We profile a local lad who ‘done good’ – both for himself and the industry he served.
Tom Purves spent forty three years within the car industry; roughly half each for Rolls Royce and BMW, thus, in essence for a German carmaker. From his apprentice years though to management at Crewe, rising to become CEO and Head of the entire American division for BMW from the mid ‘80’s to concluding his career at the very top of Goodwood’s silently slick factory.
Proudly Scottish with twangs of American vernacular; through interviews made nearly twenty years ago, some just before his retirement in 2010, Mr Purves informs us of a world changed beyond recognition. Spoiler alert: there are no mentions of SUV’s. Continue reading “Full Circle”
Two years and one month isn’t a long time by the standards of the automotive industry. Creating a car from scratch within such a period of time would be extremely difficult. Truly changing a marque’s design ethos would be utterly impossible.
Driven to Write profiles the black sheep of Crewe.
Even the most aristocratic families have their outcasts. Whether it’s cousin Geoffrey the bounder, serial adulterer and spendthrift, or aunt Gertrude with the secret laudanum habit, a noble bloodline is no barometer of respectability.
This is as much a truism at the House of Crewe as anywhere else, and while the halls of Pyms Lane may shimmer with any number of Wriaths, Clouds, Shadows or Spirits, within a secluded chamber in a little-visited wing of the facility lies the Seraph, brooding in gloomy seclusion. Continue reading “Wings of Desire”
Quite possibly the most exciting aspect of today’s post is this rather splendid photo. The rest of it is about product semantics.
After having considered why is difficult to understand the visual (it’s about cognition), the next tricky thing is to understand design as compromise (all design is failure). And the next level of complexity deals with understanding that even geometrically exquisite lines are open to interpretation. That means semantics or the meaning of the thing or the meaning of the parts of things. If you think you somehow Continue reading “Manchester, patronage of tanning salons in (1983-1987)”
Rolls-Royce has lost its design director, just weeks after launching its new Cullinan crossover. Coincidence?
It wasn’t earth shattering news, even if it was somewhat surprising. The most striking thing about it perhaps was its timing. But even allowing for that, the news that Giles Taylor abruptly resigned his design leadership position at Goodwood within weeks of a major new product announcement might not even have been particularly noteworthy, but for a number of rather more compelling aspects.
The first of course is difficult to miss. Indeed, some have suggested Cullinan can be seen from space, where we’re reliably informed, nobody can hear you scream. The vulgar monstrosity RR has unleashed upon the world in the form of this ‘high-sided vehicle’ has precipitated a high percentage of commentators, both of the professional and armchair variety giving Rolls-Royce a well-deserved critical lashing.
Every story needs an origin fable. Today, we look to a time before the light, when darkness cloaked the earth and the ground trembled beneath the wheels of the Dominator.
In the beginning the Lord created Cayenne. And the Lord saw that it was good, and he blessed it and said, “Be fruitful and increase in number, fill the earth and subdue it”, and it was so. And lo, as the profits had foreseen, Cayenne begat Bentayga who begat Urus, who begat Cullinan. And the Lord looked upon his works, and he was pleased.
On the seventh day, the Lord was tired, and he thought; “a little nap wouldn’t kill me” And so, the Lord slept but while he slumbered, the confounded things proliferated like the seven plagues, so when the Lord awoke, he was greatly vexed and rent his garment. And the Lord wailed, “what have I done?”
Rolls Royce’s Cullinan SUV has landed. Is this the price of luxury?
In 1971, the unthinkable occurred. The once impregnable Rolls Royce entered receivership, owing to costs incurred developing the RB211 turbojet engine programme. Many viewed it as a watershed – after all, if RR could go under, who was safe? In the years that followed, Rolls Royce Motors stayed afloat, if only by the skin of their teeth. By the time Vickers bailed in 1988, it was clear the Silver Lady had lost more than her spirit.
