A few weeks ago I bought a copy of Octane. The edition lay around the house and I dipped into it a various moments. What did I discover?
Tuesday, in the railstation.I saw Octane and bought it along with the Interntional New York Times. I felt I needed to read more text on paper. The cover story first attracted my attention, a very Octane style of article where they discuss several generations of the same car. The first copy of Octane I bought, about eight years ago, dealt with the Maserati QP. This edition put the Bentley Continental under the spotlight. The cover showed a 1952 R-Type Fastback, the 2004 Continental and its successor.
I have to credit Octane for the high quality of the studio photography which placed the English white car in a dark setting. Charlie Magee, the snapper, did an excellent job of rendering the Continental as an almost other-worldly object. The interior photos had a believable aspect to them rather than the flat, overly-processed style that other magazines are favouring. If you look closely you can easily Continue reading “The Gongoozler”