Concluding the story of the Biturbo and the models developed from it.
Apart from the coupé, saloon and Spyder variants, the Biturbo’s platform and mechanical package was the basis for an additional five closely related Maserati models. The first of these was the 228, unveiled in December 1984 for launch a year later as a 1986 model. This was a two-door coupé, but was based on the Biturbo saloon’s longer 2,600mm (102½”) wheelbase. The 228 was intended to be a grand touring coupé in the Maserati tradition and featured the first application of the enlarged 2.8-litre V6 twin-turbo engine. Although superficially similar in appearance, it shared no body panels with the Biturbo coupé, being both longer and wider than even the saloon.
The 228 was again designed in-house by Pierangelo Andreani. Overall length was 4,460mm (175½”) and width was 1,865mm (73½”), making it 60mm (2¼”) longer and 135mm (5¼”) wider than the Biturbo Saloon. The Biturbo’s geometric lines had been softened, with a gently upswept lower DLO line and more curvature in the bodysides. Continue reading “Maserati for the Masses (Part Three)”
Continuing the story of the Biturbo and the models developed from it.
The 1982 Maserati Biturbo was a fundamentally sound design, but a rushed development programme and hasty scaling up of production to meet strong initial demand had damaged its reputation for build quality and reliability.
In a later interview(1), Giorgio Manicardi, Maserati’s International Sales Manager, laid the blame for the Biturbo’s early quality and reliability issues firmly at Alejandro de Tomaso’s door. Manicardi had wanted to launch the Biturbo at a price of 22 million Lira, but it was de Tomaso who insisted on the sub-20 million Lira starting price. “As a result we lacked the [profit] margin to implement quality controls,” Manicardi contended. Moreover, de Tomaso allegedly maintained an iron grip on the project, to the extent that he rejected importers’ pleas for a cover to Continue reading “Maserati for the Masses (Part Two)”
DTW marks the fortieth anniversary of the Biturbo, a car that sired a range of more affordable Maserati models.
As seems befitting for an Italian company manufacturing sports cars, grand touring coupés and luxury saloons, Maserati S.p.A. has had a colourful and occasionally tumultuous history since its establishment in 1914. One brief period of relative calm began with the company’s takeover by Citroën in 1968. The deal was predicated on a joint-venture project whereby Maserati would design and build a new V6 engine for Citroën’s forthcoming flagship, the SM. Financed by French investment, Maserati introduced a new range of models, notably the 1971 V8-engined Bora, the company’s first mid-engined supercar, its smaller brother, the 1972 V6 Merak, and the stillborn SM-based 1974 Quattroporte II saloon.
Unfortunately, the Middle-East Oil Crisis of 1973 caused a collapse in demand for the sort of cars in which Maserati specialised. Citroën, struggling with its own mounting losses, put Maserati into receivership in May 1975. Political pressure to Continue reading “Maserati for the Masses (Part One)”
Copied even before it was launched, and manufactured in modified form with a fibreglass body in Brasil until well into the current century, Fiat’s compact mid-engined targa-topped coupé inspired imitators both before and after its long career.
The Fiat X1/9 as launched at the 1972 Turin Motor Show was a productionised and consequently less radical evolution of the 1969 Autobianchi Runabout concept by Bertone, credited to Marcello Gandini. At the previous year’s Turin show, however, a vehicle that looked extremely similar to the planned but as yet unveiled Fiat was on display. To add insult to injury, the little yellow sportscar was parked almost within touching distance of Bertone’s majestic stand. What on Earth had happened?
In the early eighties, long before both companies would find cover under the FCA and Stellantis corporate umbrellas, Chrysler and Maserati hatched plans for a luxury convertible to revive their tarnished prestige image. The two driving forces behind the venture were Lee Iacocca, the ex-Ford executive who had nursed Chrysler back from the dead a few years previously, and Alejandro de Tomaso, who at that time ran not only the sports car company that bore his name but also Maserati. He had taken the latter company over in 1976 with Italian government assistance after Citroën had bowed out. This would not, however, be Iacocca and de Tomaso’s first collaboration: in the early seventies the two had brought the De Tomaso Pantera to the USA(1).
Did the Deauville’s somewhat over-familiar appearance ensure it would be the second rarest De Tomaso of all? We investigate.
The early 1970s (prior to 1974 at least) proved to be something of an Indian summer for the European exotic car businesses. Demand for exclusive hand-built GTs was brisk, both in Europe and especially in North America, and for those ateliers who lacked the wherewithal (or the inclination) to engineer their own power units, there was a ready supply of powerful and proven engines to be obtained and repurposed from the major OEMs in Detroit.
For specialist carmakers such as Bristol and Jensen Cars in the UK, Iso in Italy and Monteverdi in Switzerland, this would prove to be a godsend, until the oil taps were turned off at least. Another fledgling exotic carmaker was that of De Tomaso, headed by Argentinian businessman and ace deal-maker Alejandro de Tomaso. Having taken over the struggling carrozzeria Ghia concern in 1967, he approached Ford with a proposal to Continue reading “Talent Borrows”
Cars no longer differ from country to country, but once they had definite national characteristics. What happened when two nations met – collaboration, collision or confusion?
We now seem to have reached a consensus that the type of car most should be is ‘Germanic’, being lazy shorthand for something efficient, hard riding, fast enough and, usually, a bit clinical. Some sports cars remain, possibly, more traditionally ‘Italianate’ in spirit, being nervy, noisy and involving to drive. Nowadays, though, car making is truly a global industry where an Italian car maker might produce a model exclusively in Poland, and where the designers and engineers come from scores of different nations. Nearly fifty years ago this wasn’t the case.