusés is often more interesting than short list nominees. We should not be surprised that Continue reading “Mainly Found Wanting – The European CotY prospects”
Continuing this month’s Ka-fest at DTW, we turn our thoughts to a South American curiosity. While Ford of Europe outsourced the difficult second Ka iteration to Fiat Automobiles S.p.A, Ford do Brasil did things rather differently.
The Brazilian Novo Ka went on sale in January 2008, nine months before the European replacement for the 12 year old original. The European car is not really a Ford at all, while the Brazilian car placed an ingeniously re-worked superstructure on its predecessor’s B platform, which originated with the 1989 Fiesta.
From disappointing beginnings, the B platform had Continue reading “Just Listen to the Rhythm of the Gentle Bossa Nova”
What are we to make of the news that Opel will not be exhibiting at the Geneva Salon in March? The announcement came on 16 January, just over six weeks before the show opens to the world’s media.
The official justification from new owners Groupe PSA is that “If there is no new product, then the brands won’t be there”. The under-performing PSA premium brand DS will also not be represented at Palexpo; that’s a distraction I’ll not pursue further.
The corporate excuse is unconvincing. The Grandland X has only recently gone on sale, likewise the Insignia GSi, drearily named but interestingly specified.
Even in the belt-tightening Tavares era, it wouldn’t be beyond PSA’s means to Continue reading “The German Patient’s Geneva Sicknote”
Where in the world…
…were Chryslers and Fords made in the same factory between 2011 and 2016?
What links these four disparate vehicles?
1996 Chevrolet Cavalier
Which is the odd car out and why?
1957 Austin A55 Cambridge Continue reading “A Further Festive Teaser”
This early sixties wagon proposal was not its stylist’s finest hour, but if it had gone into production – and it very nearly did – it would have been an engineering sensation.
Who can name the stylist and the client?
Which is the odd one out?
Deutsche Post / DHL StreetScooter Continue reading “A Festive Teaser”
1955 was a decisive year for the British Motor Corporation, as it set its product direction for the next decade. A certain gentleman of Graeco-German parentage was said to have played an important part in the process.
The person I refer to is not, as some might think, the confirmed bachelor from Smyrna, but the husband of Queen Elizabeth II.
It is unlikely that HRH The Duke of Edinburgh was aware of Alec Issigonis’ imminent return to BMC when he visited Longbridge on 8 December 1955, but the supposed interaction of Lord and the duke, and the repercussions thereof have become part of the daemonology of BMC.
The widely reported version is that the royal visitor was taken on a tour of the production lines in the morning, in the company of Sir Leonard Lord, George Harriman and Joe Edwards. Some accounts say Lord soon left the company to Continue reading “Westminster Sketches 2: Len Lord’s Revolt Into Style”
Austin’s Ford Zephyr and Vauxhall Velox rival of the mid-1950s is scarcely remembered now, but it turns out to be a something of a forgotten hero.
The Austin Westminster story began with the launch of the A90 series in October 1954, nearly four years before the start of the momentous eleven month period in which Farina’s new styling ‘language’ for BMC was unveiled, layer by layer.
Austin’s chief stylist, Buenos Aires-born Ricardo Burzi, was responsible for shaping the thoroughly up-to-date, unitary bodied saloons and estates. His hands were somewhat tied by the requirement to Continue reading “Westminster Sketches 1: The Pre-Farina Cars”
For a car which sits at the top of its marque’s range, the Westminster brochure is neither inspiring nor imposing.
It’s a single-spread leaflet, in half-tone. At least it’s densely packed with useful facts, but the narrative does little to allure the prospective buyer. The date is indeterminate. The specification is that of the 1964-onwards Mk.II, but there is no mention of this in the title or contents. Continue reading “A Brochure for Saturday – Austin A110 Westminster de Luxe”
Robertas Parazitas reports on one of the stars of this year’s NEC Classic Motor show.
