A View With a Room

We recall a legendary name in American coachbuilding.

Unattributed image via Pinterest

Today’s Escalade SUV is routinely paraded as the new-millennial personification of the classic full-size Cadillac sedan, but with the sort of ground clearance and utility the Cadillacs of yesteryear could only dream about. During the roseate era of fins, dagmars and chrome plating, Cadillacs were not created with practicality foremost in mind – these were profound statements, potent symbols of attainment.

Throughout the 1950s, Cadillac sales were seemingly impervious to market vagaries or the state of the economy. While its brash appearance may not have been to everyone’s taste – even in more-is-more boomtime fifties America – the Cadillac was the domestic car the vast majority of the American public aspired to. Cadillac customers were also said to be the most brand-loyal; even in more difficult times, a new Cadillac on the suburban driveway clearly illustrated to peers and associates that everything was ‘just swell’.

But for some particularly well-heeled customers, even a sparkling new Caddy, in sedan, coupé or convertible form was not quite going to Continue reading “A View With a Room”

A Photo for Sunday – No Defence

A right pair of Landies.

The Author.

Everybody in the enthusiast community has an opinion on the Land Rover Defender – be it the old stager lately retired, or its more contested replacement from 2019. Like most opinions in today’s febrile media environment, these are as fiercely held as they are emphatically expressed.

At this point therefore I feel compelled to make an admission: I don’t much care for the original Land Rover. I do understand the rudiments of its appeal and acknowledge its unquestionable position in the pantheon, but I am becoming a little tired of being metaphorically beaten over the brow about how marvellous they are. Because, no matter how often I am pinned to a stout object and guided towards the path of righteousness by a defender of the faith, I simply cannot Continue reading “A Photo for Sunday – No Defence”

Newsgrab

A highly selective, subjective (and lengthy) IAA-themed grab for the week ending 12/09/2021.

Audi Grandsphere. hum3d

The first indoor European motorshow since the onset of SARS CoV-2 is not something to be taken lightly, but neither is it of direct consequence to those of us who routinely fail to attend them. It’s not that I was ever particularly averse – in fact I rather enjoy perusing the putative, spectating over the speculative and free-associating over the fantastical, but the events themselves always seemed to have fallen at an inconvenient time. For the past 18 months or so this has been largely academic, but once again my coverage of a major motor event must by necessity be of a remote nature.

Impartial, in-person coverage is of course what anyone with a modicum of discernment would ideally Continue reading “Newsgrab”

Convergent Visions

Pacer begets Porsche – Porsche begets Pacer. Which is it?

solemone.de

Editor’s note: This is an expanded and amended version of an article first published on DTW on 28 January 2016.

The 1975 AMC Pacer is a car that seems to have become a four wheeled punchline to some joke or other for almost half a century. Derided and satirised in both print and in celluloid, it’s been a staple in every worst and ugliest-car-ever list. After all, it’s easy to kick an underdog.

The cash-strapped American Motors Corporation was attempting  something really rather daring in 1975 – to Continue reading “Convergent Visions”

One for the Road

The full-sized Buick’s valedictorian act.

Buick Roadmaster. Favcars

We can all recall the time honoured film storyline by rote: ageing sportsman/ criminal/ gunslinger[1], against better judgement, returns to the stump for one last payday. Inevitably, tragedy and (if the plotline allows) redemption ensues; at the very least, important life-lessons are learned. Today’s study cleaves to that most hackneyed of American movie narratives, because the 1991-96 Buick Roadmaster, while part of a long and illustrious line would ultimately Continue reading “One for the Road”

Under the Knife – That Riviera Touch

Yesterday’s tomorrows – from the studios of Bill Mitchell.

Image: wildaboutcars

Sometimes it is necessary to go wildly overboard before one finds the precise quantum of sufficiency. Somewhat akin to party-going children having run amok; gorging on fizzy pop and cream buns, the American motor industry exited the 1950s with a decidedly queasy sense of untempered excess. A new decade would precipitate a fresh creative approach, and a wholesale shift from the baroque flights of jet-age fancy to a more sober, less mannered visual sensibility.

The 1960s would go on to Continue reading “Under the Knife – That Riviera Touch”

Cats Will Fly

Dearborn 1967: product segmentation was strictly for the birds.

1967 Mercury Cougar. Image: Motor Trend

The 1958 Thunderbird would prove to be a pivotal product for the Blue Oval. Not only did the Square Bird transform the fortunes of the model line, the ’58 T-Bird popularised the concept of the personal luxury car amongst the American car buying public, creating an entire sector it would subsequently bestride. Not only that, the second-generation Thunderbird illustrated to Dearborn management that it was possible to Continue reading “Cats Will Fly”

A Mighty Wind [Part One]

Behold the Anti-Miura.

