The mention of page three to anyone under the age of thirty five probably elicits nothing more than a numerical continuation from the front page. For older folk amid these isles however, the phenomenon was frequently known to turn grown men into quivering heaps. In newspapers commonly known as rags, (tabloids to you and I) the oft-ignored headline (often dubious in nature) would be bypassed in haste in order to allow that day’s young lady briefly describe her tastes whilst baring her upper torso. Workshop banter would ensue.
There being little new under the sun, advertising has been a staple throughout the car industry’s history. And while some would pay happily for front page status, others towards the rear and the rest somewhere in between, one manufacturer chose one magazine and more to the point, one page in particular to Continue reading “Page Three”
A 1951 art exhibition would change the way we viewed the automobile forever.
Since the Museum of Modern Art (MoMa) was founded in 1929, it has been a leading proponent of contemporary and modernist art, encompassing not only what is commonly known as fine arts, but architecture, product design, photography, film, installations and electronic media.
Perhaps the most influential host to the conversation around latter-day aesthetics, its current location, designed by architects, Philip Goodwin and Edward Stone in 1939 on New York’s West 53rd street has staged some of the most celebrated and controversial art exhibitions of the 20th century.