A Photo for Sunday (Micropost): 2001 Opel Combo

Other sites may concern themselves with exotica and luxury brands.

2001 Opel Combo

Well, we do too but we also have space for bread-and-margarine cars like this 2001-2011 Opel Combo (C). Was this the car that prompted a jealous Mercedes Benz to launch the VaneoContinue reading “A Photo for Sunday (Micropost): 2001 Opel Combo”

Far From the Mainstream: Landwind

Landwind is a company with a sketchy history. This car is being sold as a Landwind SC2. But Wikipedia denies its existence. There are three** Landwinds on sale at Mobile.de at the moment. 

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“Landwind is an automobile marque owned by the Chinese automaker Jiangling Motor Holding, a joint venture between Changan Auto and Jiangling Motors Corporation” is what Wikipedia says, in case you Continue reading “Far From the Mainstream: Landwind”

Micropost: W-201 Mercedes 190E Driver’s Ashtray

How come the 1982 Mercedes-Benz 190E was W-201 and the 1984 200E cars were coded W-124?

Mercedes-Benz 190E

We see in this quite small car the effect of the well-evolved centre console. The ashtray is situated in an undercut of the fascia and it’s a decent sized ashtray too. The ashtray is a chromed metal item, with a cigarette lighter built into the drawer. Under that is a cubby for bit and bobs. Continue reading “Micropost: W-201 Mercedes 190E Driver’s Ashtray”

Theme: Porsche – If Only Tomorrow Could Pass Us By

Not all of the products wearing the Porsche label have received good press. Burns hot, too expensive, can’t breathe. Which Porsche merited these criticisms?

Porsche Design Pipe: source

Well, as a clue, this Porsche is not made in Stuttgart but Holland. Even new it cost in the region of a few hundred euros and it weighed under a 75 grams. The Porsche in question was a pipe, designed by the Porsche Design studio rather than the automotive design studio.

Not unlike Pininifarina and Zagato, Porsche has separate divisions for industrial design and licencing. Rather unusually, I think, for a design consultancy, they tend to stamp all their projects with a distinct look and, indeed, with an actual label saying “Porsche Design”. At Copenhagen Airport one can Continue reading “Theme: Porsche – If Only Tomorrow Could Pass Us By”

Theme: Aftermarket – The Months of the Year and What We Did With Them

As Simon Kearne so eloquently pointed out in his introduction to this month’s theme, the world of aftermarket is one richly populated with products.

The list of the top-ten most popular aftermarket products probably includes alloy wheels, car-seat covers, satellite-navigator armatures, chrome strips for the edges of doors, fog-lamps and spoilers.

Continue reading “Theme: Aftermarket – The Months of the Year and What We Did With Them”

Theme: Aftermarket – The ‘Evil Stare’

Few aftermarket items have been as influential as those lids that make any car look angry. 

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‘I’m funny how? I mean, funny like I’m a clown?’, photo (c) twingotuningforum.de

Aftermarket adornments are usually about a quaint kind of ill-advised deception. Opel/Vauxhall Corsas with the kind of diffusor – made of fibreglass, rather than carbonfibre, of course – that’s supposed to keep a Pagani’s aerodynamics in check at 300 kph. Peugeot 206s with quad-exhausts usually reserved to American V8-powered muscle cars. Aftermarket is about imitation, pretensions, delusions. But there are a few exceptions to this rule, and none more poignant than the curious case of the ‘Evil Stare’.
Continue reading “Theme: Aftermarket – The ‘Evil Stare’”

Theme: Aftermarket – Stroking the Cat

Emboldeners of Jaguars are relatively few. Driven to Write profiles its foremost and longest-lived exponent – Arden Autombil.