Grim commerce and ‘investment car’ mania now dominate the annual NEC Classic Motor show, but search hard, seek the wisdom of the crowds, and strangeness and delight is there to be found. In Hall 4, a Restoration Theatre had been setup. I sat for a while, hoping for a performance of one of Congreve or Wycherley’s lighter works, but all that was on offer was a video of two elderly men in a dingy workshop explaining the intricacies of panel beating in what I imagined to be a satire on Puritanism. Continue reading “Impossible Princess – Vanden Plas 1800”
Chinese-owned, Stuttgart-headquartered Borgward AG presented an all-electric Isabella concept at the Frankfurt IAA. Is it a hubristic Frankenstein fantasy, or a worthy bearer of the revered name?
Die Isabella ist tot, es lebe die Isabella. Ein gute idee is besser als tausend Bedenken.
(The Isabella is dead, long live the Isabella. A good idea is better than a thousand concerns.)
So said Dr. Jochen Schlüter, the fictional chairman of the living and thriving Borgward AG in Andreas B Berse’s 2006 contra-factual novel ‘Borgward Lebt’ on the occasion of the launch of the fourth generation Isabella at the Frankfurt IAA in September 1989. Continue reading “Diamond Dream, or Ruined Rhombus?”
In a couple of weeks, Suzuki will present the latest generation of their enduring and hard-working Jimny family. As we eagerly await the new arrival, we look at one of the odder twigs on the extended family tree.
The subject’s identity crisis is manifestly obvious. It’s sold as a Suzuki, yet there’s a Maruti badge in the centre of the grille. The Japanese masters were content to sell it to New Zealand farmers as one of their own, but it’s an Indian-built Maruti Gipsy, in 4WD, 1300cc petrol specification, and therefore based on the 1982 SJ410 in all its live-axled, leaf-sprung primitiveness. Continue reading “Far From the Mainstream: Suzuki Farmworker”
Mystery and intrigue on the banks of the Neckar.
It all began with a casual conversation at a motor show, which touched on the Ro80 and its stylist, Claus Luthe. An acquaintance, with an extraordinary nose for the rarely trodden byways of automotive history said “You do know that Luthe probably didn’t design the Ro80?” I confessed I didn’t, but I was keen to know more.
“It’s in an old copy of CAR”, I was told. I asked if there was a possibility of a scanned copy of the article. “I’ll do better than that”, I was told; “I’ll send you the magazine”. Continue reading “A Question of Attribution”
General Motors – the name is a clue – are virtuosos in the art of the world car. This is not to say they haven’t played a few bum notes in their time.
It’s too early to speculate how the Opel Insignia B will perform on its world tour, but its diverse audiences will demand versatility as well as capability. Launched proudly earlier this year in Switzerland, the Insigregaldore carries four badges; a lightning bolt, a mythical beast which appears to be self-conscious about underarm odour, three shields, and from February 2018, a lion. Continue reading “Two Lions, Four Continents, One Car”
Next month the Škoda Yeti, arguably the nicest VAG product of the last decade, and certainly one of the most individual, will be replaced by a lightly reworked Tiguateciaq, with the name of Karoq.
According to Škoda, “the name and its spelling originate from the language of the Alutiiq, an indigenous tribe who live on an island off the southern coast of Alaska. For the name of the new compact SUV, Škoda has drawn on the spelling of the Škoda Kodiaq and in doing so, has created a consistent nomenclature for the brand’s current and future SUV models.” I still think it’s rubbish as a name, but so is ‘Qashqai’, and it does awfully well. Continue reading “Extinction Alert – Yeti Falls Victim to Atonement-Led Rationalisation”
I sometimes think I’m fated to have encounters with unusual Alfas when I least expect to…
The 2600 duo in Friedrichstadt, the SZ in Dorridge, and the decaying Fadesa Romeo van on the road into Fornells spring immediately to mind.This Montreal was spotted on an unremarkable suburban street in Basel in March 2008. I imagine that the massive rise in classic car prices would make such encounters far less likely now. Continue reading “A photo for Sunday – Alfa Romeo Montreal”
As this month’s theme draws to a close, we give you something to ponder…
In 1963, Oscar Montabone was recalled from Chrysler-controlled Simca to manage Fiat’s Automobile Technical Office. His primary task was to develop Project 124, a putative 1100 replacement in direct competition with Dante Giacosa’s Project 123, which was not so much a defined car as a series of studies with various front engine/front wheel drive and rear engine/rear drive configurations based around a 1157cc three cylinder opposed-valve ohc engine.