Image: premierfinancialservices

On November 3 1971, the 53rd Salone del l’Automobile di Torino opened its doors. With exhibitors from 11 countries, including 64 carmakers and 15 coachbuilding firms, there was no shortage of interest, intrigue, new models or arresting concepts for the home contingent to whet their collective appetites over. Yet it was upon the premier trio of Modenese exotic car builders that most eyes were fixated, each showing dramatic mid-engined supercars on home soil for the very first time.

Ferrari’s prototype 365 GT4 BB made its public debut on the Pininfarina stand, whereas Bertone’s Countach prototype had already poleaxed all comers at Geneva that Spring. Meanwhile Maserati was showing the production-ready Bora, fresh too from its Palexpo premiere, but in case anyone felt inclined to Continue reading “A Mighty Wind [Part One]”

Ô souverain, ô juge, ô père

The President will see you now.

Nissan President. Image: Topspeed

Having originally been known as the Kwaishinsha Motorcar Works and later by the acronym, DAT[1], the Nissan Motor Company has traded under its latterday identity since 1933. Introduced into Western markets under the Datsun nameplate; from 1981, this by then well-established brand name would no longer feature on the carmaker’s products.[2]

The fact that Nissan chose to make this sweeping change in spite of the sales success enjoyed by brand-Datsun across global markets can be viewed two ways; an attempt to create a unified, instantly recognisable brand name, à la Toyota, or alternatively, to allow the carmaker to Continue reading “Ô souverain, ô juge, ô père”

Grace and Favour

We consider the Mercedes X-Class. No, not that one…

Mercedes CLA Progressive Line. Image: Mercedes-Benz

Much metaphorical ink has spilled forth on the pages of Driven to Write since its 2014 debut, a sizeable proportion of which has been flung in the direction of Sindelfingen’s current styling leadership. Not without justification either, for little of Mercedes-Benz’s stylistic output has risen above the level of banality for longer than we’d care to acknowledge.

Not everyone has been gripped with paroxysms of delirious pleasure over the broadly welcome shift in Mercedes’ Sensual Purity-themed styling away from the more striking forms and graphic elements of yore, with what some might discern as calmness equally being viewed as a lack of definition. Perhaps the most convincing case for that point of view lies with the current era A-Class. The W177 has been with us a number of years now, carving for itself a position in the European C-sector sales charts that might have given VW more to Continue reading “Grace and Favour”

Double Take

Mondeo in Focus. 

Separated by a decade, this pair of blue oval offerings made for an interesting contrast as I walked past on my way into town the other day. Neither the second generation Mondeo nor the saloon version of the third generation Focus[1] are uncommon sights in this part of our moist and verdant isle, but seeing them together, parked tail to tail in this manner lent an element of fascination which might otherwise have eluded them.

The Mondeo, a tidy-looking pre-facelift car is a local fixture, clearly well looked after and is a saloon; a bodystyle which this writer would unscientifically suggest proved more popular than the five-door hatch, which was favoured on the other side of the Irish Sea. I would also posit the view that the three volume Mondeo of this ilk was a very nicely resolved design, and a measure more pleasing to that of the (still handsome) hatch.

The Focus may also be a local for I know; these cars simply do not Continue reading “Double Take”

Hope You Guessed My Name.

Car or exclamation mark?

Image: (c) lamborghini.com

The Ancient Chinese once espoused the philosophical concept of Yin and yang, two opposing, yet mutually dependant lifeforces. This notion of interdependent duality was embraced across many cultures and philosophies over intervening millennia, but would come to be represented in late 20th Century Italy, not only by the rivalry between exotic ateliers, Ferrari and Lamborghini, but also by the complementary, yet determined efforts of the two leading Torinese coachbuilding houses to Continue reading “Hope You Guessed My Name.”

Newsgrab

Reviewing the automotive week ending 25 June 2021.

Peugeot 308 SW. Image: autoitocka

It has of late become a little predictable to begin these (relatively) infrequent news-related pieces with the latest machinations of the Stellantis auto group, but that’s hardly my fault given that they are the only carmaker these days truly capable of genuine surprise. This week, the continent-straddling motor giant sprinkled a few more crumbs of their plans for Alfa Romeo, which are believed to encompass a range of three crossover CUVs – (small, medium and large), a Giulia-esque saloon and if the tabloids are to be believed, a coupé.