Arden’s take on the Jaguar X308 saloon – the AJ13. Image: Arden.de

In the German town of Kleve, close to the Dutch border, Jochen Arden founded his eponymous automotive business in 1976, trading in the usual Teutonic fare of VWs and MBs until 1982, when he took on a Jaguar franchise, prompting his initial forays into the arena of the aftermarket. By the early ’80s, Jaguar was painfully re-establishing themselves in the German market following years of stagnation under British Leyland when their cars came to be regarded by German motorists as being nice to look at, but really not fit for the purpose. Continue reading “Theme: Aftermarket – Stroking the Cat”

Maxximum Attakk! – Mercedes A160 Formula Hakkinen Edition

Having a special edition named after you is normally something of a compliment. But there’s an exception to every rule.

1999 žMercedes A160 Formula Hakkinen Edition. Image: mercedesclass.net

The world of Formula One is brutal and uncompromising. Few make it to its pinnacle, fewer still achieve greatness. Double World champion, Mika Häkkinen appears to have been one of Grand Prix’s more pleasant individuals – famously taciturn when fixed in the camera’s glare, but said to have been considerably better company once they were turned off. Quick too – perhaps the only driver of his era who gave seven-time champion, Michael Schumacher a genuine run for his money. Continue reading “Maxximum Attakk! – Mercedes A160 Formula Hakkinen Edition”

Theme: Aftermarket – They Who Call the Piper Tune The Player

The matter of tuning demands a little diplomacy. 

This photo is as good a representative of tuner culture. You’ll notice the sticker affirming the primacy of self-reliance even if it leads to failure. It says “I’d rather lose by a mile than win by inch if I made didn’t make myself”.

From my own personal experience, tuners seem to be perpetually in search of a new project. They are not alone in this. This is also true of bicycle enthusiasts who are often swapping out parts in the quest to Continue reading “Theme: Aftermarket – They Who Call the Piper Tune The Player”

London Motor Show 2017 report

DTW’s roving reporter packs his bindle and heads for the bright lights of the London Motor Show.

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At one time, the British International Motor Show was petrolhead nirvana. From humble beginnings in the early 1900s, it became the UK motor industry’s biggest event, an opportunity to polish its chrome work to a high shine and have it smudged to oblivion by the greasy fingers of an eager public. Held yearly from 1948 at London’s Earl’s Court, the show found huge popularity in the postwar period as car ownership took off. 1978 saw the event move to the heartland of the motor industry, Birmingham, and a change to a bi-annual format. That year over 900,000 car fans descended on the cavernous halls and ample parking of the National Exhibition Centre to slam doors, ogle the promotional dolly birds and load up with loot. It was not to last. Continue reading “London Motor Show 2017 report”

Theme : Aftermarket – Introduction

For some people things are never good enough.

Image : mk1-performance-conversions.co.uk

Pity the car designer. They slave to produce concept sketches, fight with the competition to get them accepted then resist the attempts of mean-minded production engineers and cost accountants to dilute the design until, finally, their original idea is presented in the showroom in an approximation of a certain percentage of its original glory. You might think that, at last, they could rest and draw some contentment as the children of their imagination begin to populate the roads. Yet no, their problems have only started. Continue reading “Theme : Aftermarket – Introduction”

Theme : Rivals – The Cat Takes The Bird

Some Theme Music for our Theme.

In 1964 my Dad made one of his visits to the USA and brought back with him ‘The Latest And The Greatest’ by Chuck Berry. At least that’s how I remember it but, as any Berry anorak will tell you, that album was a compilation record put together by Pye in the UK. So did they export it only for it to be returned, did my Dad become such a Berry fan on his visit that he bought it locally as soon as he came back, or is it all just a false-memory? You never can tell. Continue reading “Theme : Rivals – The Cat Takes The Bird”

Mystery Car

Our correspondent in Dublin, Mick, has kindly sent us a blurry close-up which might be a candidate for a mystery car competition.

… or not a mystery at all?

What is remarkable is that among our readers are people with the skill to recognise what this car is without having seen one in the metal for what could be years. This says something about how much visual consistency is applied at all scales of a car compared to a building, for example.

