The Mid-1980s downsized GM range would prove a step into the unknown for the US car giant, one which could be said to have been successful, at least in terms of raw sales numbers. But while the C-body Buick sedans proved popular with buyers, the E-bodied personal coupés would prove a far tougher sell. There was a good deal of trepidation amid the design leadership at Buick’s studio in GM’s Warren, Michigan Design Centre as the 1986 model year Riviera was made ready; doubts which would crystallise as the drastically downsized model failed to appeal to existing Riviera customers, who not only baulked at the style, but also its notable lack of road presence.
As soon as was deemed possible, Buick Design chief, Bill Porter (who had overseen the E-body design) supervised a revised styling scheme, based upon one which had originally been proposed featuring a sloping tail motif, the victim of engineering package requirements (in this case luggage capacity). With this heavily revised Riviera, the work of a team under Steve Pasteiner, the model’s fortunes were revived to some extent, but still failed to return to pre-downsized levels. Continue reading “Swiss Riv”
While the name of Sergio Coggiola might be known to the enthusiast, that of Mario Revelli de Beaumont may not. Roman born Revelli made his name submitting handsome designs to coachbuilders in the nineteen twenties and thirties with Rolls-Royce, Lancia then post-war, with Fiat. Coggiola on the other hand spent time under Pietro Frua at Ghia before setting up his eponymous carrozzeria in Orbassano, a district of Turin during 1966. Around that time, the two Italians collaborated, with the use of atomic element number 29: copper.
An almost mythical aura surrounds the second of the Silver Arrow concepts, which is more than can be said of the car itself – now vanished without trace. Hype and overall interest for 1967 was considerably lower when compared to the first Silver Arrow; no chassis number, no documented dates, no confirmed photos, zilch.
After extensive research with limited resources, Silver Arrow II appears to have barely differed from a 1970 model year Riviera – the grille perhaps receiving the most noticeable change – 74 teeth opposed to only 60. The side chromed spear overlaid onto bodywork. An interior again in silver leather. Other small details differing from that of later production models include side view mirrors, the hub caps (not seen on any other Riviera) and the rear side reflectors. What is known as the Rocker Moulding, was also chromed. Continue reading “Silver Car For Mr Mitchell (Part Two)”
In the realms of car design, chances must be taken. Regardless of the ever-building pressure generated from all quarters as to the next sure-fire sales wonder, calculated risk taking is part of the game. Such incontrovertible weights require shoulders of strength, astute vision, alongside the ego of a vain, mirror-devoted individual, obsessed with appearances. Praise be that a certain William Mitchell was in possession of all of the above qualities, along with a marked penchant for items of an argentine nature.
The car that choreographed a Cadillac lawsuit (and won).
McCormick Place, Chicago, February 1982 – a not entirely salubrious (or meteorologically appropriate) launch venue for a factory convertible. American and British tastes regarding the drophead differ considerably. Ever optimistic for the kiss of solar rays, Blighty could not be satiated. America however, forty years ago felt altogether differently.
Yesterday’s tomorrows – from the studios of Bill Mitchell.
Sometimes it is necessary to go wildly overboard before one finds the precise quantum of sufficiency. Somewhat akin to party-going children having run amok; gorging on fizzy pop and cream buns, the American motor industry exited the 1950s with a decidedly queasy sense of untempered excess. A new decade would precipitate a fresh creative approach, and a wholesale shift from the baroque flights of jet-age fancy to a more sober, less mannered visual sensibility.
Analysing three different takes on the personal luxury car of 1963.
The personal luxury car is a uniquely American phenomenon; its closest cousin in concept would have been the European GT, but this transatlantic specimen was a larger, softer (but on a straight piece of road not necessarily slower) breed. There is a fairly general consensus that Ford was the first to Continue reading “Getting Personal”
On the quiet streets of Skive I found this alien space ship, gently landed from the end of the 1960s.
Pedestrian safety and low-speed crash regulations did away with this kind of design. Subsequently, General Motors’ own mismanagement and a radical shift in the car market gradually killed the brand attached to the car. If we want to Continue reading “Brisk Business in the Bakery”
DTW comes to the Half Century for the Oldsmobile Toronado, a 1966 example of which was supposed to be the 100 millionth GM vehicle. Did they really keep count that carefully? What about Johnny Cash’s Cadillac?
Personal Car? That would be my Nissan Cube. However there is also a ‘Personal Luxury Car’, a US category comprising gargantuan, two door cars, such as the Sixties Ford Thunderbirds, which I suppose was shorthand for the head of the nuclear family’s gross personal indulgence. I admit to a liking for most of the personal luxury cars from that era and, looking at GM’s offerings, I would be hard pushed to choose between a ‘67 Cadillac Eldorado, the outrageous, ‘71 boat-tailed Riviera or an original Oldsmobile Toronado. Continue reading “Because They Could : The Oldsmobile Toronado.”