Speaking to journalists, Alfa Romeo’s new CEO, Jean-Philippe Imparato intimated that he was “very interested” in the idea of a GTV-badged model (a statement that could quite literally mean anything), but given how little actual detail he was prepared to reveal, the space for conjecture and wishful thinking to Continue reading “Newsgrab”

A Friend In Need

The Ami 6 was as expedient as it was successful. This is its story.

Image: (c) L’Aventure Citroën

It is probably reasonably accurate to suggest that while Automobiles Citroën was confident about the prospects of its radical 1955 DS19, the initial impact, and subsequent retail demand must have taken them aback somewhat. The Goddess of course was a relatively expensive, upmarket car, well outside of what the average French motorist could afford; the gap between the rustic 2CV, which primarily appealed to rural customers and the DS19 would therefore remain chasm-like.

Despite attempts at offering the big Citroën in decontented form, it was clear that a smaller, more affordable car was an urgent requirement.[1] But not simply lacking a 7-8 CV contender, Quai de Javel also found itself without a viable rival to Renault’s popular 845 cc Dauphine.

When work on Études Projet M began in 1957, early thinking was allegedly for an entirely stand-alone model; Panhard’s 850 cc horizontally-opposed twin being considered as a possible powerplant. However, perhaps for reasons of speed to market, or a desire not to step on Panhard’s toes, it was decided to Continue reading “A Friend In Need”

History in Cars – An Echo, a Stain

Age and entropy catches up with the 304. 

Following my return to the UK, I briefly toyed with the idea of a permanent repatriation to the old country, but London exerts a powerful gravitational pull and before long I was back into a new career in a new side of town. Now domiciled in suburban East London, I was closer to my tame Peugeot specialist, and with the 304 now back on the road (it had survived storage without mishap), we resumed our largely comfortable association.

The 304 had always been predominantly weekend fare, my daily commute into Central London being the task of either public transport or my own two-wheeled efforts. This, I convinced myself was justification for running an older car; not required for daily drudgery, I could Continue reading “History in Cars – An Echo, a Stain”

Born in the USA

The Euro-pick-up truck is unwell.

FORD Ranger. Image: What Car

Broadly speaking, we have a good deal to thank our American neighbours for in automotive terms, notwithstanding of course, the fact that some influences have been better received than others. Nevertheless, the automobile evolved more rapidly, and improved in ways we could scarcely have imagined largely due to US market forces. For instance, the modern styling studio was very much an American innovation, and it’s probably fair to say that nobody did more to Continue reading “Born in the USA”

History in Cars – Brand New, You’re Retro.

Life with a Peugeot 304S – part two. 

Image (c) The author

Domestic bliss with my newly acquired, more comely automotive companion from Sochaux was initially tempered by the fact that there were other, less savoury matters to attend to, like disposing of the now good as landfill Fiat. A number of phone calls ensued before a man turned up with a flatbed, lifted the hapless 127 aboard, and twenty quid better off, Mirafiori’s errant son departed for the eternal. Of all the cars I’ve owned, I have never smoked one as morbidly close to the filter.

Meanwhile, the 304 continued to beguile, every journey an event, every destination a succession of benevolent glance-backs; could this Maize Yellow vision of loveliness actually Continue reading “History in Cars – Brand New, You’re Retro.”

God Save the Queen

“There’s no future, in England’s dreaming…”

“That look of distinction”. Image (c) VPOC

Ah, the Allegro: Worst car ever. All Aggro. These and other less flattering terms have been routinely flung like wet rags at BLMC’s 1973 compact saloon offering in the intervening decades since the car ceased production in 1984. But while ADO67 itself would over time become notorious, its more dignified Kingsbury derivation was the object of ridicule pretty much from the outset.

Introduced in September 1974, the Vanden Plas 1500’s debut was greeted not only with a gilded tureen of derision but a sizeable component of incredulity; not so much for what it was, but largely for the manner in which it had been executed. So, what in the name of all that was sacred and holy possessed Vanden Plas to Continue reading “God Save the Queen”

Last of England [3]

Understanding the X-Type.

Does X stand for expedience? Image: Autocentrum.pl

Given the unprecedented levels of investment, and the expectations of both maker and benefactor, the X-Type had a good deal of heavy lifting to do. Its eventual failure not only cost Jaguar dearly, it set the carmaker back to such an extent that it never truly recovered. X-type was commissioned with one overarching mission, to more than double Jaguar’s sales volumes, transforming the carmaker as a serious player in the luxury car market, especially in the US, where these cars had historically sold in large quantities. But the X400 misfired, falling well short of projections, and as it would transpire, fiscal break-even. How so?

