It really has been a busy September. That said, I don’t know how I missed this. The new Jimny appeared to the world in the middle of the month and I only found out last night.
And it is something of a huge relief to see someone give it a clear and fair review. Quite plainly, after twenty years of not caring what the press thought, Suzuki now have a legend on their hands. Thus Autocropley accepted that the Jimny is for swivelling, skidding and slopping around in mud and not about 10/10ths blatting around Castle Combe.
Like our old friend the Suzuki Jimny, this little fellow seems to be a very long lived and stable design.
To my eyes it looks like a vehicle derived in part from the basic architecture of the Fiat 127, launched in 1971. A bit of research reveals that its designers wanted to create something equivalent to a Renault 5 with four-wheel drive. Its inception is credited to a call from the USSR’s political leadership for a utility vehicle for rural areas. Readers may be surprised to Continue reading “The Desert Has No Summit”
“Heaven loves ‘ya, the clouds part for ‘ya, nothing stands in your way, when you’re a boy…”
David Bowie’s 1979 single, Boys Keep Swinging is perhaps best remembered for its somewhat transgressive music video, but lyrically it stands as a sneering subversion of contemporary masculine culture and male entitlement.
Better known for their two-wheelers as much as a range of small economy cars, the 1985 Suzuki R/S1 was pretty as it was bold. So of course they never made it. Or did they?
For a time during the mid-1980s, it really did appear as though the automotive future was being dreamt up in Japan. With the mainstream European carmakers for the most part mired in creative and technical retrenchment, not to mention chronic overcapacity (some things never change), the Japanese manufacturers had it seemed, invested wisely and emerged as a power to be reckoned with.
Certainly, this period proved to be perhaps the great flowering of Japanese creativity and ambition when carmakers demonstrated to their European (and American) rivals that there really was nowhere to Continue reading “Obscure Alternative”
Driven to write has something of a jones for these tiny cars. Hell would be being asked to choose between this and a Bristol 411.
Well, I say Driven to write likes the Honda Beat as if we are a gestalt consciousness devoid of personal preferences. But DTW isn’t really, it’s a concatenation of different automotive tastes that miraculously seems not to be in conflict (except about chrome and brightwork and maybe fake wood in a car interior). We don’t talk about that much.
Today’s car lives in Dublin, Ireland (hence the grey lighting of late March ’18). I’ve seen this example before and indeed, the only other Cappucino I’ve set my eyes on also crossed my trail in Dublin (a black one). Ireland’s roads and traffic conditions being what they are (bad), the Capuccino is a surpassingly intelligent choice alongside a Rover, Cadillac or Jaguar. The roads and country lanes can be narrow. High speed matters a lot less than the sensation of high speed. Being so low to the ground and so Spartan, the Cappucino must Continue reading “A Few Photos For Sunday: Suzuki Cappucino”
In a couple of weeks, Suzuki will present the latest generation of their enduring and hard-working Jimny family. As we eagerly await the new arrival, we look at one of the odder twigs on the extended family tree.
The subject’s identity crisis is manifestly obvious. It’s sold as a Suzuki, yet there’s a Maruti badge in the centre of the grille. The Japanese masters were content to sell it to New Zealand farmers as one of their own, but it’s an Indian-built Maruti Gipsy, in 4WD, 1300cc petrol specification, and therefore based on the 1982 SJ410 in all its live-axled, leaf-sprung primitiveness. Continue reading “Far From the Mainstream: Suzuki Farmworker”
As regular readers will know, DTW is quietly supportive of Suzuki. But friends also need to be politely critical sometimes.
Part of me likes the 2017 Baleno for its unpretentious grasp of the vernacular. The car has no clear trope to express. Then it has a few bright bits here and there and nods towards the Swift. I’ll have to consult Wikipedia or Suzuki for dimensions. Yet I want to Continue reading “Say Hi To The Sailing Moon”
DTW has a lot of time for Suzuki. Here we see a Jimny in its natural habitat.
The Austrian Tirol asks for a car like the Jimny. The roads can be narrow, steep and snowy. Like the long-lived Defender, the Jimny has evolved and readers can use a lot of mental disc-space on the details of these. You should know it has a ladder-frame chassis (can we Continue reading “Micropost: Vastness Rescinded”
Overall, the Ignis is a neat little car with a robust appearance that belies its size. I am a little unsure if I am as enamoured of its reference to earlier Suzukis as I was originally; the previous Ignis was delightfully, eccentrically its own. See below. Continue reading “Not Now, Mr Loos”
While I poked around Suzuki’s Japanese homepage I found the Hustler interior which is worth another look.
That is the power of orange. However, the iPhone white interior is good too. I notice they offer two orange shades. That’s an interesting and odd thing to do. Why not a cool shade? Or black or boring grey?
As promised… a closer look at the new Suzuki Ignis.
These photos are very grey and very dank and really only serve to prove I did go to take a look at an Ignis with its wrapping still on. Curiously, all of the cars at the dealer had darkened rear windows so I could not see the interior properly. So, in the metal is the new Ignis going to live up to the burden of expectations? Continue reading “Ignis Inspection”
Curiosity overcame me so I went to a Suzuki dealer, writes Richard Herriott (who has hijacked this post).
On the way I saw the Mk 1. First, this is a public service as the Mk1 is not so well photographed. Second, it’s a chance to share my current morbid fascination. Until recently I hadn’t noticed the Mk1 Ignis (2000-2006). It shares similar themes with the Mark 2 which means Suzuki liked the idea and were planning an evolutionary approach. There is slightly raised third window at the back and the distinctive groove running around the middle of the lower body. The headlamps are not so distinctive as on the follow-up car. Why do I like this car? Continue reading “Tomorrow We Do Ignis”
This diagram is a timeline of the Suzuki Cultus, Ignis and Swift.
