At the dawn of its existence, painting an automobile was done in the same manner as one would apply a coat of paint to a horse-drawn carriage: by means of a brush and, in some cases, paint-rollers. Since cars were in those days built more or less in the same manner as their animal-powered predecessors, this was only to be expected.
The introduction of the moving assembly line by Ford in 1913 and the consequent rising demand for cars revealed the limitations of this method of application(1), but it would not be until 1924 that the first car to be spray-painted rolled off an assembly line, not at Ford, but at competitor GM with the Oakland model, a precursor to the later Pontiac. Continue reading “Gems on the Assembly Line…”
Sounds odd, doesn’t it? And so it should! Who would’ve thought the thuggish American grey squirrel could do some good?
Artwork has been around since man first walked the earth, from those basic but enigmatic cave paintings through innumerable differing themes, spheres and periods. Prior to the automobile entering the scene, the largest canvas one could expect to become embellished by a more detailed approach might have been a carriage, steam engine, a wagon or the mighty locomotive. With these large expanses to adorn, you could really personalise, promote your product.
JJ Deal of Janesville, Michigan was the producer of fine wagons, carriages and buggies powered by natural horsepower. From 1845 Deal swiftly gained a reputation for building not only quality products but also a highly detailed paint finish. Deal’s Chief Striper was a fellow named Andrew Mack. A perfectionist, Mack was never completely satisfied with the quality or performance of his paints and brushes whilst working at Deal, seeking better products and methods in which to Continue reading “It’s Squirrel, Actually.”
If this sounds too shady for you, best head to Practical Housekeeping, pronto. This is very blue.
Skilfully avoiding the TV new years sales adverts by heading for the internet, I found a Chevrolet Bel Air for sale. The price and to be honest the car, were immaterial; the colour on the other hand had me transfixed. What turned out to be called Larkspur Blue led me to Continue reading “Fifty Shades Today”
Driven to Write’s accidental tourist discovers an unusual way to amuse himself on holiday.
Following a recent sojourn back in Ireland, your correspondent has pitched up in the Costa del Sol for a well-merited change of scenery – and climate. But given that I appear to have forgotten how to behave on holiday, how is a Driven to Writer to spend his downtime, other than to Continue reading “Green Car Bingo”
It’s understandable that haircuts and trouser bottoms and patterns date, and what seemed really smart to you once, now sits embarrassingly at the back of a cupboard because you’re too ashamed even to take it to the charity shop. But it’s odder that something as basic as a colour can date. There aren’t that many colours, or there are infinite colours depending on how you look at it, but either way how can something that seemed so agreeable to you once, suddenly (and it often is sudden) become so jarringly dated?
One explanation is association – maybe you fell in love with the purple colour of Eric Clapton’s loon pants when he was in Cream (no, I didn’t since you ask) so painted your bedroom walls that colour. Your parents have kept it like that ever since you left home 40 odd years ago and they wonder why you Continue reading “Theme : Colour – Beige New World”
Starting on a pedantic note, I use the term ‘two-tone’, knowing full well that, like the term ‘colour coding’, its use in regard to car painting is usually incorrect. A tone is technically a greyer, less colourful, version of a single colour. Frequently, cars described as ‘two-tone’ are, more correctly, ‘two-hue’. Nevertheless, let’s stick to the generally accepted vocabulary.
This is about colour. Toyota also offered the Yaris in a metallic mint green. Later years seldom saw such personal colours.
The Yaris is a car that I feel has been around for longer than it has. Why is that? The first one had a zany Europroduct appearance which has gone direct from fresh to “period” with no intervening awkward phase. The dusky pink looks pinkier when you Continue reading “Micropost: 1999-2005 Toyota Yaris”
In Japan it’s the colour of death. In the west it suggests purity and simplicity. In a building it invokes introversion and despair. White. What’s it like on a car?
White is the new black. In recent years white has changed its social status in cars and gone from being a poverty-spec colour or the choice of Meditterraneans to being, well, just another colour actually.
We’ve moaned about the dull uniformity of the world’s car parks. TTAC has some insight on the fact that opting for the boring colours is not helping you resell that car.