A moment, if you will. Lest the following reads as a full-throated orgy of blue oval bashing, we should first Continue reading “Last of England [3]”

Under the Knife – Swings and Roundabouts

Largely unnecessary, possibly retrograde; the Focus got the Kinetic treatment in 2007.

2007 Focus v2.5 Image: The RAC

Claude Lobo returned full-time to Köln-Merkenich in 1997 to head Ford’s European design team, following a three-year stint as head of Ford’s advanced studio in Dearborn. By then, the blue oval’s European satellite seemed at something of a creative crossroads. Throughout the decade, Merkenich’s design quality had become decidedly uneven and in terms of direction, its previous stylistic assurance seemed lost.

Under Lobo’s direction, two highly significant Ford designs were enacted, the original 1996 Ka and the 1998 Ford Focus,[1] both spearheading a newfound confidence in form, graphics and style. Two years later, the Parisian retired, his replacement hailing from Ingolstadt. Chris Bird was part of the design team at Audi since 1985, contributing to the original A8 model, becoming Ingolstadt’s studio head under Peter Schreyer in 1995. Continue reading “Under the Knife – Swings and Roundabouts”

Last of England [2]

The X-Type’s heyday – brutish and short.

US market X-Types were fitted with a bonnet-mounted ‘leaper’ ornament. Image cars.com

The Jaguar X-Type made its world debut at the Geneva motor show in March 2001 amid a good deal of optimism, Jaguar’s then Managing Director, Jonathan Browning outlining the model’s significance to the press in transformative terms. In this he would be proven correct, albeit not in the manner intended. 

Early reviews spoke of a car which met the required criteria of Jaguar-ness. Reporters seemed particularly keen to Continue reading “Last of England [2]”

Under the Knife – No Advance

2004’s (B7) Audi A4 was a highly significant (re)design, if not entirely for the right reasons.

A distinct lack of Vorsprung. 2004 B7 series Audi A4. Image: dsf-my

The four rings of Ingolstadt were a long time in the ascendant, frequently taking one step forward and several backwards, before hitting a more assured stride. Indeed, according to former design director, Peter Schreyer, it was at one time considered an embarrassment to Continue reading “Under the Knife – No Advance”

Last of England

Jaguar’s compact post-Millennial contender misfired badly. We look back on the X-Type and consider its legacy.

Image: Sunday Times Driving

In car manufacture, there can be no success without failure, each new model an educated shot in the dark, each failure a reproach, all the more so should the product in question represent a new market sector for its maker. Moving downmarket carries greater risk, for the virtues to which customers have become familiar and value most must be offered in diminished form. Nor does development cost fall, any gains being rooted in volume and economies of scale. Furthermore, once a business has taken such a step, there really is no going back.

To some extent therefore, the X-Type irreparably damaged brand-Jaguar, the carmaker never quite recovering from the financial losses incurred by the X400 programme. The figures involved are sobering. According to a study carried out by corporate analysts, Sanford C Bernstein a number of years ago, Jaguar allegedly lost €4600 on every X-Type sold – an overall loss amounting to over €1.7 billion.

Widely viewed as Jaguar’s deadliest sin and the butt of derision amongst the more sensationalist automotive press, the story behind the X-Type’s less than charmed career is not only more complex than is often told, but deserves a less emotive, more nuanced telling. But beforehand we must first Continue reading “Last of England”

The Last of England

Jaguar’s compact post-Millennial contender misfired badly. We look back on the X-Type and reconsider its legacy.

Image: Sunday Times Driving

New Jag Generation.

In car manufacture, there can be no success without failure, each new model an educated shot in the dark, each failure a reproach, all the more so should the product in question represent a new market sector for its maker. Moving downmarket carries greater risk, for the virtues to which customers have become familiar and value most must be offered in diminished form. Nor does development cost fall, any gains being rooted in volume and economies of scale. Furthermore, once a business has taken such a step, there really is no going back.

To some extent therefore, the X-Type irreparably damaged brand-Jaguar, the carmaker never quite recovering from the financial losses incurred by the X400 programme. The figures involved are sobering. According to a study carried out by corporate analysts, Sanford C Bernstein a number of years ago, Jaguar allegedly lost €4600 on every X-Type sold – an overall loss amounting to over €1.7 billion.

Widely viewed as Jaguar’s deadliest sin and the butt of derision amongst the more sensationalist automotive press, the story behind the X-Type’s less than charmed career is not only more complex than is often told, but deserves a less emotive, more nuanced telling. But beforehand we must first Continue reading “The Last of England”

Under the Knife – A Kiss of the Blade

The 2004 facelift of Alfa’s 147 was of the light-touch variety. We check for residual scarring.

