After quite a hiatus, it is time to have another focus on ashtrays. Today we admire the dainty ashtray of the 1976 Citroen CX.
This fine pair of photos has been sent to us by our Hamburg correspondent, Kris, who appears to have been inside one of the cars recently. Lucky him.
This ashtray is quite well positioned: on the top of the rear door. The chrome frame is a generous touch. I have my doubts about the crackle-finish of the flap. Why not neutral chrome too? It is a rear-hinged flip-over design and, in terms of affordance, a little unhelpful. Does one press the front or back edge to open it? This could be quite a good place for the tray but it must be a small bowl. Citroen could have made the door a bit deeper here to allow for a more substantial ashtray.
Was it the 2CV’s slightly duller brother, or the car the 2CV should have become?
In all practical respects the Citroën Dyane was an improvement on the 2CV. The sliding front windows were more convenient, the two position fabric sunroof easier to use, the hatchback more versatile, the bodywork a little more slippery. Yet, despite comprising nearly 17% of total 2CV derivative Citroen production in its 15 years, against the 2CV saloon’s 45% over 42 years, it is a bywater in Citroën history because, of course, it isn’t a Deuche and, in terms of original intent, it isn’t even strictly a Citroën, since it was intended to be a Panhard. Continue reading “The Citroën Dyane is Fifty This Year”
Vélizy’s 1994 riposte to Renault was no masterpiece, but perhaps the best of a bad bunch. It’s not saying much, is it?
It’s relatively difficult to imagine now, but in the early 1990’s, the future was looking decidedly MPV-shaped. Particularly amongst European manufacturers, who were falling over themselves to get something vaguely monospace to market, following the creative and commercial success of the innovative Renault Espace. The MPV concept appeared to especially chime with the French motorist, who was generally characterised by preferring pragmatism over pretension. In 1991, Renault once again set the pace with the Scenic concept, but it wasn’t until 1994 that Art Blakeslee’s Citroën studio presented Xanae. Continue reading “In the Kingdom of the Blind the One-Eyed Man Is King – 1994 Citroën Xanae”
The opposing polarities of the double chevron are unlikely ever to be satisfactorily reconciled, but was this any way to go about trying?
There are those content to view Citroën’s role as being that of the pre-Traction Avant era: fundamentally a purveyor of pragmatic, rather ordinary cars. The earthbound Goddess of course (temporarily) put paid to such notions and forms the boundary for an opposing camp who view Citroën’s descent from those Olympian heights as being somewhere between tragedy and outright crime. So if the car we’re gathered here to commemorate today falls into the former category, how should we view it, twenty years later? Continue reading “Opposite of Avant – 1997 Citroën Xsara”
We look at two proud Frenchmen who were really quite similar and so very different.
There are certain notorious rivalries in motoring history. Many of them were sporting ones, in the Senna-Prost mould, which sometimes went beyond good sense and risked the lives of those involved. But there are also rivalries that at first seemed less visceral, but that had equally grim endings. One such is that between André Citroën and Louis Renault. Neither were self-made men from humble backgrounds in the vein of Herbert Austin or, even more so, William Morris. Both had comfortable upbringings, André’s possibly less stable due to the suicide of his father. Born within a year of each other, they actually first met as young children attending the same Lyceé. André studied engineering at the prestigious École Polytechnique whereas Louis was self-taught, building his first car before the end of the 19th Century and becoming part of the early history of motoring after forming a company with two of his brothers. Continue reading “Theme : Rivals – The Light and The Dark”
We drive a C6 and discover there’s nothing penitential about Citroën’s swansong big saloon.
On my return to Randle Engineering in November 2016, I re-introduced the subject of the C6, but this time with a more contrite tone. I ask Steve to tell me more about his example. By UK standards at least, Randle’s C6 has a virtually unique specification. It’s a 2007 C6 2.2 litre model with a six-speed manual transmission, one of 38 in the country. Continue reading “Act of Contrition – Citroen C6 (part two)”
A decade apart, two brochures illustrate how Citroën’s marketers viewed the evergreen Tin Snail.
