Both Sides Now

The 1996 Alfa Romeo Nuvola would underline in eloquent fashion the power of the past.

Image: autodesignmagazine

Editor’s note: This article first appeared on DTW in December 2017.

History has always weighed heavily upon the Biscione of Milan. Few carmakers with such an illustrious past could remain immune to its siren call, although throughout the 1970s and ’80s its centro stile denizens seemed bent on ignoring it; bracing modernity being more the Alfa Romeo design leitmotif throughout this period.

During the pre-Millennial decade, Alfa Romeo’s stylistic output had become a combination of the sublime and, if not entirely ridiculous, at least unconvincing. On one hand we had the ageing, but still elegant Pininfarina-designed 164, the equally sharp-looking (in-house) 145, and the striking 916-series GTV / Spider, while on the other, there was the 146 and 155 saloons – more akin to the stark product design inflected Ermanno Cressoni era.

But change was in the offing, and with a new generation of Alfa Romeo saloons nearing completion, these designs would break with the angular aesthetic which had for so long been Arese’s visual calling card. Under Design Director, Walter de Silva’s purview, the Biscione would increasingly Continue reading “Both Sides Now”

Domo Arigato Zagato

Win on Sunday…

Alfa 155 TI.Z Image: H Nakayama

The Autech Stelvio and slightly less challengingly styled Autech Gavia were not the only specials for the Japanese domestic market produced by the Italian carrozzieri: meet the Alfa Romeo 155 TI.Z. Zagato’s aim appears to have been to Continue reading “Domo Arigato Zagato”

Under the Knife – Racing Certainty

Despite being an all-conquering touring car champion, the Alfa Romeo 155 wasn’t the commercial or critical success its masters intended. But a subtle, if significant facelift salved its reputation.

1992 Alfa Romeo 155. Image: pistonudos

Despite its long-in-the-tooth underpinnings and carryover passenger compartment, the Alfa Romeo 75 became a relatively successful and well-regarded sporting saloon until its commercial demise in 1992. The ultimate evolution of the 116-series which made its production debut with the 1972 Alfetta, the 75 excised many (if not all) of the earlier models’ inherent design flaws – most notably a lengthy, tortuous and unwieldy gear linkage owing to its rear transaxle layout.

In 1986, Fiat Auto acquired the Alfa Romeo business from the state-owned body who had been administering it in ever-decreasing circles, and with a successor to the 75 by then a priority, the 167-series 155 model was hastily developed, entering production in 1992 at the former Alfa Sud plant at Pomigliano d’Arco in Campania. Continue reading “Under the Knife – Racing Certainty”

Rear Entrance, Door Furniture, Re-Evaluation No. 13 (or Should We Call It Mind The Doors?)

Hidden door handles – see what you did there…

(c) Auto evolution

The Alfa Romeo 156: when I clapped eyes on that car, well, it really was love at first sight. Those looks, that stance, look at the wheels! The aura surrounding the badge, the singular, front door handle… hang on. Where is the rear door handle? This a four door saloon..

Rewind to the car’s Frankfurt Motor Show introduction, to the world and everyone who was anyone waxing lyrical concerning that hidden rear door handle. This, momentarily, having already eulogised over those svelte, Italian lines. Those lines and looks have faded, and while no longer wowed when one is (increasingly rarely) seen out and about, I can still appreciate the lines. Too quickly do my eyes Continue reading “Rear Entrance, Door Furniture, Re-Evaluation No. 13 (or Should We Call It Mind The Doors?)”

Tilting the Scales : (2)

As the crisis-torn Lybra programme came under microscopic scrutiny, longstanding Lancia engineer Bruno Cena took responsibility for its salvation. 

(c) bozhdynsky

Cena, a talented engineer who came to mainstream attention for his work on the dynamic setup of the Alfa Romeo 156, was a self-described ‘Uomo Lancia’ from way back. Joining Fiat in the early 1970s, he had moved to Lancia in 1978, working under Ing. Camuffo on the initial stages of the Type Four project.

Appointed head of four-wheel drive development for the marque in 1984, he was promoted to head of Lancia development two years later, and given responsibility for vehicle testing across Fiat, Lancia and Alfa Romeo in 1991. In October 1996, he was made Fiat Auto’s ‘D-platform’ director – just in time to Continue reading “Tilting the Scales : (2)”

Beauty Stab

Commonly regarded as the most beautiful Alfa Romeo saloon shape of recent times, the Alfa 156’s svelte lines remain a credit to its designer. But questions remain as to its authorship.

alfa 156
Image: cars data

Over the past sixty-odd years, Alfa Romeo berlinas and the notion of ravishing beauty were (for the most part) mutually exclusive. Now of course this doesn’t necessarily mean Arese wasn’t home to some very fine and finely wrought motorcars, but it’s difficult to avoid the view that the habitual centro stile fare hasn’t exactly been an art curator’s dream.

The 1992 Alfa 155 certainly wasn’t. Based on the Tipo-derived Type Three corporate platform, its tall, narrow-looking silhouette combined with skin surfacing endowed with an over-abundance of character lines, and clumsily placed shutlines was a clear evolution of its 75 predecessor, but hardly a car to Continue reading “Beauty Stab”

Theme : Aerodynamics – Spoiler Alert!

Why do they do it?

Kit

Some things, as they say, do just what it says on the tin. To my mind, the rear boot excrescence is generally well named. There are some exceptions but, generally, if a car’s designed right, it shouldn’t need an add-on. And, if it does, what about those poor buggers in lesser variants who can still get within 20 kph of the bespoilered version. Are they safe?

Incidentally, I’m well aware that you could nit-pick and point out that, Continue reading “Theme : Aerodynamics – Spoiler Alert!”

Theme : Badging – False Economy

What a badge can say.

2005 Ford Galaxy

In line with the theme of the month I will post this eloquent symbol of excessive cost-cutting. The badge symbolises the company. If the firm can´t spend enough so its symbol endures, you have to wonder about their commitment to the rest of the car. Of course, the likelihood is that this is just an unforeseen consequence of a minor change in paint formula. However, many people will feel that this says as much about this brand as needs to be said. For brand managers, this sort of thing is the worst PR, worse even than the message sent out by curling window rubbers and blisters of rust on the rear wheel arch lip. I can only remember seeing one other badge so badly weathered in so short a time, and that was the badge on Alfa Romeo´s 156.