Today, there are no such dangers. Not only is Rolls Royce well-funded and protected within the BMW mothership, but the market for ultra-luxury vehicles has never Continue reading “Iceberg Right Ahead”
Defining luxury in an age of conspicuous consumption isn’t easy. Judging by two concepts encapsulating futuristic decadence, this task will not become any less challenging in the years to come.
The fight for luxury supremacy of the future officially started in March 2018, at the Geneva International Motor Show. There, Aston Martin chief designer – pardon: Vice President & Chief Creative Officer – Marek Reichman openly criticised the traditional purveyors of automotive luxury, namely Crewe’s Bentley and Goodwood’s Rolls-Royce, of pandering to an obsolete definition of top-end motoring.
Rolls-Royce revealed a custom-made car, the Sweptail, at Villa d’Este. What does DTW think?
The Sweptail draws inspiration from a 1925 car called the Phantom Round Door and takes a little from the Phantom II and has some Park Ward features (say, the 20/25 Limousine Coupé). I see a little 1971 Buick Riviera in the shape of the glasshouse but perhaps that car was also drawing on Rolls-Royce influences. Continue reading “Pomegranate Luncheon and the Landgrave”
DTW’s correspondent visits a museum and finds his perception challenged.
Before I start on any negatives and disappointments let me make it clear that the Louwman Museum at Den Haag in the Netherlands is one of the best car museums in the World, possibly the best. Obviously that opinion is subjective and so is the collection, generally the choice of one family. For instance if you’re looking for BMWs, a single pre-war 328 represents many people’s favoured marque, but at least one DTW contributor would be pleased to find three Lloyd cars on show. The collection tapers out as we get later into the last century and production cars of the 21st Century are illustrated by just a cutaway Prius. But in terms of giving a general overview of the earlier history of the motor car, one that entertains, intrigues and informs by mixing in a good amount of both the quirky and the outstanding, it would be very hard to beat. Continue reading “Louwman Museum I : A Prince In Exile”
Here is a Silver Shadow with the glass compartment divider.
This car has caused me to reflect on the “shoebox” theme of many 60s cars. The gross form is very simple. All the interest is in the proportions and the detailing. In the middle is the medium level of the design where little deviates from the engineering minimum of large boxes for the engine, passenger cell and the boot. Rolls Royce could rely on opulent materials and lustrous finish to carry the argument that this could be called the world’s best car. Continue reading “A photo for Sunday: Rolls Royce Silver Shadow”
Romance leads to all sorts of things. Before the divorce comes the wedding. And that means a car to get the bride to the registry office. In the United Kingdom that probably means a Rolls-Royce in purest white.
The white Rolls-Royce is desirable in the role of wedding car and uttely undesirable in any other role. Without looking up actual statistics, I’d guess a white Roller is worth less than any other colour apart from pink. It’s funny how people Continue reading “Theme: Romance – Wedding Cars”
We have considered various ways to save money on cars. Now what about when the budget is so big you can see it from space?
This is the 2008 Rolls-Royce Hyperion, designed and made to order by Pininfarina. It turned up for sale in the Middle East in 2012 and may have been sold for about six million dollars. The person who commissioned it, a Briton, presumably had a lot of say in how it looked. Continue reading “Theme: Economy – When Money Is No Object”
This is the only car in this series still in production. Why might that be?
Well, progress at this level is slow. Or maybe you believe Rolls Royce who say customers don’t want change to be too frequent. When the coachwork was revised in 2012 R-R said: “Our customers don’t want a new car coming to market too often,” said Richard Carter , Rolls-Royce’s communications director. Or rather, after stumping up more than a third of a million pounds, they don’t want their cars looking out of date when the Mark II version is launched” (wrote the Telegraph in 2012). A quarter of a million pounds sterling. Almost six metres long. So tall you can’t Continue reading “Looking back: 2003 Rolls Royce Phantom”
It’s always the way. You wait ages, then two incidences of Citroën SM’s tail lamp units crop up on the same week – on two vastly different cars.