I would guess that if you pick 1% of the surface of a car and 1% of the surface of a building then the cars would be easier to identify. Another interesting point is whether a car from today is more or less easily identified from a 1% sample compared to one from, say, 1960. That’s a researchable question!

Behold

While I poked around Suzuki’s Japanese homepage I found the Hustler interior which is worth another look. 

Source

That is the power of orange. However, the iPhone white interior is good too. I notice they offer two orange shades. That’s an interesting and odd thing to do. Why not a cool shade? Or black or boring grey?

There is a 4wd version of this as well.

Louwman Museum IV : Capturing The Moment

Aside from the car collection, the Louwman Museum has an extensive collection of ‘Automobile Art’. But are car paintings ever any good?

Not in the Louwman : Grand Prix Thrills from ‘The Eagle Book of Motor Sport’

Ever since the first photograph was produced, the ‘Death of Painting’ has been trumpeted but painting still carries on. One reason of course is that the camera only catches the momentary image – it doesn’t always explain what is happening or why it is happening. Equally in today’s Photoshop world, it’s reasonable to forecast the ‘Death of Photography’. Certainly it is partly dead – most of today’s more glossy motoring magazines would find it hard to produce a cover, or even a main article image, in an unadorned state. Continue reading “Louwman Museum IV : Capturing The Moment”

Don’t Forget Your Camera

As luck would have it, I was out and about with no camera for most of the day.

1990 Barkas B-1000-1

Among the unicorns I spotted: a Hyundai XG350 and a Renault Safrane. It’s the Hyundai I regret missing the most. I haven’t seen one since 2006 and that one was a neighbourhood car. In all I have seen two, one of them several times. This time I could do not do more than Continue reading “Don’t Forget Your Camera”

Brochures Redux – A Retro Retrospective

In 1999, when retro was all the rage, BMW’s Z8 roadster did its best to exploit the sense of nostalgia that prevailed at the dawn of the new millennium. Surprisingly though, its sales brochure proves more creative. 

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Start your engines, Herr Bond! (This, lest we forget, was published in 1999, when car keys were still in regular use.)

For the launch of its luxury roadster – by some margin the most expensive series production car offered by the Bavarians, at 235.000 Deutschmarks – BMW threw everything but the kitchen sink at its potential customers.
Continue reading “Brochures Redux – A Retro Retrospective”

An Elle Of A Car

As promised here is a small snippet on a special edition you may have missed.

2012 Nissan Micra Elle logo: a logo on a car.

Quite coincidentally, Jimi Beckwith at Autocropley has been musing about the subject. Dreamcar.dk reported the momentous news of the Nissan Micra Elle as follows (in Nov 2012): “Nissan and the world’s most popular fashion magazine, Elle, have joined forces to develop a special edition of the popular city car, the Micra. The goal for both partners is to

Continue reading “An Elle Of A Car”

Did You Know…

…that we once ran a nice series on special editions here at DTW? And one of the cars featured was a Nissan Laurel Givenchy special edition. 

2017 DS3 Givenchy Le Make Up interior: source

We previously covered this car in relation to Brexit. I found it again when looking at Citroen’s UK site. They have a lot of hatchbacks now, like Fiat and Honda. It’s a sign of the times.

Turning to the topic, Givenchy is back (exclamation point). This time the great name has been applied like so much foundation to the DS 3. Voila, the DS 3 Givenchy Le Make Up. The problem is Continue reading “Did You Know…”

Still Out Of Favour

This item appeared at Car Design News. Among the interesting findings was that yellow is not much in evidence.

Not appearing soon: businessinsider.com

One wonders about these colour consultancies. They have no special access to the future yet are willing to guess (or is it propose) what it might look like. Presumably the consultancy has a lot of software to link economic and social indicators to colours. But it works the other way too. Colour affects our mood, acting to provoke a moment of “wow” or what Kant would call a pure aesthetic moment. So as well as the social mood influencing what colours we want perhaps colours can be selected to affect the social mood or even just to find people who are not in tune with it. Thus, the colour consultancies could push a colour and be pro-active in their predictions. One can review the data from now to say what might happen. One can also head off those trends by taking action. The time is right for yellow, I say. Let’s not give in to boring old trends but shape the future and ask for yellow cars.

