The Second Act

Lancia hits the marque.

veiling.catawiki

It is tempting to characterise the 1960s as a period of wild hedonism, artistic abandon, sexual freedom and social progress, but in reality it was nothing of the kind. Not in Italy at least, still firmly under the heel of the Vatican, whose tentacles encroached into all areas of domestic life. Strict social and societal mores were observed. Matters of appearance remained of the utmost importance. Yes of course, in the ateliers of Milan, fashions were of a most flamboyant, provocative nature, but the garments one actually wore, even to the local tabaccheria, were well chosen, decorous – demure even.

This sensibility pervaded Italian life, product design included. Because even if the most prosaic piece of household equipment was designed to please (or at least satisfy) the eye, it was nonetheless a function-first device. So too the automobile. Throughout the ‘Sixties, the Italian aesthetic for the berlina was highly formalised, upright, rectilinear. Regardless of whether it hailed from Portello, Mirafiori or Borgo San Paolo, there was little for the unschooled eye to Continue reading “The Second Act”

Everything to the Front

Fessia and Issigonis. Great minds?

Image: automotodepoca

In 1960, outside of a few shall we say, niche carmakers (and Citroën of course), front-wheel drive was still viewed as a somewhat unproven concept. Therefore, when Lancia introduced the front-driven Flavia that year, there was bound to have been some surprise amid observers, and maybe too, an element of scepticism, especially amongst Lancistas of a more traditionalist stripe.[1]

It was after all, a significant technical pivot from Borgo san Paolo’s engineering orthodoxy, and one that was unlikely to have occurred had Lancia’s technical dial not shifted so dramatically by the appointment as engineering chief of Antonio Fessia. The good professor, technically gifted but single-minded in approach, was a staunch proponent of front-wheel drive and there can be little doubt that the Flavia was more attuned to his own ideals and orthodoxies than to Continue reading “Everything to the Front”

Academic Revolution

A totally new kind of Lancia.

Image: Klassik-Auto

From a six-decade perspective, it is not easy to gain a definitive sense of where the carmaking firm of Automobili Lancia & Compagni was positioned in the marketplace, or indeed an accurate breakdown of a typical Lancia owner. Hailing from the fringes of nobility to the more recent emerging middle classes, they tended to be affluent, cultured individuals who prized the finer things, but were not inclined to make a statement of it.

Despite appreciating tradition and craftsmanship, they were not averse to bracing modernity either. But more to the point, they were prepared to Continue reading “Academic Revolution”

Il Sarto Piemontese

We compare a couture twinset from the tail-end of the GT era.

It’s an incontrovertible fact that the end of the 1960’s marked the apogee of the Gran Tourismo concept, both in design terms and in appeal to the broader swathe of the car market. Certainly by then, the choices available to the upwardly mobile individual who wanted to express their more indulgent side were of the more fecund variety. However, those who couldn’t Continue reading “Il Sarto Piemontese”

The Road to Dalmatia

The Driven to Write’s predilection for all things Lancia is known and quantified. Today’s offering however is unquestionably topshelf material. 

(c) Servizo Stampa Lancia

Amid the many series-production outliers the fabled Torinese shield and flag emblem has adorned over many decades, the Flavia Sport from carrozzeria Zagato is perhaps the most visually outré and certainly amongst the most scarce, with only 629 built in total.

First introduced in prototype form in 1962, it was the final and most exotic flowering of the coachbuilt Flavia line, following the 1960 in-house berlina, the Vignale-bodied convertible and Pininfarina’s four-seater coupé – all of whom bore some passing resemblance to one another. But not only did the Flavia Sport Continue reading “The Road to Dalmatia”

Theme – Film: The Mystery of Inspector Morse’s Car

This piece relates not to a film, but to a TV series translated from a collection of detective books. Hopefully readers will allow me a little latitude.

morse-jag
If that were my car, I would not be happy with even John Thaw placing his foot on the number plate.

I think most people know that (Chief) Inspector Morse was originally the owner and driver of a Lancia, not a Jaguar Mark 2 (or was that really a Daimler?). Having read most of the books by Colin Dexter many years ago on the back of viewing a few of the TV episodes (pre-kids, one had time to waste like that), a few thoughts were stimulated by the changes wrought by the TV production company in its literary adaptations. Continue reading “Theme – Film: The Mystery of Inspector Morse’s Car”

Theme: Evolution – Lancia and Others

For a decade and a bit, Lancia’s principal cars evolved, if you want to be generous about it.

1963 Lancia Fulvia GT: autoviva.com
1963 Lancia Fulvia GT: autoviva.com

The midsized Flavia saloon debuted in 1961 and soldiered on until 1975 (though renamed 2000 in 1971). The compact Fulvia saloon appeared 1963 and hung about until 1972. Fiat took over Lancia in 1969 and by 1972 the Beta had appeared. There was a quiet interregnum after which the old guard were put out to pasture and shot with silencers. Continue reading “Theme: Evolution – Lancia and Others”