Elemental Spirit Part 2: Metamorphosis

The Second Face, and a short-lived dupoly.

Image: the Austin Motor Company

The final years of the 1950s were a time of advancement and renewal for the automobile industry. Fashions changed rapidly as American influence waned, and the European carmakers forged their own visual identities. Model replacement cycles were short, and consumers gravitated to whatever was new and progressive. The Austin-Healey Sprite’s designers never expected the expedient Frogeye design to have a long life, and not long after its launch, the designers at Donald Healey Motor Company in Warwick were working on a facelift, scheduled for production in 1961.

Even before this date, BMC’s Italian licensees had shocked their British supplier and delighted the world with their own version of the little Austin-Healey, presented at the 1960 Turin Motor Show in November 1960. Continue reading “Elemental Spirit Part 2: Metamorphosis”

A Photo For Sunday: Peugeot 404

When this series began first I used stock photos. Since then, I have switched to ones I have taken myself (or have been sent by our local correspondents). Today, I revert to stock images but with good reason.

1960 Peugeot 404: John Hinde Collection

The photo above is from the John Hinde collection: “To mark St Patrick’s Day, the Photographers’ Gallery in London is releasing newly restored pictures of rural Ireland in the 1950s and 1960s by a pioneer of British and Irish postcard art, John Hinde”. St Patrick’s Day was yesterday. The photo shows the Bloody Foreland, in County Donegal, Ireland and is one the earliest photos published by the John Hinde Studio.

What the John Hinde Studios did was to Continue reading “A Photo For Sunday: Peugeot 404”