1975: Two years after the oil embargo and deep into a period of political instability and economic austerity. Frugality was back, as was a yearning for a more authentic mode of living. In keeping with the mood music of the time, BBC sitcom, The Good Life portrayed a professional couple turning their backs on the rat-race, embarking on a ‘back to the land’ subsistence in their Surbiton semi. Continue reading “Theme: Brochures – Pushing Tin”
Making amends for past indiscretions, Driven to Write takes a long look at the last true Citroën.
Despite its premier position in Citroën’s iconography, the incomparable Déese never really represented the double chevron’s stylistic North Star. That position is occupied by its less well loved successor, the 1974 CX. Despite being viewed by some ardent Citroënists as the lesser vehicle to its definitive forebear, the CX’s silhouette remains not only the one best associated with the marque, but also one which most aficionados would welcome a return to. Continue reading “Act of Contrition – Citroën C6 (part one)”
It might look like a stretched Peugeot 308 to you, but this was the finest PSA concept in years.
I’m somewhat amazed I’ve made it so far with this series. I’d expected hoards of irate Citroënistes burning effigies of me for having the nerve to make these (admittedly loose) connections, so either I’m on the right track or I should spend more time looking skywards for falling anvils.
Here are as many of the influences I can find, not counting the aspects of the car that draw on Citroen’s own general heritage. The roll call is long and not exclusive. However, it begins with the 1974 Lotus Eclat which has a similar dropped window line, one of the XM’s signature features. Deschamp’s drawing looks like a saloon Eclat, if you Continue reading “Let’s Sort This Out, Shall We?”
For a few years Citroen produced the CX in Arica, Chile.
I saw this one in Sweden: nearly all GTi CXs that I see are like this: immobile and decaying. Owners seem paralysed between scrapping and repairing.
From 1978 to 1984 Citroen delivered knocked down CX’s to Chile for assembly. There a few for sale in similar condition. Information on the Chilean version is sparse- perhaps our Chilean readers can fill in some details on engines and trim. I’d guess the range was narrower on options such as colour, trim and motors. Or was it? I must say how appealing the idea is of a Prestige negotiating dramatic Andean scenery.
What you say isn’t always necessarily what you mean.
As Europe’s leading car design consultancy, Ital Design has always been in the business of ideas, and while they could to some extent predict the future in styling terms, they couldn’t necessarily convince the industry to follow their lead, which saw many promising styling studies on the cutting room floor. But in the industry’s defence, the price of failure has always been high. Continue reading “Cars That Could have Been Citroëns – 1980 Ital Design Medusa”
Autumn’s in the air, the nights are closing in and it’s really no time to be hanging around graveyards. For one thing, you’ll catch your death…
It’s probably about time I owned up to having a morbid interest in revenants. I know, it’s unedifying at best and potentially illegal, but I really can’t seem to help myself. Time and again I make the same vain promise: no more loitering around dank graveyards, only to be escorted home by the local constabulary amid muttered admonitions of ‘not you again?’ But it’s no good, the lure of broken soil and the troubled sleep of the eternal is just too strong. So imagine my reaction to Autocar running a story on Citröen’s plans to retake the large saloon market? It’s simply another one way ticket to the back seat of a blues and twos Astra. Continue reading “Cemetery Polka”
Sufficient time has elapsed now for Citroen to admit to making the CX.
Make that 25 years in the dog house before they could bear to put the name, or something like it, on their latest concept car, the Cxperience. Thancx, Citroen. Extrapolating from this we may have the Xmination concept car in 2026. The car is showcasing the drivetrain and not the appearance. We’ll see what others have to say about the oily/electrical bits first. Continue reading “2016 Citroen Cxperience Concept”
The genepool of the Monovolume is littered with evolutionary cul-de-sacs. Today, we present two examples from a highly likely source.