This is the link. “Silver and beige, the go-to colours of the 1990’s and 2000’s, have higher depreciation rates, but nothing is worse than gold. With an average depreciation of 33.9 percent, gold vehicles are dead last. Oddly, it’s the third-fastest-selling colour in the study, behind gray and black,” says the article. As it reports American data it does not say so much about black or mid-grey metallic. I imagine that a similar study would show that these colours aren’t helping protect value at this stage. There can’t be a competitive advantage to having a silver-grey or black Audi or Ford at this point. We must at this point be at peak monochrome. Continue reading “Theme : colour – The Lost Competitive Advantage”
“May you live in interesting times” is the, apparently bogus, ancient Chinese curse which was, at one point, mentioned in our site introduction. It seems that 2016 is certainly shaping up as an ‘interesting’ year and, in Europe at least, many journalists are missing out on lazing on a beach, whilst their remaining colleagues have little chance to sit with their feet up embellishing stories of skateboarding gerbils in order to fill the gaps in what was, in quieter times, known as the ‘Silly Season’. Continue reading “Theme : Colour – Another Introduction”
Some months ago I photographed a flat blue Nissan QX. Shortly after I deleted the series despite the rarity of the car. Why, Richard, why?
Despite the good lighting I could not get the forms to stand out. Tonal treatment failed as did all the other variables. That says something about that colour which makes you want to ask why Nissan offered such an anonymising shade for an already anonymous vehicle. Continue reading “Theme: Colour – Flat Blue Is the Colour”
Recently, a red Fiesta was added to the DTW fleet. Is red a Marmite colour?
No actually that’s a very murky brown. I mean of course that red is one of those colours loved by some, usually a red car’s owner, and hated by others, usually their fellow road users. Red lives at the hot end of the spectrum and is seen as the colour that stimulates – the aggressive colour. As such, the red sports car is, to many, a red rag to the bull.
At one time all Formula 1 cars were painted in the colours of the country of the entrant. Red had become the racing colour of Italy following the Peking to Paris race of 1907 but with the disappearance of Lancia, Maserati, ATS, Serenissima, Tecno and others from the grids, it has become seen as the colour of Ferrari who, despite the use of British Racing Green by Jaguar and the short-lived Lotus Racing was, until Mercedes returned to Formula 1, the only manufacturer that stuck doggedly with its national colours following the advent of sponsorship.
Mimosa yellow must be one of the most distinctive paint names after whatever the heck it is Ferrari calls its red.
Over the last few weeks I went in search of yellow cars and, for the sake of completeness I’ve thrown the Tesla into the pile. None of these manage to be Mimosa yellow. That would have been very pleasing. From a safety point of view, a bright yellow car must be among the most visible against the widest range of backgrounds. Apart from that rather dull reason to prefer it, I find yellow a cheerful colour which to my eye, seems quite gender neutral whereas Continue reading “Theme: Colour – She Wore Lemon”
Most cars are some kind of grey today, a fact we have mourned often here at DTW…
But every now and then, a manufacturer decides to market a model in what I call a ‘signature colour’ – one that is closely linked to a car model. Now this definition is somewhat fuzzy, and subjective, too. But as a hint, think of a colour the car was presented in on press photos, a colour that was only available for a single model, or a model / trim variant that was only available in a single colour. Rather than an in-depth essay, I’d like to present a small colourful gallery with some comments. Continue reading “Theme : Colour – Signature Colours”
We haven’t quite got around to exploring this so much.
In mitigation, I’ll present the interesting colour combination of the Opel Agila “Njoy” special edition. Critics of my Opel bias can roll their eyes if they wish. However, in keeping an eye out for bright, distinctive colours while roving around Germany it’s been Opels (Corsas, Merivas, Astras) that have been most likely to have characterful paint jobs. Continue reading “Theme: Colour Micropost”
Colour. What a minefield that is! From your playground days, you might remember angry debates as to whether you had a right to nominate Green as your ‘favourite colour’. And, unlike many other childish foibles, the irrational and excessive reaction to colour doesn’t go away.
As you can see from the above collage provided to me by Sean Patrick, some people agonise over colour. Some years ago, the poor boy went to great lengths to decide which colour to respray his car though he tells me that he is still not sure he made the right choice. Personally speaking, I favour grey, which is not strictly a colour, or, if I must nominate actual colours, those shades used by the military. I am more liberal concerning the choices of others. Unfortunately, the motor industry is not. Continue reading “Theme : Colour – Introduction”