BOOOOOST!

I mentioned recently that futile pushing movement a driver makes in their seat as they try to coax an underpowered car to gain, or even maintain, speed. What they really need is a magic switch.

Image : jaguarforums.com
Image : jaguarforums.com

When I was a kid, many Jaguars had a small switch, set high up on the dashboard, between the steering wheel and the driver’s door. Depending on the model, this might either be labelled ‘Overdrive’ (in my memory a transparent toggle) or an ‘Intermediate Speed Hold’ (a black toggle). As a child I didn’t differentiate, or even question what the difference was, it just seemed like a magic go-faster button that the drivers could flick at will. Continue reading “BOOOOOST!”

‘Tis Not Enough That Every Stander-By No Glaring Errors In Your Steps Can Espy

Harder than string theory, this. Can one clearly recount the Suzuki Ignis story?

2008 Suzuki Ignis: parkers

There are two product lines made by Suzuki. One is a line of small, quite conventional five and three door cars called the Swift or the Ignis or Cultus. And the other is a line of three and five door cars called the Ignis or Swift. Continue reading “‘Tis Not Enough That Every Stander-By No Glaring Errors In Your Steps Can Espy”

May The Song I Sing Be Seamless As Its Way Weaves From the World’s Beginning To Our Day

Lamb wool rugs, coverlets, wraps. I’d forgotten about the 2003 Continental’s rugs until now.

2008 Bentley Continental Flying Spur: source

The 2003 Bentley Continental Flying Spur came with lambs wool rugs if one ordered the “Premium Specification”. This detail deserves a little reflection.

To purchase a Conti Flying Spur one needed more than two hundred thousand dollars. One rug could not really have cost more than a few hundred dollars. The very nice Norwegian Roros rugs cost about 150 euros. Adding a Bentley crest adds another twenty euros. I would have thought the rugs would have been standard too. However, the rugs are also a bit extraneous. First, I can’t imagine a lot of passengers would need the rugs except perhaps small napping children. The grown adults won’t Continue reading “May The Song I Sing Be Seamless As Its Way Weaves From the World’s Beginning To Our Day”

Come Forth Into the Light of Things

Despite the impending economic doom of Brexit, London Taxis are pressing ahead with a major new factory to produce their zero-emissions cab.

2017 LTC cab: source

It’s gratifying that the factory, opened the other day, is in Coventry, a city with a long tradition of motor car production. It was never very pleasant to see how the sites of Triumph, Peugeot and Humber were transformed into shopping centres, piles of rubble and housing estates respectively. Continue reading “Come Forth Into the Light of Things”

Brochures Redux – 928 equals more than 911+17

In terms of prose and style, Porsche’s advertising certainly couldn’t keep up with the modernism of the company’s flagship GT. Yet the Swabian virtues persisted. 

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Given the amounts of thought, devotion and creativity that went into the creation of Porsche’s landmark 928 coupé, it comes as a bit of a surprise that the ’78 vintage brochure of the car isn’t terribly advanced in terms of layout or prose.

The overwhelming sense is one of pride and Swabian thoroughness, with just a hint of ’70s glamour and cosmopolitan flair added. Double pages are devoted to the 928’s being awarded ‘Car Of The Year’, obviously, as well as its design and engineering development process.

Continue reading “Brochures Redux – 928 equals more than 911+17”

Geneva 2017: Cadillac want us to Dare Greatly

Robertas Parazitas looks back on a memorable Geneva Salon, and can’t quite decide whether to praise the Cadillac Escala, or rant against the sustained assault on the English language.

