Mocking the afflicted is pointless when practically everyone suffers in one form or another. Collecting after all is part of what it is to be human. Possibly derived from our early hunter-gatherer instincts or maybe we’re just aping magpies – drawn by the shiny, fascinated by the interrelation? Far from being self conscious, my collections are varied; for instance, twelve Citroën books, genres of CD’s, scale model cars.
When you scratch below the surface or try to intuit the meaning, most of it is pointless. But it’s my pointless and over the years they have given me great pleasure. To enhance or alter a mood, my cd collection can rise to the occasion. Should my eyes wish to Continue reading “OCD plc”
Andrew Miles recalls an Italian-American design highlight from the creative heyday of the Latin carrozzeiri.
The late and prolific Tom Tjaarda left behind an amazing legacy of work; take at look at Richard Herriott’s obituary to him from June 2017, but for me there is one unusual, yet standout design I knew nothing about. That is until Matteo Licatta and his Roadster-Life website introduced a conceptual one-off from the hand of Michigan born, but Italian based sculptor, the Rondine.
Pronounce it Ron-deen -ay and to these eyes, this car is as pretty as a peach, as distinctive as any Ferrari whilst offering a symphony of speed that only the Hirundinidae can deliver. For the Rondine is underneath a Chevrolet Corvette C2. And here’s an unusual twist; General Motors’ Bill Mitchell commissioning Pininfarina to give the bodywork a good scrub up and tailor a new suit which made its Paris Motor Show debut in 1963.
As if the Corvette requires any form of introduction, but the Rondine, with that sharp suit of fibreglass adds a divine lightness to the form. Whereas the Corvette might Continue reading “The Italian Swallow”
A few weeks ago I bought a copy of Octane. The edition lay around the house and I dipped into it at various moments. What did I discover?
Tuesday, in the railstation I saw Octane and bought it along with the Interntional New York Times. I felt I needed to read more text on paper. The cover story first attracted my attention, a very Octane style of article where they discuss several generations of the same car. The first copy of Octane I bought, about eight years ago, dealt with the Maserati QP. This edition put the Bentley Continental under the spotlight. The cover showed a 1952 R-Type Fastback, the 2004 Continental and its successor.
We have a look at the humble leaf spring and ask whether it deserves universal scorn.
I’ve always been a suspension snob, especially on the subject of leaf springs, normally referred to by fellow scorners as cart-springs. And indeed, the use of something that you’d have found on a one horse power medieval cart on a 150mph Ferrari still seems as wrong to me today as it did when I was a picky kid and first realised what lurked under those exotic red bodies..
The first car I ever ‘owned’ was a Ford Prefect E93A that I used to drive as a 14 year old around a bit of woodland. Even at the 20 mph maximum it was possible to achieve weaving around all the trees, I still managed to turn it onto its side, a tribute to my recklessness, a high centre of gravity and its very, very basic suspension which stretched back to the Model T, comprising a beam axle at the front and a live axle at the rear, both mounted on transverse leaves. Continue reading “Theme : Suspension – Only Fools & Horses?”