Firstly (as we saw earlier) on Maserati’s 1976 Kyalami, and now here on Frua’s 1977 Rolls Royce Phantom VI Drophead. Of course the common strand here is Frua themselves who plainly had a job lot of SM lens units knocking about. Regardless of the merits (or otherwise) of this vast open tourer’s aesthetics, it’s interesting to see how adaptable a humble lens unit such as this can be. I can’t help feeling I’ve seen the SM tail lamp elsewhere. Any thoughts? Continue reading “Rooting in the Parts Bins – Again…”
Slow, incremental change could be said to represent one of the hallmarks of the Rolls Royce marque. Something similar could be said of its engine.
The L410 V8 engine was born in the early 50s with the role of powering Bentleys and Rolls-Royce cars. From the 50s to 1998 the engine found homes in cars of both brands. After BMW acquired Rolls-Royce (the name and nothing else), the engine then became the sole preserve of Bentley where it is still in use, very highly modified, in the Mulsanne.
I’ve previously mentioned my fickleness regarding cars. In the morning I fancy a luxury barge, by the afternoon I want a beach buggy. Here is something that fills both criteria, a hunting car built for the King of Morocco by the ever resourceful Sbarro.
It’s a slow day in the news department when the unveiling of a new name counts as reportable material. But the name in question is “Dawn”.
That’s not a new staff member at Rolls Royce but the name of their forthcoming drophead. This is what Rolls-Royce had to say: ‘Dawn’ perfectly expresses the character of the new Rolls-Royce. In its tentative, inchoate, anticipatory state, dawn is the world coming to light from the ethereal dark of the night. The early-day chill of dawn provides an erotic tingle on the skin, awakening the senses and passions as the day begins.
A recent announcement by Aston Martin that it will go off road soon confirms that the ranks of aristo SUV’s are now filled, just about. Anything is now possible.
The Cadillac Escalade arrived first in 1999, an SUV from a marque known for limousines and stately sedans. Because Cadillac’s brand value lay in the ditch by then, nobody minded much: more kitsch, they said. However, it was an inspirational move from a brand that has often – though unintentionally – led the way. Lincoln dressed up a Ford pick-up to make it into the Blackwood in 2001 and got a three year run before really piling on the trim for the 2005 Mark LT. Continue reading “They’re All At It Now (nearly)”
This year Rolls Royce is showcasing the things it is willing to do to its cars for its wealthier customers. A one-off car, the Serenity, will be shown at Geneva this year to this end.
The aqua leather and wooden accents work very well indeed. It might even be that the silk used extensively is fetching. I remain unconvinced by the Kimona-esque detailing in the roof that looks like a strange blood spatter rather than a delicate tree in blossom.
You can read Rolls Royce’s more generous description here:
This post actually involves neither Ricardo Montalbán nor Benedict Cumberbatch.
Instead, this is about a video presenting one of the few genuinely decadent motor cars on sale today, the Rolls-Royce Wraith. Unlike certain motion picture formats concerning the automobile, this little film isn’t about a tarred-and-feathered Rolls-Royce that has to cross the Gobi desert before the egg on its motor block has been fried to a crisp. It simply tries to understand the appeal of the car in its most likely habitat. And appeal it does, in a sense I personally find somewhat perplexing in this day and age of oversaturation. Continue reading “The Wraith Of Khan”
I’ve asked myself if I can think of a large car that is ‘cute’ and, at present, can only think of one, but perhaps that is because this particular vehicle will always have a dominant place in my memories. In the late Seventies, I filled in for the European Motoring Correspondent on Soldier Of Fortune magazine when he was unavoidably detained for several months by the German security services. Apart from it being the introduction to my beloved Alvis Stalwart, when I tested one for the ‘Used and Bruised’ feature, that time also has more tender memories for me.