The concept is not new, having had its premiere at Pebble Beach in August 2016. It is intriguing  on several levels. The design language is a departure from the distinct vocabulary of present Cadillac offerings. Like the Pininfarina H600, the Escala could fit into a number of manufacturers’ ranges: Jaguar, Lexus, DS.

It’s also a hatchback. Most will refer to the Audi A7, I’m thinking of the Rover SD1. Continue reading “Geneva 2017: Cadillac want us to Dare Greatly”

Far From the Mainstream: Grecav

After a bit of a hiatus, FFTM returns with an Italian-made microcar, Grecav

1995 Grecav: source

At mobile.de the earliest Grecav is a 1995 identifed as a Mopedauto. Like all these mini-engined micro cars they cost rather a lot compared to almost any decade-old Astra/Focus/Golf class car with room for four. They belong to a captive market of people who for some reason are not able to drive a “proper” car. Continue reading “Far From the Mainstream: Grecav”

A Larger Car for a Larger Continent

First, an apology. This sequel to our piece on the Mohs Ostentatienne was originally promised to coincide with the 20 January 2017 Presidential Inauguration. In the event we missed it. Blame the crowds.

Image : conceptcarz.com
Image : conceptcarz.com

The Mohs Safarikar was Bruce Mohs’ next motoring project after the Ostentatienne. Obviously sharing what, back then, was certainly never referred to as DNA, this was a companion to the Opera Sedan, the clue to its function being in the name. As with the Ostentatienne, the Safarikar is an easy target for the smartarse motoring writer wanting to get a few cheap laughs with little intellectual outlay, and forgive me if I don’t manage to rise above my peers. Continue reading “A Larger Car for a Larger Continent”

Scream If You Want To Go Faster

If you have to ask how much it costs to look this cheap you probably can’t afford it.

The Mansory Black Edition near some mountains. Context innit? All images: Autoguide

All of a sudden Bentayga makes sense. Bentayga exists, I now realise, to provide a frame upon which the spectacularly insecure can hang the neediest portion of their id – and in the case above have it rendered in ‘Collage Edition’ carbon fibre. Behold the Mansory Black Edition – the ultimate expression of Bentayga-ness. Continue reading “Scream If You Want To Go Faster”

The Lily, Gilded

Rather a long time ago there were areas of the car market not occupied by the OEMs. How about a nice bit of plastic for your car, sir?

1992-BMW-5-series-deflector
Wind and rain deflectors for E20 BMW 5-series

This advert is from the 1992 Daily Mail Motor Review. The back pages of car magazines usually featured this kind of thing. After you bought your car you could get rubber mats, car seat covers (the loud, tweedy ones were best), sun roofs and moon roofs, engine additives and car covers. Fog lamps could also be added, the more the better.

Continue reading “The Lily, Gilded”

Photo for Sunday – Volkswagen XL1

You’re engaged in some innocent retail therapy and then this beams down from planet Piëch.

Starship XL1. All images: Driven to Write
The car that fell to earth. XL1 amid the hatchbacks. All images: Driven to Write

As we’ve pointed out, Driven to Write never sleeps and while we don’t always get about as much as we’d like, our eyes and ears are everywhere. So while some of us are battening down hatches in windswept West Cork, others get to swan around a decidedly more temperate Marbella – a matter for which your correspondent is not bitter. Continue reading “Photo for Sunday – Volkswagen XL1”

Theme: Brochures – When the Kitty Was Purring

Jaguar’s XJ6 saloon was a landmark car. Its marketing did it justice.

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Collecting brochures is, in the grander scheme of things, a rather sad pastime. One goes to great lengths to get one’s hands onto something that was supposed to have, at best, a short-term effect and be forgotten immediately afterwards.

Continue reading “Theme: Brochures – When the Kitty Was Purring”

Theme: Brochures – 1971 Wartburg Knight

 A 46 year old brochure prompts some thoughts on – arguably – the most idiosyncratic Comecon car to cross the Iron Curtain.

wartburg-353-brochure-1970-1

It is neither big, nor French, nor Italian, and had an embarrassingly prolific production of over 1.2 million, but the Wartburg 353 is deservedly a DTW favourite.

