Fifty years from the day it opened, we look back at the 1970 Salone dell’Automobile di Torino.
In late 1970 much of Europe was in the grip of a pandemic, but not one which hindered the annual motor show round which had started in neutral Amsterdam and closed in Turin with a high-art extravaganza where function took a distant third place after form and fashion.
“This morning, shortly after 11:00, comedy struck this little house on Dibley Road. Sudden…violent…comedy.”
As the 1960s drew to a close, centuries of hierarchy and forelock-tugging deference were under attack in class-riven Blighty. Television shows like The Frost Report saw a younger generation of university-educated writers and performers taking increasingly accurate potshots at a hidebound establishment who deserved every critical drubbing they received. The 1969 debut of Monty Python’s Flying Circus on BBC television therefore marked a watershed in what was deemed admissible for a primetime audience.
Owing a debt to the earlier Goon Show and Round the Horne radio formats, the Python’s anarchic, whimsical and often downright silly TV sketch series brought absurdist comedy into living rooms across the length and breadth of Britain, sending up authority and making household names of its creators – at least amidst those who understood, or at the very least appreciated its gleefully skewed logic. Post-Python, comedy would never Continue reading “Anniversary Waltz 1969 – I Didn’t Expect A Kind of Spanish Inquisition”