Pointless. Arguably polemic. Undeniably watchable. The on screen car chase has been with us for many a year. This isn’t to be a internet best of, a list of you have to see this or indeed real-life chases, they have no place here. My leanings are courtesy of (frequent DTW contributor) Matteo Licata – the more European-centric film chase from the late sixties and nineteen seventies.
Through Matteo’s lovely website “Roadster Life” he introduced me to some, in my eyes, positively excellent entertainment from dubiously acted, scripted and quixotic movies. These films are definitively of their time but have, akin to the cars used, become amenable in their advancing years. Continue reading “Inseguire!”
Another thinly disguised excuse to write about a car that I like and used to own. This is my singular experience of going Italian, and very gratifying it was too. And, reliable.
I remember falling in love with the FIAT Cinquecento Sporting at first sight (and read, it was an article in Car – by Andrew Frankel, I think – entitled “Itsy, Bitsy, Teenie Weenie, Yellow Hotted Up Machinie”, or something similar). The little FIAT had everything I liked at the time. It was small, chunky, smart, with just enough tough about it (almost entirely down to slightly lowered suspension and a set of 1” larger and wider alloys and tyres), and came in a beautifully bright and cheery yellow.
I am sure that this has been the title of some film at some point, but I have a broader point to make.
My one-time step father used to work for the Met Police and frequently came home in squad cars of an incredibly nondescript nature – a brown Hillman Avenger, a yellowy beige Morris Marina, etc. You may be getting my drift (incidentally, having been Hendon trained, he was quite adept at creating his own drifts, but that is another story). Continue reading “Theme: Film – Incognito”
Sean has returned from his holiday in Northern Spain bearing a present of a single bottle of an unspeakably foul sweet sherry, charmingly gift-wrapped in the plastic bag of the supermarket that he bought it from. Since Eoin and Richard prefer to keep themselves removed from DTW’s London nerve centre, and because all three skinflints who present themselves as my principals refuse to allow me a PA, Sean and I are the sole inhabitants of our editorial office. Although I am rather less heavily-jowled than Mr Wather Matthau, and Sean is no match for the trim, bright-eyed Mr Jack Lemmon, as we sit at our desks I am nevertheless put in mind of the once popular movie, ‘The Odd Couple’. By which you might gather that the ‘Film’ of this month’s theme is the cinematic kind although, in the DTW spirit of pragmatism, if one of our correspondents insists on submitting a piece on the flexible properties of polyester film in automotive applications, I will consider it. Continue reading “Theme : Film – Opening Credits”