The price list accompanying the brochure is from April 1971. The £749 asked for the Knight (the name was only used for the British market) deluxe saloon was £26 more than a Mini 1000. A four door Viva deluxe was £883, the equivalent Avenger was £20 dearer.  More off-beat choices were the Morris Minor 1000 4 door at £775, the Skoda S110L at £775 (The Octavia wagon was still available at £710), and the new 1500cc overhead camshaft  Moskvich 412 matching the Knight exactly for price. Continue reading “Theme: Brochures – 1971 Wartburg Knight”

Vanity Of Vanities : Work In Progress

Following the post from a couple of weeks ago, expressing my desire for an enjoyable, yet slow, car I’ve been trying to flesh out what was, when I first suggested it, a rather nebulous idea.

slow-sports-top

At the same time, I’ve been getting my own low-level insight into the mindset of Ferdinand Piëch.  From what I know of him we have little in common, save a desire – realised in his case, unrealisable in mine – to see a rather silly car produced; one that no-one else in the world needs.  I started my doodlings thinking of simple things that could, perhaps, be built on top of a scrap 2CV platform. But Dr Piëch has inspired me that, like the Bugatti Veyron, second-best just won’t do. Continue reading “Vanity Of Vanities : Work In Progress”

Making History – Jeff Coope Interview (part one)

Driven to Write speaks to the man helping ensure the British Motor Museum in Gaydon is future-proofed for future generations – Director of Operations, Jeff Coope.

British Motor Museum Collections Centre. Image: BMIHT
British Motor Museum Collections Centre. Image: BMIHT

Ensuring the past continues to address the future is a challenge all museums face. To stay relevant they must evolve – or die. Jeff Coope is the man at the sharp end. Having overseen the transformation of what was known as the ‘Heritage Motor Centre’ into today’s British Motor Museum, his ambitions for the facility go much further. The current purpose built Gaydon museum was formally opened in 1993, but despite being supported by industry donations and from the British Motor Industry Heritage Trust itself, it struggled to sustain itself financially. Continue reading “Making History – Jeff Coope Interview (part one)”

1984 World Cars (4) Innocenti Tre and Austin Metro

In the fourth of a short series, I will remind readers of what was on sale in 1984, courtesy of the much missed “World Car Guide”.

1984 Innocenti Tre: source
1984 Innocenti Tre: source

 What do the De Tomaso Deauville and the Mini have in common? The answer is a relationship to the Innocenti Tre rooted in the fact De Tomaso developed the car from the Italian Mini. Bertone designed the hatchback body for the Tre (three doors), giving it a little extra over the two-door Mini.  Further adding to the Tre’s mongrel status is that the engine is a Continue reading “1984 World Cars (4) Innocenti Tre and Austin Metro”

World Cars 1984 (2) : Bertone Ritmo Cabriolet

In the second of a short series, I will remind readers  of what was on sale in 1984, courtesy of the much missed “World Car Guide”.

1984 Bertone Ritmo cabriolet: wikipedia.org
1984 Bertone Ritmo cabriolet: wikipedia.org

In 1984 Bertone offered a cabriolet version of the Ritmo, with its own badge on the grille. By 1984 Fiat had restyled the Ritmo slightly: the air intake on the bonnet vanished in a tidying frenzy. The car had a roll-hoop to add rigidity, probably a necessity for a vehicle as fundamentally light as the Ritmo. Another Ritmo cabrio option existed: the Pink Panther, also put together by Bertone. Continue reading “World Cars 1984 (2) : Bertone Ritmo Cabriolet”

World Cars 1984 (1): Anadol 16

In the first of a short series, I will remind readers  of what was on sale in 1984, courtesy of the much missed “World Car Guide”.