It should surprise nobody to discover that Citroën were at the forefront of monospace research. Indeed, studies into such a vehicle began under the supervision of André Lefèbvre as far back as the early 1950’s. A series of mono-volume prototypes were built under the Prototype-C nomenclature, culminating in the 1956 C 10 seen above. Continue reading “Morphologie du Monospace”
Ital Design’s M8 styling concept was all about the CX – in just about every sense of the word.
Amid the raised eyebrows surrounding the 1978 announcement of the radical Megagamma concept, this Giugiaro styling proposal, diametrically opposed to Ital Design’s landmark mono-volume, was largely ignored. Frankly, the M8 is more of what one would have expected from Giorgetto’s magic marker in 1978, even if its uncanny resemblance to the Citroën CX was possibly its most notable aspect. Continue reading “Cars That Could Have Been Citroëns – Ital Design M8”
Britain’s decision to leave the EU has rung alarm bells throughout the industry, but PSA is lovebombing Blighty with this: the DS 3 Puretech 110 Givenchy Le Makeup.
Since Britain’s engaged and informed electorate voted for Brexit last month, a quiet but concerted campaign is being waged by our European cousins to lure us back. Most of this has been met with slavering rebuke, but like a patient and loving parent soothing a petulant child with too much sugar in its bloodstream, efforts at rapprochement continue. The latest being this. Continue reading “Making Up is Hard to Do”
People judge the Sorrento-Amalfi coast road to be among the most beautiful in Europe and I drove it. But…
…night had fallen even before I got there. The last shred of daylight flickered out as I turned off the motorway for Sorrento. How did I leave it so late? The car rental process wasted a precious 40 minutes of my time and it took an hour to escape Naples. The walk from the terminal to the car rental bus-stop took a while. So two or more hours slipped through my fingers after touchdown. Continue reading “2016 Citroen C1: Not Really a Road Test, Not Really a Drive”
Or parts of one. The photos were taken by our Dublin correspondent, Mick, who has a new post at his blog. You may want to take a gander…
It’s a small world and in Dublin you can get to know the fleet of older classics. I am pretty sure I have seen this car driving around. I believe it might belong to a member of the Citroen Car Club and was once owned by a mining and energy magnate whose name eludes me. He had a Citroen dealership hence the car. Continue reading “Some Photos For Sunday: 1986 Citroen CX Prestige”
Seeking a scintilla of substance beneath the style, Driven to Write’s Swiss correspondent is not impressed.
As every year in springtime, my C6 recently got serviced and had its tyres changed for summer conditions. My dealer, while not exactly around the corner, is capable and friendly, and has grown up in a family of Citroën lovers, so shares my preferences in cars. As a bonus, I often get interesting courtesy cars while my car is being looked after. This time, I was surprised with a DS5. It has long been on my list of cars I wanted to drive, so I happily accepted and looked forward to a new experience. Continue reading “Out of the Comfort Zone – 2012 Citroën DS5 Hybrid4 Road Test”
A quick game of word association around the kitchen table with select members of my tribe provided a 100% consistent response: I say, ‘values’ – tribe members respond, ‘family’. Looks like I’ll be writing about our family car, then.
Ladies (out of interest, does DTW have any female readers?) and gentlemen, I give you the Citroen Xsara Picasso. By the end of this September, we will have owned our Xsara Picasso for 10 years. This is a record for me. It’s almost certainly down to the fact that my wife uses it more than I and she’s perfectly happy with it. My wife appreciates my passion for automobiles, but does not really share in it, so the Picasso is a utility which causes little or no grief and performs its function without fuss – ergo, why get rid? Continue reading “Theme of Last Month: Values – Head over heart?”
As the ever quotable Oscar Wilde wrote, a cynic knows the price of everything and the value of nothing.
As prices have escalated over the past three decades, that aphorism certainly applies to many contemporary classic car collectors. If you have an interesting looking car, people come up and talk to you about it. My Citroën SM is now entering my 21st year or ownership so, over the years, I’ve got reasonably used to this, though my social grace occasionally lets me down. Sometimes the speaker is highly informed and might tell you something you don’t know. Sometimes they are like-minded enthusiasts who just want to make a pleasant comment or know a bit more. Continue reading “Theme : Values – 1973 Citroën SM (Very) Long Term Test”
Before I get to my handy compendium of other people’s opinions, I’ll offer my own.
