This is not so bad. And it’s cheap. It’s the Nissan 100 NX.
Editor’s note: This article first appeared on Driven to Write on 2 December 2015.
As with so many of these types of cars, they dissolve into obscurity and when you eventually chance upon them they look much better than you remember them. We have discussed in these pages design rationalism of the French and German types. In the Nissan 100 NX we see some more of this. The way the shutlines and panel gaps are set up is very disciplined indeed. Look at the way the bonnet shutline goes without interruption from one side of the window base to the other. Continue reading “Something Rotten In Denmark: 1993 Nissan 100 NX 1.6 SLX”
A rogue sporty Beetle, a not entirely successful Asian alliance and an aborted attempt at conquering the WRC crown: meet three Volkswagen oddities.
Mach 1: the word will produce a glint in the eye of muscle car aficionados, reminded as they are of manly Mustangs in lively hues powered by a good old fashioned big V8 burbling on premium leaded fuel instead of the watered down stuff that passes for gasoline nowadays.
There was however another Mach 1 which preceded the first so-badged Mustang by four years, and the vehicle first adorned with the moniker could almost not have been further removed from the Mustang in any knowable dimension; meet the Volkswagen Beetle Mach 1.
Weird wipers, helium gas gyroscope-operated early navigation systems and a horny knob: welcome to Japan.
For a westerner or gaijin, visiting a big city in Japan for the first time is at first a mildly confusing experience (as well as an often amusing one) filled with sensory delights in many senses of the word. Strolling outside the familiar surroundings of your internationally styled hotel, it doesn’t take long to discover that this is a different world; high tech and traditional values and customs go hand in hand, thereby creating a unique atmosphere.
The design mantra of longer, lower and wider was largely, if not exclusively an American construct, but was not something which survived exposure to congested European and Far Eastern city streets. It is therefore little surprise to observe that two of the most prolific car designing nations to have eschewed such architectural nostrums are Italy and Japan.
Shorter, taller and narrower as a philosophy was something that perhaps could be said to have (in the modern idiom at least) originated in Turin, but was taken up with some alacrity in cities as diverse as Hamamatsu, Ikeda, Shizuoka and Yokohama, since Japan’s cityscapes are at least as choked and traffic-ridden as those of its Latin counterparts.
The inherent limitations of such potentially restrictive silhouettes had the effect of giving rise to considerable creativity and in Japan at least, a playful sense of absurdist fun. Not entirely confined to Kei cars, the wider Japanese car industry, despite its often deadly serious nature, has been known to occasionally Continue reading “Boxed”
When asked to name a small Japanese manufacturer famous for its modern day renditions of iconic (and mostly British) classic cars, the first answer given by those with some knowledge of the automotive world would likely be ‘Mitsuoka’. And they would be right, of course, but the majority might have trouble naming others that operate or have operated in the same market niche. Here are a few of the lesser known but no less amusing – or sacrilegious, depending on your viewpoint- manufacturers of such cars on the Japanese archipelago. Continue reading “Staying at the Ritz in Goodwood Park with my Princess”
The Silvia series, if it can be described as such began at the Tokyo motor show in 1964, when an elegant Italianate coupé was shown, based upon the existing Fairlady platform (hence the rather stunted-looking wheelbase). Powered by a 1.6 litre four cylinder engine, it was no roadburner, but for the nascent Datsun car business, it was to prove something of a halo car, somewhat in the manner of Toyota’s perhaps even more comely, and technically more accomplished 2000 GT. With slightly over 500 built, they were vanishingly rare at the time, and remain so a good sixty years later. Continue reading “Silvan Song”
In the recent series on the Nissan Qashqai, I mentioned that the latest generation will have a third powertrain option that is so left-field it deserves its own chapter. We are told that the e-POWER version will arrive sometime in 2022 and that nothing comparable has previously been offered in a mass-produced vehicle sold in Europe. What makes it unique is that the powertrain has true petrol-electric drive, a series hybrid system with no mechanical gearbox and electric-only traction. The internal combustion engine drives a generator which charges a buffer battery. This in turn delivers power to the electric traction motor. Continue reading “I Can Explain Everything. Actually, No, I Can’t.”
