Non-Conformist (Part Two)

Concluding our brief overview of Citroën’s epochal GS.

Image: Citroen UK

In 1971, the influential UK Car magazine voted the GS its car of the year, with their pan-European equivalents quickly following suit. The award, Automobiles Citroën’s first ever ECOTY, was formally presented in February 1971 to Pierre Bercot’s successor as Director General, Raymond Ravenel in the Hilton Hotel in Amsterdam.

Hailing 1971 as “the year of the GS”, Ravenel told assembled journalists and dignitaries, “The public was quick to Continue reading “Non-Conformist (Part Two)”

Non-Conformist (Part One)

The future arrived in 1970. It was called GS.

(c) citroenorigins

Bernardo Bertolucci’s 1970 Franco-Italian feature film, The Conformist is billed as a cinematic masterpiece. Set during the 1930s fascist-era Italy, its themes of politics, betrayal, and psycho-sexual guilt, framed within Vittorio Storaro’s lavish cinematography remain as provocative today as they were when first screened in cinemas half a century ago.

As the 1960s gave way, France had witnessed a stark moment of unease in the Spring of 1968 when the conformism of French society was violently challenged in the streets of Paris by a younger generation, determined to Continue reading “Non-Conformist (Part One)”

Connect the dots #3: The Answer

Confession time: I said there was no chain involved in this teaser, but there is one. And a couple of shafts.  And one absolutely enormous toothed belt.

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The answer is that the engines of all four cars were also used in motorcycles.  It’s a rarer peculiarity than might be expected, particularly as I applied a self-denying ordinance which excluded tricycles, sidecar haulers (even the Borgward-Goliath-Kröger), and one-offs.  All four two-wheelers here were on public sale as complete, series-produced entities. Continue reading “Connect the dots #3: The Answer”