It’s not a Citroen C6 but something going by the same name. A proper Citroen C6 would be a vehicle for the French market which shared more than a badge with its illustrious* predecessor. Now that raises a problem relating to Eurocentricity. Quite fairly our Chinese cousins could ask why a car sold in their rather huge market doesn’t count. Would a hydropneumatic study in French elegance that sold one copy in Europe be more properly the bearer of the name even if 215,000 of these rebodied Peugeot 308s found customers.
One sunny morning during the Easter period I spied this with my little eye.
There was not much time to stand and really take the car in. I had a six-year old waiting exasperatedly in my car. What I did notice was that the interior was better than I remembered it. Journalists wrote disparagingly about the centre console carried over from the Peugeot 407 but as I can never recall that car’s interior, the duplication does not strike me. It would have mattered if it had been a 406 as I have that interior engraved on my mental screen. This 2007 car had the beige leather and so looked nicely spacious and, indeed, seemed to be bearing up well which is unusual for cars in Dublin. The climate, the roads, the indifference of Irish owners to tidiness all Continue reading “A Photo For Sunday: 2007 Citroen C6”
Citroën has a mountain to climb. Is quirkiness the answer?
Unless you are won over by the C4 Cactus, or still dreaming the MPV dream while the world turns to SUVs, you will find the current Citroën collection dreary and dispiriting. Old cars, odd cars, Mitsubishi ‘captives’. So what’s the solution, apart from More Airbumps, as promised by CEO Linda Jackson? Continue reading “Geneva Bites – Citroën: Back in the Wacky Races”
Periodically I look around for an interesting car I might want to see in the metal. As is usually the case they are never within easy reach of my front door. This one, a grey and sad CX is in Copenhagen.
With every passing year Citroen made the CX less and less desirable. Some of it was not their fault. The world began its turn against colour in the middle 1980s. By 1986 most CXs came in dispiriting shades of grey. This one has rumpled and worn nylon upholstery and cruelly dull pale grey plastic everywhere. The forms are less pleasant the the first series cars and the quality of the plastic markedly inferior. Even if this car was in good condition, it would still be a whole mass of drear. Continue reading “Something Rotten in Denmark: 1986 Citroen CX 2.2 TRS Estate”
Marcello Gandini designed the BX and it appeared in 1982. The design resisted tinkering and looked freshly out of this world even towards its end in 1994.
Twelve years is a very long run for a car in the competitive middle-sized class and it’s a credit to the original engineering and styling that it still remained believable right up to the end. However, even Citroen had to face the realities of the market and succumbed to a succession of special editions to try and generate interest in their car. Continue reading “Theme: Special – 1992 Citroen BX Millesime”
Despite being assembled by Citroen UK in Slough between 1954 and 1960, the 2CV only became popular in Britain when it was reintroduced in 1975.
This success was partly due to the oil crisis, with the call for more economic transport, but also (and this too was in part an indirect result of the oil crisis) because the turbulence of the 1970s had put paid, for a period at least, to those petty hierarchical differences that have usually been so important in British society. Continue reading “Theme : Special – By Any Other Name.”
DTW looks at a Special Edition that was remarkable for its ordinariness.
I feel duty bound to contribute something on the above theme, having agitated for it a couple of themes ago. I mentioned then a particular special edition that lodged itself in my mind, kind of like a piece of apple-peel between two molars: the AX K.Way. On scraping the back of my mind as to why this particular special had held a certain fascination for me, I think it was the very fact that, come to think of it, I could not detect what exactly was so special about this edition. Continue reading “Theme: Special – Citroen AX K.Way”
Yesterday we ran a small celebration of the Citroen ZX. Here’s a small gallery…
…showing the car as it is, with some window-lines marked up and then some small revisions which I think are in keeping with the designs of the period. The third side glass is neither fully aligned with the lines from the main DLO nor is it markedly different. I chose to make it more clearly different.