2004 Alfa Romeo 147. Image: bipedia.info via occasion-automobile.fr

It wasn’t possible to know it at the time, but the immediate pre and post-Millennium period would represent the final creative and commercial flowering of FIAT Auto (as then known), a statement which is particularly apt when it comes to matters surrounding the fabled Biscione of Milan.

Part of FIAT’s sprawling auto group since 1986 and in the wake of a somewhat chequered start in product terms, a cohesive and (from a purely design perspective at least) credible strategy had been formulated for Alfa Romeo; matters taking a decidedly more upbeat tone with the Enrico Fumia-helmed 1993 Spider and related GTV models. Continue reading “Under the Knife – A Kiss of the Blade”

German Film Star

Part three: Concluding our close-up of the R107 Mercedes SL.

Three dimensional actor. Image: Autoevolution

Despite entering a world yet to experience the true meaning of the term, Oil-Shock, Mercedes-Benz’s 1971 newcomer did not find its way bestrewn with rose petals, as one might have envisaged with half a century’s hindsight to draw upon. The product of a great deal of regulatory hurdle-jumping, Sindelfingen’s engineers did themselves proud on the safety and technological side of the SL coin, even if stylistically, few seemed poleaxed in mute adoration. Which isn’t to suggest that it wasn’t well received. It was. However, it is possible to Continue reading “German Film Star”

Newsgrab

Reviewing the automotive week ending 7 May 2021.

“I see a little silhouette of car… Scaramouche Scaramouche, will you do the Škodango” The 2021 Škoda Octabia – or is that Corbia? Image: Drivespark

Say what you will about newly-forged Stellantis, but now that the reconstituted car giant has cleared its regulatory hurdles, it has hit the ground at a blistering pace – particularly on the new model front. Much of it of course being massively overdue, given the delays and re-organisation such a colossal enterprise necessarily entailed, and that is before we mention the malign effects of the pandemic, or the recent industry-wide shortage of micro-chips, the most recent frontier in the automotive industry procurement wars.

This week, as reported in Automotive News, CEO, Carlos Tavares told reporters from French publication, Le Point that it will no longer be necessary for Stellantis to Continue reading “Newsgrab”

German Film Star

Part Two: The matinée idol’s lesser-appreciated sibling.

Image: str2.ru

Like everybody else, Mercedes-Benz’s engineering teams had rather a lot to contend with by the late 1960s. Not simply developing the nascent W116 S-Class, the most ambitious and luxurious mainstream saloon yet to bear the three pointed star, or perfecting the advanced rotary-engined C111 prototype – in addition to ongoing developments for both conventional petrol and diesel powertrains, there was also a seemingly limitless tsunami of emissions and safety mandates emanating from the land of the free.

Facing large investments, and no small level of commercial risk associated with new model programmes, the Mercedes-Benz supervisory board are believed to have vetoed a proposal to Continue reading “German Film Star”

German Film Star

A car made for its times, Mercedes-Benz’s 107-series helped define them. We tell its story. 

Image: honest-john

“It’s a glamourous world”.

In the field of creative endeavour, matters of an unintended nature often have an inconvenient habit of altering initial intentions, and while in some cases this may be to the detriment of the finished product, more often the outcome emerges simply as different.

This being so, it certainly would not be wildly inaccurate to Continue reading “German Film Star”

German Film Star

Part one: “It’s a glamourous world”.

Image: honest-john

In the field of creative endeavour, matters of an unintended nature often have an inconvenient habit of altering initial intentions, and while in some cases this may be to the detriment of the finished product, more often the outcome emerges simply as different.

This being so, it certainly would not be wildly inaccurate to Continue reading “German Film Star”

Welcome to the Machine (Part Three)

The XJ-S’ troubled early years. 

Image: carsot

While its commercial renaissance throughout the 1980s and into the early years of the following decade are indisputable, XJ-S critics routinely point to the first five years of its career as graphic illustration of Jaguar’s error in abandoning a much loved, tried and true format.

The XJ-S’ early years were undoubtedly difficult. Launched into a post oil-shock world, where 12 mpg would butter increasingly fewer people’s parsnips, yet presenting a visual envelope which substituted the E-Type’s easily assimilated aesthetics for something far more complex and discordant, the Seventies Jaguar flagship would prove a cerebral, rather than emotional choice. It was also a far pricier one than of yore, with an asking price more than double that of the last of line E-Types – but in mitigation, it was a far more sophisticated, more capable product.