1981 Anadol 16 brochure: source
1981 Anadol 16 brochure: source

The Anadol 16 was produced in Turkey and its appearance raises intriguing questions of authorship. The roofline suggests the generation of Triumph 2500 that never arrived in 1977. The lamps and grille suggest a less-adept bit if in-house creativity. According to the guide the car is based on Reliant designs. According to whichever enthusiast (I sense a native British

Continue reading “World Cars 1984 (1): Anadol 16”

Theme: Brochures – “Of the Same Noble Breed as the Fabulous Cheetah”

From the Parazitas collection, a journey into a gentler time.

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It is quite possible that I have never seen a Simca 1200S, nor its tamer 1962 predecessor the 1000 Coupe, in real life, but this English language brochure from around 1970 is testament to its existence. Checking a November 1970 issue of Motor confirms that it was indeed offered in the UK at a hefty £1595. Just £1398 would have bought you a Capri 3000GT. The Simca’s more natural rivals, the Alfa  Romeo Guilia 1300GT, and Lancia Fulvia Coupé Rallye S are listed at £1848 and £1871 respectively. Continue reading “Theme: Brochures – “Of the Same Noble Breed as the Fabulous Cheetah””

Theme: Brochures – Volvo 740

Most of the brochure is just like all Volvo brochures from the late 80s. It’s horizontal, mostly white and assembled with extreme restraint.

1998-volvo-740-cover
circa 1990 Volvo 740 brochure

The best part of the story of the Volvo 740 (1982-1992) is that the car it should have replaced only went and outlasted it: the 240 (to 1993). Yet the 740 did a lot of things better and was probably a bit more pleasant to drive (Car even rated it as being better than a Granada and a 604 in 1983). It had more room, used less fuel and offered decent reliability. All this is well-known. What makes this brochure more interesting is the location for the photography: the wilds of Ireland, just a few short years before

Continue reading “Theme: Brochures – Volvo 740”

Slow? Slow? Quick? Quick? Slow!

Where is the real car for today’s roads?

Too much entirely? Image : evo.co.uk

My recent speeding endorsement re-awoke my idea that what the world (meaning Sean Patrick) needs is a slow sports car. The problem is that modern cars’ abilities have become so high that driving them at legal limits is pretty stultifying. Basically engines are too powerful and tyres are too wide. Their competence is such that any sensation is insulated until you get up to speeds that risk doing your licence, not to mention yourself and others, irreparable harm. The above photo shows EVO’s Jethro Bovingdon, demonstrating an admirable determination to minimise tyre wear. Doubtless he’s having fun but, if I had a Nissan GT-R for daily use, how often would I? Continue reading “Slow? Slow? Quick? Quick? Slow!”

Theme: Brochures – 1964 Skoda 1000MB

In 1964 the Skoda 1000MB went on sale, replacing the first Octavia of 1959 (which stayed in production anyway). It had a 1.0 litre  four-cylinder engine.

1964 Skoda 1000MB brochure front covers.
1964 Skoda 1000MB brochure front covers.

And it started a long series of rear-engined Skodas. It’s not a car I know a lot about. The Wikipedia web-page reeks of fandom: “Apart from the use of cooling vents in the rear wings and rear panel, everything else about the 1000 MB’s styling was normal, which was undoubtedly in an attempt to appeal to all the conservative-minded buyers in export countries like the UK. This car was highly successful both for Škoda and the Czech economy”.

Continue reading “Theme: Brochures – 1964 Skoda 1000MB”

Theme: Brochures – 1998 Fiat Multipla

I picked this brochure up at the Birmingham Motorshow in 1997 or 1998. 

1998 Fiat Multipla brochure
1998 Fiat Multipla brochure

The graphic design goes with the fun theme of the car’s design. You could even call it populist and it is soaked in the carefree feeling of that period. Even today the exterior and interior aesthetics are fresh and novel. What must not be forgotten is the ingenuity of its flexible framework architecture which was usefully cheep, meaning Fiat broke even at 40,000 units a year.