For the third image I raised the line of the third side glass to the same height as the top of the wing. Now there are two lines. One is the hypothetical line going from the top of the bonnet to the third side glass and the other is the line of the base of the windows. This can be interpreted as a dropped window line (the base of the doors’ glass is dropped relative to the bonnet-to-tail line).
I reduced the extent of the third glass at the top, echoing the BX as well as the XM. And the headlamp assembly is brought around so it is visible in the side profile. Lastly I got rid of the ugly rubber bar running along the base of be B-pillar.
In response to Simon’s suggestion I chamfered the sideglass and then I extended the third window to meet the frame of the rear door. To really polish this one would need to adjust all the corner radii so they looked the same. At present they are a mix of sizes. I found I had to add thickness to the C-pillar but to the rear. It seemed to thin otherwise.
To give a fresh look at the conclusion I mirrored the car.
Let’s look back at a quarter of a century of disappointment from Citroen. The ZX is 25 years old today.
Such was the let-down of seeing the first photos of the Citroen ZX that I can remember exactly where I was and what I was doing at that moment. You don’t normally remember this kind of thing. If you recall that Citroen’s previous big launch had been the XM, then you can understand the shock of the ZX’s all-round ordinariness. Continue reading “A Quarter Century of the Unexceptional – Citroen ZX”
As pointed out earlier, the combination of cars and sex isn’t necessarily all it’s cracked up to be, so who in hell thought cars and sextants was a good idea?
Should anybody here labour under the illusion that marketing and Citroën were mutually exclusive before the advent of Linda Jackson, I offer you evidence to the contrary. For reasons perhaps only known to themselves Citroën’s marketing department created this nautically themed special edition in 1980. Loosely based on the 1124cc Visa Club, the Sextant came with a rear wiper, standard-fit radio, front headrests and tinted windows, in addition to jaunty blue decals and matching blue-finished injection-moulded front and rear bumpers. Continue reading “Cars and Sextants”
The Citroën Visa was never a wildly popular choice in the UK or Ireland during its lifetime and with just over 40 Visas reportedly still registered in Britain, it’s now on the extinction list.
Rarer still (had it existed) would have been this, a putative Visa saloon – (possibly Photoshopped?). Citroën – (via Heuliez) – did explore a five-door ‘break’ or estate variant, which never went beyond a mock-up. Continue reading “Visa in Three Volumes”
Here’s the new Citroen E-Mehari, an electric vehicle they call an ‘image accelerator’. Automotive News did the initial report.
Citroen’s own press site is still reporting on their tie-up with Toyota though. The E-Mehari is a reskin of the Bollore Bluesummer – made in the same plant – and takes some of its styling cues from the C-Cactus. Like Fiat, one model seems to be defining the look of the brand, which was perhaps not expected when they launched the C-Cactus. Continue reading “Citroen E-Mehari Revealed”
Most people may think that a tiny Citroën from the mid-eighties (which means that it’s entirely a PSA product) is nothing to be very romantic about.
But as well as it doesn’t take a supermodel for a man to remember with fondness the time spent together, a supercar isn’t needed to create worthwhile memories of roads and places one shared with a vehicle. I liked this car with its tiny, but beautiful alloy wheels and the classy red stripes on the sides. I also discovered how cleverly it was constructed, with a small, but very rectangular boot that could easily be enlarged by locking the rear backrests in a more upright position, folding them down or removing them entirely. Continue reading “Theme: Romance! – My First Car”
Citroen plan to bring back a unique suspension system in 2017, reports Autocar.
“Comfort is a core value of the Citroen brand, and this is our way to recreate the benefits of the hydropneumatic set-up in a more modern, more appropriate way,” said Citroen CEO, Linda Jackson in Autocar.
This is rather heartening news. The report says that Citroen have been working in this for some time but no details were provided on what it might be. The system is going to Continue reading “Good News and Other News”
Let’s accept there is not a lot of romance left in motoring today. That means we have to look back to when it was still romantic.
