Last week DTW reminded readers about the last, the final Mitsubishi Galant.
Apart from being quite good actually, it looked quite bad – the malformed secret twin of the handsome 2000 Ford Mondeo. To make that point I would like to have had a clear side profile of the Ford in saloon, sedan or notchback format. None appeared on Google’s image results, none that I liked anyway so I decided to Continue reading “Reminders, Part 2”
What’s gonna happen? For one thing that a good car design will be replaced by a less good one sooner or later. It would appear that the fashion for blacked out C-pillars knows no limits. The 2017 Suzuki Swift now sports one. Continue reading “I know It’s Gonna Happen Someday”
Our correspondent in Sweden, Niels Moesgaard Jorgensen, spotted this green Suzuki recently.
We’ve been logging green cars as the colour looks like a minority taste yet metallic mid-greens can be very flattering. Additionally, the image prompted me to think about how difficult (for me) it is to get good night time images of cars, or rather cars under street lights. My photos end up murky and lack the deep black of this image. Continue reading “Green Cars and Night Photography”
Or rather Suzuki showed the 2017 Ignis. Or rather they presented same car the Japanese public saw at the Tokyo motor show in 2015.
The new Suzuki Ignis has two marketing points. One is the possibility of 4wd and the other is the robust and chunky styling. The 4wd option sets it apart from the Renault Captur. The sensible and tough look sets its apart from the Nissan Juke. The Ignis won’t replace the Jimny which has quietly become one of those reliable, steady sellers that won’t die. We wondered here about a Renault 4 for our times. Is the Jimny really that car? It’s cheap, efficient, useful and simple. Maybe the Ignis also meets the brief. Continue reading “2017 Renault 4 Revealed at Paris”
This rather festive and cheery car shows how much colour and material can add to what is a very basic concept.
I’d be the first to agree that this is not for everyone. On the other hand, having looked at a thousand grey interiors with bits of brightwork thrown about, this is a refreshing view. I’d argue that a lot more work needs to be done to explore acceptable alternatives to grey and black interiors which are now as tediously predictable as the all-beige or light-grey interiors that were once dominant in the 90s. Continue reading “Micropost: 2014 Suzuki Alto Lapin Chocolat”