While the public had mixed feelings, most of the press disdained the eye-catching style. And yes, it is not conventionally beautiful;  Continue reading “Theme: Brochures – 1998 Fiat Multipla”

Theme : Brochures – Introduction

The Editor considers this Month’s theme.

Image : Citroënët
Image : Citroënët

Once upon a time the juvenile car lover in the UK looked towards Autumn as a period of plenty. For that was Motor Show time, when a glut of exciting new cars was guaranteed to surprise and delight. And if that car lover was fortunate, they travelled to Earls Court or, later, the NEC to attend the British International Motor Show. For many, great as the opportunity was to be able to see these new models in the metal, just as fine was the fact that they could struggle back home laden with a selection of lush brochures. Continue reading “Theme : Brochures – Introduction”

Theme : Compromise – Setting a Limit

Another fine mess…

Impossible to miss. On the other hand .... image : Bristol Post
Impossible to miss. On the other hand …. image : Bristol Post

The more I have considered this month’s theme, the more I have realised that it is far too wide ranging. Compromise is everywhere in our lives, or at least in mine. I could write about any topic and, in very little time, the subject of compromise will come up.

Last week I sent off my driving licence for my first ever speeding endorsement. After 48 years. Damn, it could almost have been a full half-century. Still that’s impressive, no? Actually, no it isn’t. The circumstances of the fine are irritating, but I can’t complain. To have lasted this long says a fair amount about my vigilance, a bit more about our policing, and a lot about my good luck. Continue reading “Theme : Compromise – Setting a Limit”

Theme: Compromise – One Born Every Minute

Necessity might be the mother of Invention, but her second child is named Compromise. 

nissan-qashqai-being-built-on-nmuk-line-1-with-an-operator
The maker of your own demise. (Image: Auto Express)

For anyone with an ounce of petrol in their veins, few experiences necessitate compromise more than parenthood. Children may be small, but their interminable things are not. The gravitational pull of a gurgling baby Katamari attracts hitherto unimaginable mountains of clutter.

Continue reading “Theme: Compromise – One Born Every Minute”

Three Volumes in Three Parts: 3

In the previous two instalments we have looked at the car’s general background and the driving experience. In this instalment I’d like to gather together some of my reflections.

1981 Lancia Trevi 1600: source
1981 Lancia Trevi 1600: source

Firstly, the way I view the Trevi now versus how it seemed to me twenty-seven years ago is markedly different. In 1990 I was studying geology which necessarily includes a bit of evolutionary history. At that time I had regular car conversations with one of the other students on the course. The way I described the Trevi then was to refer to it as “a hopeful monster”.

That’s not to be understood pejoratively though I did Continue reading “Three Volumes in Three Parts: 3”

Theme: Compromise – Second Best

Wish fulfilment takes many forms…

Image: Kris Kubrick
Image: Kris Kubrick

Life isn’t fair. By rights we’d have our needs and wants fulfilled but circumstances, finances and events conspire to deny us our true heart’s desire. Take the owner of this perfectly innocuous Audi TT. A first generation model; the nicest looking of the series, if not the most dynamically adept. ‘A Golf in a party dress’, sniffed the more snobbish automotive commentators, but nevertheless a perfectly nice and still quite stylish way to get around on a moderate budget. Continue reading “Theme: Compromise – Second Best”

Theme: Compromise – The Paradox of Failure

As David Pye observed, every design is a failure.

Failure.
Failure.

His argument rested on the idea that no design can optimise every aspect. The more complex the object the more likely this is to be the case. If we take a simple example of a knife, it’s a compromise because unavoidably the designer had to work within constraints of time and materials. The knife has to function but be affordable and attractive to enough people to make it an economically feasible proposition.  The best knife can’t appeal to everyone. For some consumers the design is unacceptable  – it remains unsold for reason of price or appearance. Continue reading “Theme: Compromise – The Paradox of Failure”