The XJ-S was also introduced into a particularly febrile political landscape which saw Jaguar’s management (such as they were) engaged in a desperate battle for survival within a carmaking giant which not only had become fundamentally ungovernable, but by 1977, beyond rescue. As British Leyland’s flagship, the XJ-S, which was by no means a well wrought car during this lamentable period, crystallised the national carmaker’s uncanny ability to Continue reading “Welcome to the Machine (Part Three)”

Creative Dissonance

Citroen reveals its big idea.

2021 Citroen C5 X. (c) uk-media.citroen.com

It ought to be obvious really; that incredibly fertile period of Citroën design overseen by the recently departed Robert Opron and presided over by CEO, Pierre Bercot was merely a blip; a marvellously inventive, optimistic and futuristic one, but a blip nonetheless. One where high speed travel in supreme comfort was to Continue reading “Creative Dissonance”

Sochaux Goes Avant.

It all started here.

Factory shot of Peugeot 204 berline. Image: automacha

Since its foundation in 1810 as a maker of bicycles and kitchen equipment, there have been many incarnations of automobiles Peugeot, but perhaps the first truly modern car to bear the famous Lion of Belfort emblem was introduced in 1965, bearing the 204 name.

Initiated during the late 1950s, the 204 came about owing to a perceived gap in the market below the existing 403 model (soon to be supplanted by the larger-engined 404). By consequence, Sochaux management deemed it necessary for the company’s future viability to Continue reading “Sochaux Goes Avant.”

Robert Opron – In Memoriam

By their works you will know them…

Citroën CX. Image: likewheels

On the 29th March, automotive designer, architect and artist, Robert Opron departed this life, aged 89. According to an obituary published on the Citroenvie website, while he was believed to have been in failing health, the cause of death was officially attributed to the ongoing Covid-19 pandemic.

Opron’s career was by most accounts illustrious – having enjoyed an early stint at Simca (1958 – 1960), it would encompass lead design roles at both Citroën (1962 – 1974) and Renault (1975 – 1984), in addition to some fruitful later work as a freelancer for centro stile FIAT in the late 1980s/ early 1990s. However, his legacy, especially at the latter two more storied French carmakers, was abruptly truncated – in the former case by his flat refusal to Continue reading “Robert Opron – In Memoriam”

History in Cars – A Bottle of Evening in Paris Perfume

It’s said that you cannot buy style. I beg to differ.

Image: (c) The author

It had been getting increasingly worrysome for a some time now, but no, this time the gearlever was most definitely jammed. Having engaged reverse as I slotted the Peugeot into a Camden Town parking space one balmy post-Millennial Sunday afternoon, it hadn’t as yet dawned upon me that for the rest of my tenure, not only would I neither reverse this car, nor parallel park it again. The fact that the 304 was going nowhere – except nominally in reverse – had largely carjacked all further thought. That, and the question of what the hell I was going to Continue reading “History in Cars – A Bottle of Evening in Paris Perfume”

Direct Current

Two new battery electric cars. Two vastly different visual offers. Any real difference? 

Hyundai IONIQ 5. (c) Hyundai UK

Electrification brooks no resistance. Legislative mandates have made it so, and as successive national governments fall into step, the current is running in one direction only. Nevertheless, for those of us who Continue reading “Direct Current”

Enigma Variations

Ambivalence towards Jaguar’s Sixties Supermodel is as old as the E-Type itself. 

1961 E-Type. Image: Sportscar Digest

The problem when approaching time-honoured and much-loved cultural touchstones is that as their mythology develops, layers of symbolism and exaggerated lore build up like barnacles upon the hull of a sunken craft until the object itself becomes obscure, indistinct; the legend eventually overtaking fact.

Certainly, the cult status of the Jaguar E-Type has morphed to that of venerable sainthood – its position as all-time investment-grade classic seemingly inviolate for the rest of time. So much so, that to Continue reading “Enigma Variations”

Nordstjärna (Part Four)

Allting var sak har sin tid

Image: favcars

The year of 1967 would be an auspicious one for for the Trollhättan-based carmaker. The start of the year witnessed the maiden flight of the aircraft division’s advanced new Viggen jet fighter aircraft,[1] while that Autumn, the first completely new Saab motor car since the marque’s inception would make its press debut. The 99 model (and its derivatives) would go on to Continue reading “Nordstjärna (Part Four)”

Pinned Together, Falling Apart

Do we get the stylistic leaders we deserve? 