England made the Nissan Qashqai, in both the design and manufacturing sense. Appearing from an unexpected quarter and disregarded by the industry media’s chattering classes, it not only became a European top-ten seller within three years, but also defined the parameters of its own sector for fourteen years and two generations. There was no doubt that there would be a third generation, but the world around the Qashqai was changing rapidly. To put rest to uncertainty arising from the UK’s vote to leave the European Union, Nissan confirmed in October 2016 that there would be an all-new, third-generation Qashqai, and it would Continue reading “And Now We Rise, and We Are Everywhere – (Part Three)”
Notwithstanding its phenomenal impact on the market, the Nissan Qashqai’s continuing success was dependent on staying ahead of a growing battalion of rivals, and evolution was necessary to maintain its dominant market position. The next generation Qashqai, codenamed J11, was presented in November 2013, and sales commenced in February 2014. With the J10’s success, Nissan Europe had already entered an new era of design and business confidence, evidenced by the bold and controversial design of the 2010 London-styled Juke, a pioneering B-segment SUV.
The new Qashqai was far less adventurous than the wilfully quirky Juke, carrying over some cues from the J10 original to a more angular and rugged form. The articulation of the flanks, a clamshell bonnet, and a more aggressive face, hinted at Nissan’s upcoming ‘athletic’ global design vocabulary, soon to Continue reading “And Now We Rise, and We Are Everywhere – (Part Two)”
What do we think of when we think of the Nissan Qashqai? The promising 2004 concept which introduced not only the name, but also the talents of Nissan’s London design studio? The worthy but visually underwhelming crossover which made its debut in Paris two and a half years later? The sales phenomenon which led to Nissan’s Sunderland factory producing more vehicles per annum than Italy’s entire automotive industry?
For this writer, the conclusion of the fieldwork element of a four week crash-course in Qashqai Studies is that it is Europe’s incognito car champion. Once I had set the radar on the self-effacing crossover, I suddenly found them everywhere, in all generations (they seem to last well) and trim levels. Before this, I would have more readily paid attention to items of street furniture.
I love New York. Since my first visit over thirty years ago, the city has always entranced and beguiled me with its energy, ambition, self-confidence and irrepressible optimism. It is so much more than mere steel and stone: it is a living organism powered by human endeavour and entrepreneurship. Even though I am very familiar with the city, having visited on many occasions and worked there for a time, I am still irrationally excited on the ride in from JFK airport, waiting to catch my first glimpse of that unique and unmistakable skyline. Continue reading “New York State of Mind”
Nissan did not like having so little control over its increasingly significant UK business and found Botnar’s forceful style of negotiation distasteful. In 1990 the Japanese company offered to buy Botnar out, or at least take a stake in Nissan UK, but Botnar demurred, determined to retain full control over the franchise. To this end, he refused to renew contracts with the independent dealers that had been key to the company’s early sales growth and began replacing them with his own dealerships.
These dealerships, owned by a Nissan UK subsidiary company, the Automotive Finance Group, were large and aggressively managed, with onerous sales targets. Botnar showed little patience with any dealership manager who failed to Continue reading “The Bridgehead Falls (Part Three)”
Despite opposition, Octav Botnar asserts his growing power and influence.
Datsun’s breakthrough model in the UK was the 1973 120Y Sunny. Like its predecessor, the 1200, the 120Y had a rigorously conventional, conservative and well-proven mechanical layout, but was clothed in a smooth contemporary bodystyle with an upswept side DLO(1) that would become a signature for this generation of Datsun models. The styling flourishes, such as the ornate grilles and wheel covers, were rather ersatz for some tastes (including this writer’s) but the model really struck a chord with UK buyers and helped Datsun Continue reading “The Bridgehead Falls (Part Two)”
Octav Botnar turned Datsun into the UK’s best selling automotive import, but it would all end badly for him.
