Inseguire!

A long-overdue appreciation of a lost art form.

Don’t try this anywhere: you are not cool enough. (c) Imfdb.com.

Pointless. Arguably polemic. Undeniably watchable. The on screen car chase has been with us for many a year. This isn’t to be a internet best of, a list of you have to see this or indeed real-life chases, they have no place here. My leanings are courtesy of (frequent DTW contributor) Matteo Licata – the more European-centric film chase from the late sixties and nineteen seventies.

Through Matteo’s lovely website “Roadster Life” he introduced me to some, in my eyes, positively excellent entertainment from dubiously acted, scripted and quixotic movies. These films are definitively of their time but have, akin to the cars used, become amenable in their advancing years. Continue reading “Inseguire!”

The Late Film: Mistaken Identity

Another thinly disguised excuse to write about a car that I like and used to own (yes, another one). This is my singular experience of going Italian, and very gratifying it was too. And, reliable.

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The mighty FIAT Cinquecento Sporting (source Retro 02)

I remember falling in love with the FIAT Cinquecento Sporting at first sight (and read, it was an article in Car – by Andrew Frankel, I think – entitled “Eeenie Weenie, Teenie Weenie, Yellow Hotted Up Machinie”, or something very similar). The little FIAT had everything I liked at the time. Continue reading “The Late Film: Mistaken Identity”

Theme: Film – Incognito

I am sure that this has been the title of some film at some point, but I have a broader point to make.

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Benedict Cumberbatch in 70’s cool, upstaged (again?) by his co-star

My one-time step father used to work for the Met Police and frequently came home in squad cars of an incredibly nondescript nature – a brown Hillman Avenger, a yellowy beige Morris Marina, etc. You may be getting my drift (incidentally, having been Hendon trained, he was quite adept at creating his own drifts, but that is another story). Continue reading “Theme: Film – Incognito”

Theme : Film – Opening Credits

The Editor focuses on the first theme for Autumn

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Sean has returned from his holiday in Northern Spain bearing a present of a single bottle of an unspeakably foul sweet sherry, charmingly gift-wrapped in the plastic bag of the supermarket that he bought it from. Since Eoin and Richard prefer to keep themselves removed from DTW’s London nerve centre, and because all three skinflints who present themselves as my principals refuse to allow me a PA, Sean and I are the sole inhabitants of our editorial office. Although I am rather less heavily-jowled than Mr Wather Matthau, and Sean is no match for the trim, bright-eyed Mr Jack Lemmon, as we sit at our desks I am nevertheless put in mind of the once popular movie, ‘The Odd Couple’. By which you might gather that the ‘Film’ of this month’s theme is the cinematic kind although, in the DTW spirit of pragmatism, if one of our correspondents insists on submitting a piece on the flexible properties of polyester film in automotive applications, I will consider it. Continue reading “Theme : Film – Opening Credits”