“Nobody likes my shoes…” (c) Autocar

In recent weeks the design chiefs of the German car industry’s premier division reminded us exactly how they justify their retainers. This elite trio of Audi’s Marc Lichte, BMW’s Adrian van Hooydonk and Mercedes-Benz’s Gorden Wagener hold perhaps the most coveted and yet simultaneously least enviable jobs in the business, being at the very sharp-end of the changes rapidly encroaching upon all carmakers, but impacting the upper denizens in potentially even more profound a manner.

Earlier this week, we talked to a design commentator about the challenges facing carmakers; given the lack of vision which characterises the mainstream legacy motor car in the current environment. Viewed in this context, the manner in which these particular figures have deigned to Continue reading “Pinned Together, Falling Apart”

Depth of Field

Ready to take a trip? Today we discuss possible futures and automotive design with Design Field Trip’s editor, Christopher Butt. 

Design Field Trip’s creator and Editor, Christopher Butt. (c) DFT

Design was once characterised as “the dress of thought,” an elegant phrase and one at least as applicable to the automobile as any other form of styled product. Yet today, the dress which clothes our vehicles all too often suggests thoughts of a less edifying nature. But can anything be done to arrest this trend? Having recently launched his latest venture, Design Field Trip, we ask Hamburg-based design commentator, critic and writer, Christopher Butt, about his hopes to Continue reading “Depth of Field”

Nordstjärna (Part Three)

Desperate times. Desperate measures. 

Image: carthrottle

The early 1960s had been good years at Trollhättan. Saab sales had risen exponentially, the export performance of the 96 showed considerable promise, and its rally exploits further bolstered its appeal. But it was clear that to consolidate upon this success, a more modern, more adaptable Saab motorcar was required. In April 1964 management initiated Project Gudmund which would culminate in the 99 model, unveiled to the press in November 1967.

But meanwhile sales of the two-stroke 96 were stalling, and technical chief, Rolf Mellde recognised the need to act. Not that his engineers had exactly been warming their hands in the interim. Between 1960 and 1964, a number of four-stroke engines were evaluated in Saab bodyshells. Initially three powertrains were selected, a longitudinal 897 cc four cylinder Lloyd Arabella unit, a transversely mounted 848 cc BMC A-Series (à la Mini) and a 1089 cc V4 Lancia Appia unit.

Despite this however, Saab CEO, Tryggve Holm remained implacably wedded to the two-stroke concept, vetoing any move by Mellde to Continue reading “Nordstjärna (Part Three)”

F is for Failure

There’s little new in the world.

An artist’s render of the upper-level version of Projet F. (c) citroenet.org.uk

The news earlier this week that JLR cancelled its Jaguar XJ programme, believed to have been close to production-readiness was greeted with varying degrees of dismay by the commentator and enthusiast community. Many questioned the financial logic of taking such drastic action so late in the developmental programme, suggesting that such profligacy was madness.

Whether folly or expediency, it was certainly not unique, BLMC rather notably electing to cancel the Rover P8 programme at huge expense in 1971, for example. However, perhaps the most glaring and possibly the most financially damaging instance was that of Citroën, when in April 1967, President, Pierre Bercot took the decision to Continue reading “F is for Failure”

Sunk Cat Bias

JLR Reimagines Jaguar as a successful business. Good luck Thierry.

The only image officially shown of the axed ‘new’ XJ. (c) Autocar

“It’s not the despair… I can stand the despair. It’s the hope…” [1]

So it’s finally happened. After months of deliberation, and a good deal of wild-eyed speculation, Thierry Bolloré and his JLR board have announced their Reimagine plan for the JLR business. Described in some areas of the mainstream auto press as a Bombshell, the revelations which pertain to brand-Jaguar are in fact nothing of the sort. This shift has been telegraphed for the best part of two years now.

Reimagine has been devised, Bolloré told journalists, to emphasise “quality over volume”, a tacit recognition that not only were Sir Ralph Speth’s growth projections for the JLR business wrong, but in a new post-Covid, post Brexit environment, completely unattainable.[2] Speth’s aspirations to Continue reading “Sunk Cat Bias”

Nordstjärna (Part Two)

Saab takes off.

(c) saabworld

In the years immediately following the cessation of global hostilities, the pace of technological change accelerated massively. However, this rapid forward motion was particularly obvious in the aviation sector, especially following the advent of the gas turbine jet engine.

For Sweden, peacetime did not entail a loss of vigilance – far from it, with the threat now stemming from a resurgent Soviet Union, seeking to Continue reading “Nordstjärna (Part Two)”

Newsgrab

The week that has been – 14 February 2021.