The first Japanese car to be offered for sale in the UK was, surprisingly, not from one of that country’s leading automakers, but from Daihatsu, a minnow of the Japanese auto industry. That car was the Compagno, a diminutive but pretty(1) conventionally engineered small car, offered in saloon, estate and convertible forms from mid-1965. The lack of any name recognition and a steep list price(2) meant it had little chance of making an impact, and the importers managed to Continue reading “The Bridgehead Falls (Part One)”
Despite its considerable technical and dynamic advances over its dull-witted predecessor, the 1983 300ZX still had an outdated and frankly, rather naff image. It looked like the sort of car that Austin Powers, the 1960’s throwback and International Man of Mystery in the spoof comedy spy movie series might have driven, cheerfully referring to it as his Shagmobile. Nissan realised that it was now (past) time to reinvent the car and lend it a more contemporary mien.
The major change to the 280ZX during its lifetime was the addition of a turbocharged version in 1981. This produced maximum power of 180bhp (134kW) and torque of 203 lb ft (275Nm). With a three-speed automatic transmission(1), the 280ZX Turbo achieved a 0 to 60mph (97km/h) time of 7.4 seconds and a maximum speed of 130mph (210km/h). The rear suspension was stiffened to improve stability, but the brakes, already marginal, were even more prone to Continue reading “Coming to America (Part Three)”
The first significant change to the 240Z came in 1974 after five years on the market. The engine was enlarged to 2,565cc by lengthening its stroke. This increased its maximum power output to 165bhp (123kW). Unfortunately, US specification cars had to be fitted with new emissions control equipment that stifled the engine and actually reduced maximum power output to 139bhp (104kW) which was 12bhp (9kW) down on the original 240Z. Hence, the 0 to 60mph (97km/h) time deteriorated to over 10 seconds.
The revised model was renamed 260Z. Its chassis was stiffened, and a rear anti-roll bar fitted. Other suspension tweaks improved both ride quality and high-speed stability, reducing the 240Z’s tendency to Continue reading “Coming to America (Part Two)”
The Datsun 240Z transformed Nissan’s image – especially in the US.
By the late 1960’s Datsun had been exporting to the US market for around a decade and had gained a reputation for offering cars that were meticulously built, well equipped and reliable, but were singularly unexciting, with slightly ersatz styling. Yakuta Katayama, who was president of Datsun’s US import company(1), was an ambitious and capable manager with a penchant for motorsport. It was Katayama who decided that the best way to change the US perception of Datsun was to produce a car that espoused the marque’s traditional virtues but was also fun to drive.
Katayama’s first such offering was the 1967 Datsun 510. Beneath its sober saloon styling was a 1.6 litre SOHC four-cylinder(2) engine producing 96bhp (72kW) and fully independent suspension employing MacPherson struts at the front and semi-trailing arms at the rear. The car weighed just 2,072 lbs (940kg) and was good for a 100mph (161km/h) top speed. It also handled sweetly and quickly became regarded as a ‘poor man’s BMW’ because of its similarity to Munich’s saloons.
Was the Alfa Romeo Arna one of the ‘worst cars ever’?
At the beginning of the 1980’s Alfa Romeo was in grave trouble. Its reputation had been marred by the problems that afflicted its C-segment Alfasud. Built at the behest of the Italian government in a new factory in Pomigliano d’Arco near Naples, it was riddled with faults, the most serious of which was its tendency to dissolve into ferrous oxide at an alarming rate.
By 1980, the Alfasud’s build quality had improved noticeably, but not so Alfa Romeo’s reputation. A replacement model, the 33, was in development and would be launched in 1983. The 33 would be a somewhat larger and more expensive car, growing by just 20mm (¾”) in wheelbase, but by a more substantial 185mm (7¼”) in overall length. This left room for a smaller and cheaper car to replace the entry-level Alfasud. It is a moot point as to whether or not Alfa Romeo actually needed such a car in its range, unless it was really determined to Continue reading “Trojan Mule?”
Having originally been known as the Kwaishinsha Motorcar Works and later by the acronym, DAT, the Nissan Motor Company has traded under its latterday identity since 1933. Introduced into Western markets under the Datsun nameplate; from 1981, this by then well-established brand name would no longer feature on the carmaker’s products.