That’s around 1979 when Quatre Saisons was published. The book comprises a photo essay with the Citroen CX as the subject. Andre Martin’s images are themed around the four seasons, hence the title. The car speeds through snowy passes, through lavender fields and pauses in autumnal woodland: each shot evokes the mysterious potential of a motor car trip and also sings a hymn to the timeless modernism of the CX. Continue reading “Theme: Romance – The Four Seasons”
When compared to the human body, even a small, light car is a powerful and relentless device. Once under way, momentum builds up and, as anyone who has been in or just considered any car accident at a speed of more than single figures knows, a car deserves great respect. So, it’s maybe understandable that some people treat driving a car as they would wrestling with a bear. For them, the car is a beast to be tamed, and each turn is a matter of hauling on the steering wheel, maybe with an inverted hand inside the rim for extra leverage. The wheel is clenched, the car lurches round and the sweat finally recedes from their brow as another herculean task is completed – just in time for the next bend. Continue reading “Theme : Economy – Effort”
A foiled museum visit leaves DTW’s temporary Continental Correspondent in a philosophical frame of mind.
My recent attempt to visit Citromuseum in Castellane in the French Alps was foiled by its rather short opening hours. Arriving in the morning, I found that, except for July and August, it only opens in the afternoon and, unfortunately, by that particular afternoon I needed to be somewhere else.
Personally, I’m not sure how much I missed. With no disrespect to the museum itself, which I believe contains a comprehensive collection of low-mileage Citroens in original condition and is run by an energetic, enthusiastic and good-natured curator, I tend to agree with Richard Herriott, who wrote a piece on this site about car museums early last year. Continue reading “Behind Closed Doors”
The Citroen C4 has been on sale for half a decade. The time is right to put one to the test.
During the course of this weekend test I really did struggle to think of something to say that did not over-emphasise my feelings about the car. The thing is that the C4 is a collection of details that don’t hang together. The character of the car is not in the measurable dimensions. It doesn’t actually have any character at all.
From a time when Citroën led the way – and, of course, nobody followed
The standard wheels for the Citroen SM were heavy steel items, clad with hubcaps. These are made from stamped stainless steel, held firmly to the wheel by a centre bolt. The centre section is painted satin black and the sections between the outer fins are painted in satin silver-grey. There are holes in the hubcaps that allow the actual wheel bolts to show. Although that might not have been the intent, there is the distinct feeling that they were trying to ape the fancy US wheels fitted to any US muscle car of the period. As such, I have never found these hubcaps entirely convincing and, although time has made me more tolerant of them, at the time I even found them a bit tacky. As I know, they are also a pain to restore, since paint never likes sticking to stainless steel. Continue reading “Theme : Wheels – Citroën’s Plastic Wonder”
Driven to Write took a Citroen C4 Picasso on a 186 mile trip. It does one thing better than an Opel Zafira. We’ll come to that later….
There’s so much wrong with this car. Ahead of you are 1740 words, almost none of them are complimentary.
The C4 Picasso is a car that I am sure that you have all seen on the school run, launched in 2013. It has seven seats and an electrically powered tailgate. DTW took charge of a C4 Picasso with the express intention of seeing how it coped with three adults and two children. Normally I would structure a review like this along the lines of: general description, design, engineering, driving, comfort and conclusion. That general ordering assumes that all of those things are of equal value and you’d want to read them in that sequence. I will dispense with that and focus on the aspect that occupied most of my attention: the driver interfaces. Continue reading “2015 Citroen C4 Picasso Review”
The seller placed this ad in January and the car is still for sale despite the promise of a complete lack of rust.
According to the spiel, the car came from Switzerland three years ago. The car has had a new timing belt fitted, its wheels renovated and the ashtray emptied. It even has a full Danish motor certificate which is a guarantee the underbody is sound. Alas, one of the engine’s valves has blown and the owner has not had the strength of character to get around to wanting to fix it. Continue reading “Something Rotten in Denmark: 1988 Citroen CX Diesel”