The period of confusion is 2000 to 2008 when the Ignis appeared and was sold as the Swift, in Japan, replacing the Cultus. Suzuki produced two generations of Ignis: 2000 to 2004 and 2003 to 2008. In Europe the Swift appeared in 1988, the same as the car known in Japan as the Cultus. I don’t think we got the first generation. In Europe the Ignis and Swift overlapped from 2004 to 2008. Continue reading “As Promised”
Last week DTW reminded readers about the last, the final Mitsubishi Galant. Below is the car that inspired it.
The Galant’s designers weren’t allowed a wholesale replication. The mechanicals had the usual tough Mitsu character and the engineers packaged it well. The shaky Fordesque shapes undersold a decent product. So apart from being quite good actually, it looked quite bad – the malformed secret twin of the handsome 2000 Ford Mondeo (above). To make that point I would like to have had a clear side profile of the Ford in saloon, sedan or notchback format. None appeared on Google’s image results, none that I liked anyway so I decided to Continue reading “Reminders, Part 2”
What’s gonna happen? For one thing that a good car design will be replaced by a less good one sooner or later. It would appear that the fashion for blacked out C-pillars knows no limits. The 2017 Suzuki Swift now sports one. Continue reading “I know It’s Gonna Happen Someday”
Our correspondent in Sweden, Niels Moesgaard Jorgensen, spotted this green Suzuki recently.
We’ve been logging green cars as the colour looks like a minority taste yet metallic mid-greens can be very flattering. Additionally, the image prompted me to think about how difficult (for me) it is to get good night time images of cars, or rather cars under street lights. My photos end up murky and lack the deep black of this image. Continue reading “Green Cars and Night Photography”
Or rather Suzuki showed the 2017 Ignis. Or rather they presented same car the Japanese public saw at the Tokyo motor show in 2015.
The new Suzuki Ignis has two marketing points. One is the possibility of 4wd and the other is the robust and chunky styling. The 4wd option sets it apart from the Renault Captur. The sensible and tough look sets its apart from the Nissan Juke. The Ignis won’t replace the Jimny which has quietly become one of those reliable, steady sellers that won’t die. We wondered here about a Renault 4 for our times. Is the Jimny really that car? It’s cheap, efficient, useful and simple. Maybe the Ignis also meets the brief. Continue reading “2017 Renault 4 Revealed at Paris”
This rather festive and cheery car shows how much colour and material can add to what is a very basic concept.
I’d be the first to agree that this is not for everyone. On the other hand, having looked at a thousand grey interiors with bits of brightwork thrown about, this is a refreshing view. I’d argue that a lot more work needs to be done to explore acceptable alternatives to grey and black interiors which are now as tediously predictable as the all-beige or light-grey interiors that were once dominant in the 90s. Continue reading “Micropost: 2014 Suzuki Alto Lapin Chocolat”
Much has been learned from last month’s Japan-fest, perhaps most of all that anything we assume about this extraordinary automotive industry is probably wrong, or at least far more complicated than imagined.
For example, most people imagine Suzuki were a confirmed K-car specialist until GM took a modest 5.3% stake in the business in 1981 and promoted the development of the Cultus SA310 supermini – its names were legion; who’s heard of the Isuzu Geminett?
Then, in the depths of the Japanese Society of Automotive Engineers enlightening website I found this forgotten beauty: The 1965 Suzuki Fronte 800. Not to be confused with the big-engined export Kei-car from 1979, more familiar as the Alto and Maruti 800. This one had a long gestation. Continue reading “Yet More Japan – When Suzuki Stumbled”
I spotted this on the Suzuki stand at Geneva. It’s the rear axle of the Vitara, the Hungarian-built Poor Girl’s Evoque.
At first I thought that it was a De Dion axle, on closer examination it turns out to be a torsion beam with driven rear wheels. Possibly other manufacturers have done this before, but it’s the first I’ve encountered. I’d have expected to find a live axle, or a multi-link or double wishbone fully independent system. Continue reading “Theme: Suspension – Not Quite De Dion”
….shows BMW how to do a modern interior with wood accents. Take a look at this interior, shown at the 2015 Tokyo Motor Show.
There is not much that’s “concept” about this though that’s not to say it’s not both good and original. What I particularly like is the information strip around the base of the windscreen, the symmetry of the dashboard and the excellent wood deck on the top roll. I have in the past suggested Lancia could have had a future doing this kind of calm modernism. Continue reading “Suzuki’s 2015 Mighty Deck Concept”
Having sniffed the exhaust pipes of the French and German marques within Europe’s D-segment, we make one last visit to wave a fond adieu to our friends from Japan.
A facelifted Toyota Avensis bowed in at Geneva, featuring front-end styling eerily familiar to current Auris and Corolla owners. It probably represents the last opportunity to purchase one of these while they’re still warm because Toyota has broadly hinted that they may not replace the model once it breathes its last in a couple of year’s time. Continue reading “The European D-Sector – So Long, Farewell…Sayonara”
Walking around the other day I noticed this little vehicle. Tucked away on the tailgate was the clue that this was no ordinary bland, three door hatch. This was a candidate for Unforgetting. The 1995 Suzuki Baleno 4×4.
The car we all know as the Baleno enjoyed life under several different names, depending on the large number of markets Suzuki offered it in. In Europe, the Baleno name is the one we recognise. For those who appreciate dull and forgotten cars, the Baleno saloon (or estate) has an impressive reputation as a car so ordinary and unremarkable it stands out.