The Coming Of Age

Growing up, in the age of the car.

Film director, George Lucas. forcematerial

When George Lucas survived a serious automobile accident, his ambitions of becoming a professional racing driver ended. Fortunately, his ideas concerning movie making took an altogether less destructive route.

American Graffiti revolves around several characters on the cusp of life changing affirmations – leaving school, home, starting college or jobs – growing up. Gawky, inexperienced teenagers fighting with pent up emotions; some brim with confidence, others Continue reading “The Coming Of Age”

Drive By Movies: Cars and Film Posters 2

The car has been woven into the fabric of Hollywood since the early days of both. Each is a symbol of a uniquely American brand of mass prosperity, the polished chrome of the American automobile reflecting the bright lights and glitz of showbiz right back at itself.


Given this symbiotic nature, it comes as little surprise that cars have enjoyed star billing on numerous movie posters over the years. Some are great; many more are trash (but a lot of fun). Here are some of my favourites.

We might as well get the ball rolling with a classic. International market posters are often more interesting than their American or British equivalents, and so it goes with this French issue single sheet for Peter Yates’ genre classic, Bullitt (1968). Obviously Steve McQueen has to be the biggest thing on the poster, his gun holster and weary pose telling you everything you need to know about the character he plays. Continue reading “Drive By Movies: Cars and Film Posters 2”

Drive By Movies: Cars and Film Posters, Part 1

Movie posters have long held a fascination. As both a cinephile and a graphic designer, film advertising occupies a shared position in my Venn diagram of interests.

img_0129

Like any form of commercial graphics, the compositions of movie posters tread a careful line between any number of competing and often mutually exclusive objectives. Done badly, they are simply more visible clutter plastered on the side of a bus stop shelter, easily ignored as you continue your daily drive to work. Done well, however, then the finest posters blur the distinction between art and commerce until the two become indistinguishable. Continue reading “Drive By Movies: Cars and Film Posters, Part 1”