The face of 2021 – Citroen C3 Aircross. Image: Autocar

As we enter the mid-point of February 2021 and for most of us, the interminable wait for any palpable sense of normalcy seems as distant a prospect as ever. Automotive news these days appears to arrive in bursts of optimism, before quickly dying down once more – somewhat akin to hopes for an even semi-productive year in prospect. Still, we must Continue reading “Newsgrab”

The New Frontier : [Part Two]

A brief, meteoric rise and sudden precipitous fall.

Geneva 1970, the SM makes its debut. (c) sm.uk

While there may have been some discord as to the conceptual nature of Citroën’s 1970 flagship, the matter of its style appears to have been more assured. Certainly, there are few observers who could cogently argue that the SM’s styling was not a success – indeed it remains probably the car’s defining feature – still a futurist marvel, despite a half-century having elapsed since its introduction.

Within Citroën’s Bureau d’Études, the Style Centre was hidden away in an unkempt and dingy section of the Rue de Théàtre facility. Overseen by longstanding Citroën design chief, Flaminio Bertoni, he alongside his small team of fellow designers and put upon artisans would work largely in seclusion, without much by way of recognition.

Originally training as an architect at the Ecole des Beaux arts in Amiens, Robert Opron joined Citroën’s style centre in 1962. He quickly developed a rapport with the mercurial Bertoni, the two men sharing mutual interests in art, cuisine and culture.[1] Opron was said to be devastated when in 1964, he learned of his sudden and premature demise.

Having already illustrated his abilities and gained the confidence of his superiors, Opron was asked by head of the Bureau d’Études, Jean Cadiou to Continue reading “The New Frontier : [Part Two]”

Hope Is the Thing With Feathers

What do I know about animal husbandry anyway?

Underestimate this pullet at your peril. Image: carscoops

There surely comes a point in proceedings where one simply has to bow to certain ineffable truths and admit to the error of one’s ways. For some years now I have been calling (futilely I might add) upon its maker to do the decent thing and euthanise the Lancia Ypsilon, in the earnest, if mistaken belief that it would be better for all concerned if the hapless Shield and Flag was allowed to Continue reading “Hope Is the Thing With Feathers”

The New Frontier : [Part one]

We profile the incomparable SM.

La Fluidité. Image: autoevolution

Observing 50 year old events through modern eyes can make for a faulty tool, yesterday’s visions of the future tending to appear somewhat naive to twenty-first Century sensibilities – as much a consequence of socio-economic factors, evolving customer tastes, not to mention the relentless march of time itself. Few carmakers have done more to define the modern automobile than Automobiles Citroën – especially during the post-war era – not simply in design, but also in terms of systems engineering, in particular its widespread adoption of aviation-inspired, engine-driven hydraulics.

If only Citroën could have made a car as technologically and stylistically advanced, as resolutely modern as the 1970 SM, it could only have done so during this fecund (some might say profligate) period of their history. Today, the SM still appears thrillingly futuristic, yet the future to which it spoke so promisingly seems more the subject of fond regret; one where to Continue reading “The New Frontier : [Part one]”

Everything to the Front

Fessia and Issigonis. Great minds?

Image: automotodepoca

In 1960, outside of a few shall we say, niche carmakers (and Citroën of course), front-wheel drive was still viewed as a somewhat unproven concept. Therefore, when Lancia introduced the front-driven Flavia that year, there was bound to have been some surprise amid observers, and maybe too, an element of scepticism, especially amongst Lancistas of a more traditionalist stripe.[1]

It was after all, a significant technical pivot from Borgo san Paolo’s engineering orthodoxy, and one that was unlikely to have occurred had Lancia’s technical dial not shifted so dramatically by the appointment as engineering chief of Antonio Fessia. The good professor, technically gifted but single-minded in approach, was a staunch proponent of front-wheel drive and there can be little doubt that the Flavia was more attuned to his own ideals and orthodoxies than to Continue reading “Everything to the Front”

Academic Revolution

A totally new kind of Lancia.

Image: Klassik-Auto

From a six-decade perspective, it is difficult to gain a sense of where the carmaking firm of Automobili Lancia & Compagni was once positioned in the marketplace, or indeed an accurate breakdown of a typical Lancia owner. Hailing from the fringes of nobility to the more recent emerging middle classes, they tended to be affluent, cultured individuals who prized the finer things, but were not inclined to make a statement of it. Despite appreciating tradition and craftsmanship, they were not averse to bracing modernity either. But more to the point, they were prepared to Continue reading “Academic Revolution”