Montabone’s brief was to Continue reading “Theme: Simca – The Vibrations That Lived On”
The Simca 1300/1500 stepped elegantly into the Aronde’s shoes yet, despite good looks and strong sales, it never really escaped the rather ‘grey’ reputation bestowed by its casting as the universal anonymous saloon in Jacques Tati’s 1967 film “Playtime”.
The casual seeker after knowledge might too easily conclude that the mid-size Simca’s sole contribution to the advancement of the automotive art was the availability, in the estate cars only, of a Formica-faced boot floor which could double as a picnic table.
The reality is that it was a well-balanced product, both in engineering and style, for which Simca adopted ‘best’ practice, rather than joining the technological revolution which was sweeping through the car industry in the late fifties and early sixties, which saw even conservative businesses like BMC, GM, and Rootes trying to Continue reading “Theme: Simca – The Discreet Charm of the Bourgeoisie”
Robertas Parazitas looks back on a memorable Geneva Salon, and can’t quite decide whether to praise the Cadillac Escala, or rant against the sustained assault on the English language.
The concept is not new, having had its premiere at Pebble Beach in August 2016. It is intriguing on several levels. The design language is a departure from the distinct vocabulary of present Cadillac offerings. Like the Pininfarina H600, the Escala could fit into a number of manufacturers’ ranges: Jaguar, Lexus, DS.
It’s also a hatchback. Most will refer to the Audi A7, I’m thinking of the Rover SD1. Continue reading “Geneva 2017: Cadillac Want Us To Dare Greatly”
In the halls of Geneva, resurrection man Robertas Parazitas meets two more restless souls.
Death, it has been observed here before, has a revolving door in the automotive world. In recent years we have observed the return of Singer, Borgward and Alpine. (In the case of the first I can’t see much of the spirit of the plucky Coventry firm, but the workmanship puts the last Chamoises and Gazelles to shame) Continue reading “Geneva 2017 – Artega Scala Superelletra”
Van Helsing starter kit in hand, roving reporter, Robertas Parazitas comes face to face with another automotive revenant.
The Geneva Salon is still a place where rich men can show their dreams made metal. Jim Glickenhaus was there with his SCG003S hypercar. Not far away, Felix Eaton, Huddersfield’s answer to Glickenhaus, proudly launched his graceful Black Cuillin. More modest in size, but equally single-minded is the Microlino, the creation of Wim Oubouter.
Oubouter has something of a track record as a transport innovator, which suggests that this venture is more than vanity or capricious whimsy. Continue reading “Geneva 2017 – L’Insolite: Mad Swiss Makes an Electric Ghoul Isetta”
Not so much Geneva bites, more nibbles from a show which wasn’t short of substantial fare.
There was a Vauxhall at Geneva!
And rightly so. The one-nation marque, which few people outside the UK even realise exists, outdid Jeep, MINI, Jaguar Land Rover, Mazda, Honda, Suzuki and Mitsubishi for sales across the entire EU zone in 2016. Continue reading “Geneva 2017 – l’Insolite Part 1”
Big but not necessarily better, Ford’s late 60’s Zephyr brochure lays out its stall.
The cover is bereft of the expected seductive image of the car it describes. There is only blackness, a small head-and-shoulders photo of a well-groomed, confident looking individual and the title, “Motoring for the 15,000 a year man”. 15,000 miles that is, not Pounds Sterling, but the implication is there. Even £5000 per annum would have been a top-rank salary in 1970, when this brochure rolled off the presses of Alabaster, Passmore and Sons Ltd in Maidstone.
Continue reading “Theme: Brochures – Ford Zephyr Mk.4”