The fact that Nissan chose to make this sweeping change in spite of the sales success enjoyed by brand-Datsun across global markets can be viewed two ways; an attempt to create a unified, instantly recognisable brand name, à la Toyota, or alternatively, to allow the carmaker to Continue reading “Ô souverain, ô juge, ô père”
It is early spring 2009, and Central Scotland is in the grip of an unexpected invasion. They came by the transporter load, unfamiliar little saloons and hatchbacks, unacknowledged by their Japanese maker. As I pounded the M8, M9, M90, and M74, I was briefly mystified – were they merely passing through, bound for another country? Nissan UK was glorying in a Qashqai-led purple patch – they had gambled the farm on an SUV for Focus / Astra money and hit the jackpot. What place was there for a nondescript and regressive basic transport tool?
If I’d been a keener reader of the nation’s red-top dailies, the mystery would have been solved sooner. Scotland’s largest car dealership chain had secured a job-lot of Nissan C11 Tiidas, originally intended for the Republic of Ireland, and now offered exclusively at tempting prices with an impressive equipment specification.
In most creative spheres, there are only so many ideas to go around. Easier then to blend and repackage the pre-existing, a familiar gambit amid the mainstream arts, and especially so in film. We’re all familiar with the putative movie pitch: “It’s Love Actually meets Inception, but, the twist is, everyone’s really a werewolf“, and so forth. After all, why go to the trouble of being original, when its easier to reimagine someone else’s idea.
To many observers the Nissan Juke came across in a similarly contrived manner when it debuted in 2010. A confection of wholly contrary styling features more or less co-existing in an uneasy truce, it was not what anyone would Continue reading “Original Sin”
Time accelerates as we get older, so one feels moderately for the youth of today. Take my work colleague, Sophie, who at 21 is onto her fourth car in as many years. Initially hesitant about learning to drive, with some encouragement from friends and family, she passed the theory and then the practical exam four summers ago.
50 years old this year, the Datsun 100A takes a bow.
Here on the pages of Driven to Write, we have spent a good deal of the recent past discussing aspects of the Toyota marque and its associated brands. Not so however with regard to its once great rival and commercial antagonist, Nissan.
Upon its introduction to European (and US) shores, Nissan cars were sold under the Datsun brand name, for reasons which aren’t entirely clear, but probably pertain to marketing considerations. For Datsun, then an almost entirely unknown brand, their breakthrough motor car arrived in the envelope of the 100A Cherry, a compact front-wheel-drive supermini.
I’m not going to mince words here. I didn’t much care for the outgoing Nissan Juke. I say outgoing only insofar as I was vaguely aware that a replacement was imminent, but its introduction some time last Autumn rather passed me by. I find this realisation somewhat disquieting, given the amount of time I expend or otherwise squander appraising myself of the ifs, buts and maybes associated with the European automotive industry.
But anyway, it seems the Juke has been replaced – a realisation that gradually dawned earlier this week while innocently attempting to Continue reading “Jukebox Jury”
A curiosity from the early 1990s. It could only hail from Japan.
Of all the Japanese carmakers, Nissan was perhaps the most prolific and it must be said, daring of the purveyors of retro-flavoured designs. The Pike Factory cars, BE 1/ Pao/ S-Cargo and Figaro were not only highly successful halo cars wihin the Japanese domestic market, but lent the brand a degree of cachet which had perhaps previously eluded them. Having been once perceived as purveyors of mediocrity, Nissan now were on the very cusp of cool. Continue reading “JDM Oddities – 1994 Nissan Rasheen”
It’s never too late to learn Micra – in all its forms.
For a car that isn’t really in the business of setting people’s hearts aflutter, the Nissan Micra does garner a decent wordcount upon our pages. Now of course we can rationalise this on the basis that DTW is (perhaps to a fault), undogmatic in its judgements. [This, I accept, is a matter of debate]
But nonetheless, it’s indisputable that the entry-level Nissan is, in pretty much all of its iterations, a thoroughly decent and fit for purpose compact motor vehicle, if not one you might necessarily choose for the sheer love of the open road. But to condemn the Micra on this basis (especially these days), is to ignore the fact that it sits well within the class norms in just about any metric one cares to fling its way – after all, Nissan is far too astute a business to Continue reading “Small : Far Away”
Analysts Bernstein Research rediscover a lost art, but in doing so have they shifted the paradigm?
Something unprecedented has happened. It’s probably too early to tell whether it will prove to be an isolated occurrence or a sign of a wider shift in the manner in which the industry operates, but the implications could well prove to be far-reaching.
