Monsieur Hulot is the creation of Jacques Tati, who in this 1971 film plays a car designer for Altra, a small Parisian manufacturer. Hulot is a tall, greying haired, bumbling yet loveable fool of advancing years. Dressed in a lightweight faded beige overcoat, grey slacks that are too short, revealing yellow socks with black hoops, Hulot’s character is defined by the ever-present furled umbrella on his arm, a never-lit pipe and battered trilby. His walk and general mannerisms are exaggerated, adding further comedic demeanour to the film’s storyline. Hulot rarely speaks and when he does his speech is almost imperceptible.
The film begins within the Renault factory; shots of panels being pressed (one wrinkled door pressing halting the process), tyres on overhead gantries, almost complete Renault 16s followed by a cinemascope of hundreds of completed cars. The film then cuts to the bustling, chaotic Altra atelier. The hapless workforce in paint splattered or filthy overalls aimlessly fuss about, not at all desperate it seems to Continue reading “Trafic”
When George Lucas survived a serious automobile accident, his ambitions of becoming a professional racing driver ended. Fortunately, his ideas concerning movie making took an altogether less destructive route.
American Graffiti revolves around several characters on the cusp of life changing affirmations – leaving school, home, starting college or jobs – growing up. Gawky, inexperienced teenagers fighting with pent up emotions; some brim with confidence, others Continue reading “The Coming Of Age”
Pointless. Arguably polemic. Undeniably watchable. The on screen car chase has been with us for many a year. This isn’t to be a internet best of, a list of you have to see this or indeed real-life chases, they have no place here. My leanings are courtesy of (frequent DTW contributor) Matteo Licata – the more European-centric film chase from the late sixties and nineteen seventies.
Through Matteo’s lovely website “Roadster Life” he introduced me to some, in my eyes, positively excellent entertainment from dubiously acted, scripted and quixotic movies. These films are definitively of their time but have, akin to the cars used, become amenable in their advancing years. Continue reading “Inseguire!”
The car has been woven into the fabric of Hollywood since the early days of both. Each is a symbol of a uniquely American brand of mass prosperity, the polished chrome of the American automobile reflecting the bright lights and glitz of showbiz right back at itself.
Given this symbiotic nature, it comes as little surprise that cars have enjoyed star billing on numerous movie posters over the years. Some are great; many more are trash (but a lot of fun). Here are some of my favourites.
We might as well get the ball rolling with a classic. International market posters are often more interesting than their American or British equivalents, and so it goes with this French issue single sheet for Peter Yates’ genre classic, Bullitt (1968). Obviously Steve McQueen has to be the biggest thing on the poster, his gun holster and weary pose telling you everything you need to know about the character he plays. Continue reading “Drive By Movies: Cars and Film Posters 2”