Max Warburton, the senior automotive analyst from Wall Street financial analytics firm, Sandford C Bernstein, and leading soothsayer on matters pertaining to the motor business wrote an open letter last week to Renault Chairman, Jean-Dominique Senard, suggesting he Continue reading “Mr. Warburton Writes a Letter”
Now the fine powdered debris has settled, I thought I’d gather up some third party opinions on the mooted Renault/FCA merger.
I’ve decided to amalgamate three sources of information. They are the Financial Times, the New York Times and Autocar. My own view is that the merger is a re-run of the value-incinerating union of Chrysler and Mercedes twenty years ago. But what do the other commentators say if Renault and Fiat Continue reading “Romping Home Into Eighth Place”
Perhaps this is overdoing it, another Nissan article. Even still, I feel the burning need for DTW to have the USP of being the “go-to” place for information on the Datsun 280C.
Following an encounter with a real, live diesel Laurel recently, I have been trying to find out some more about how these cars were viewed at the time. To that end, I got a hold of a copy of Motor from September 1980. I planned to extract the choicest bits of text and discuss their implications so we could all be a little wiser about these fine cars.
Can you believe I actually got to open the doors of this car and sit inside? I sat in the driver’s seat and I plomped myself down in the back too, noticing that there wasn’t a whole lot of legroom for a car so big. I also noticed the remarkably clean condition of the remarkable expanse of remarkable tufted beige velour upholstery. Was I happy about this?
A class in retrofuturism from 1989. Driven to Write dons a black polo neck to pronounce upon Nissan’s Neo-X concept.
During the late 1980s, Japanese car design appeared to be going through something of a purple patch. By way of illustration, the 1989 Tokyo motor show marked the introduction of three fine Nissan concepts – the Primera-X, (not to be confused with the 1990 production car it prefigured), the ‘Pike Factory’ Figaro concept, but also the subject of today’s retrospective – Nissan’s take on a full-sized saloon for the 1990s.
Why not wander over to the US market to inspect activities thereover? Well, why not?
Even as the death of the saloon car is debated (Ford and FCA are giving up in the US), Nissan has flung piles of succulent, cold cash at a new entrant in the medium-sized saloon sector, offering us its new Altima. The engine changes are baffling in that displacement and output relations are upside down. The 2.5 has been utterly (95%) overhauled and the 3.5 V6 is now out, replaced by a 2.0 compression in-line four that uses less fuel and can Continue reading “The Theme From “Salazar’s Hatstand””
Today we turn our attention to the 2017 Nissan Micra. This offers us a chance to learn the Nissan project code for the car, K-14.
We also get to canter through a potted history of a car that has lurched from banal to brave and back, like a drunken tide. The current car has a touch of brave and also a few dollops of busy. Before we get to that we shall Continue reading “The Factory’s Shadow Over Oporto”
Coincidences happen and don’t mean anything. Still, they add a touch of poetic interest to our otherwise unstructured and meaningless lives. Here’s one that actually happened to me!
About a week ago I was walking home from the supermarket. I think I’d bought some onions and some sliced bread (I like toast in the morning sometimes). Exactly as I passed the doorway of the rather good hamburger joint on the street, my subconscious mind notified my conscious mind that I could not Continue reading ““What It Is Really Like To Be A Fictional Person””
Very recently this author was immersed for three days in the world of the aesthetics of design. Dieter Rams’ name came up.
Deiter Rams worked as Braun’s chief designer, having a desk there from 1961 to 1995. It occurred to me that I agree with the whole lot of Rams’ principles which are opposed to zany, aggressive styling and yet I am a known liker of cars such as the Nissan Juke and Toyota CH-R.
People will also know of other zany and aggresssive designs which offend to a degree and I don’t dislike all of them. I have come to accept some zaniness is quite okay (maybe it’s resignation). Is there any way I can Continue reading “The Last Letters Of Carpenter”
Does it really matter what car designers say? Should it?
Car designers nowadays are expected not only to be adept at the creative aspects of their calling, but must also learn to articulate it in a manner which in theory at least, helps us, the end user, to engage with and better understand their vision. To be frank, given how some designers appear to struggle with the first component, it is not entirely a surprise to discover that so few of them are anything but inept when it comes to the latter.
It has long been known and indeed commented upon that car designers, and especially those in a leadership role, speak such unregurgitated twaddle. Given the amount of time they spend making impassioned presentations to senior management who require their hands held throughout the stylistic decision-making process, they appear to have lost their ability to Continue reading “Toxic Emissions”
As the years go by, one can see a car design more clearly. And some ashtray concepts are timeless. Today, Nissan’s Primera Mk2, timelessness personified.
This is the P10 Primera, code-name fans. It is one to remember because this version of the Primera hit the sweet spot in terms of its size, tractability, quality and ashtrays. The previous car was the Bluebird, a form of sensory deprivation and the successor nice to look at but disappointing to steer.
Sometimes you have to go in search of news. It won’t come looking for you. Read on to learn which of their cars Ford UK considers “large”.
Let’s get going! Honda UK announced that the four-door Civic is going to be sold in the UK and that it is made in Turkey. Eager customers must wait until August to get their hands on their own example. A single petrol version with 1.0 litre i-VTEC will vie with the 1.6 litre diesel for sales. The gear ratio race is now up to nine cogs at Honda and you can have such a set-up in either manual or CVT automatic form.
Because the saloon is wider, longer and lower it can take up the demand unsatisfied by the gaping Accord-shaped hole in Honda’s line-up. The payoff is a lot of room inside: “class leading,” claim Honda modestly.
“Datsun leaps ahead!” Archie Vicar has a look at the exciting new 1978 Datsun Sunny in what appears to be a verbatim transcript of a period review.
The article first appeared in the South Caledonian News Inquirer, October 31, 1978. Douglas Land-Wimdermere [sic] took the original photos. Owing to the poor quality of the archive material stock photos have been used.
The Japanese marques don’t appear to give the impression of ever looking like they rest on their laurels (which, funnily, we also find in the Nissan range) so naturally enough, before we became accustomed to the old Sunny, a new Sunny has come along. And a jolly good thing too, I hear you say. For the old one had many good qualities and these have been built-upon in the new model.
Since 1975 many customers have bought the reliably-selling 120Y, making it Britain’s most popular import by a broad margin. The new Sunny takes on a refreshed guise, sporting a simpler and even more tasteful appearance. In its dark yellow paint, blacked-out front grille and its dapper wheel covers, it stood out against the dull concrete background of Worthing where Datsun have their head offices. It certainly will grace many a driveway for sure.
This little number is up for sale in Jutland. It’s too good to fall under the rubric of Something Rotten In Denmark.
The photo is a screenshot (a deliberate choice). Bilbasen should adjust their web-page so as to show the complete photo; evidently the entire photo is uploaded but it is cropped to fit the box. A thumbnail in the screen shot shows the entire car. What about the design story? Continue reading “Nice Old Datsun With Italian Flavour”
A chance sighting prompts something approaching a defence.
Since we created Driven to Write three years ago, I have undergone something of a re-education about cars and particularly when it comes to their design. Even though we might actually only rub shoulders about once a year, I often feel as though I have a virtual Herriott at my ear, urging me to look at that innocuous looking tin box over there with fresh eyes. Going about my business yesterday, I happened past a stationary 2016 Micra. Not a car to which I’d normally give more than the most cursory of glances, but given some of the damning responses to the example featured earlier in the week, I felt I ought to give it a second glance. Continue reading “Speaking Micra”
As promised here is a small snippet on a special edition you may have missed.
Quite coincidentally, Jimi Beckwith at Autocropley has been musing about the subject. Dreamcar.dk reported the momentous news of the Nissan Micra Elle as follows (in Nov 2012): “Nissan and the world’s most popular fashion magazine, Elle, have joined forces to develop a special edition of the popular city car, the Micra. The goal for both partners is to
While the Irish car market is characterised by quite pronounced conservatism, there is a mad streak in there. There are people who buy cars like this:
Most of it is a Nissan Micra but it has a different grille and bumper. The rear and side are much the same as the Micra. It has a 1.2 litre, 4-cylinder engine and as such is stock Micra. Continue reading “Nissan March Bolero”