This review concludes a slow tour through the middle-market. It’s the Astra’s turn.
DTW has tested the Ford Focus, Megane, the Golf and the Auris. That means I can put some of those reviews in perspective as well as offer some insights on the corresponding offering from Opel, the Astra. It’s quite handy that all the cars tested came from the same source, which eliminates variables like colour and engine specification. So, it’s quite a level playing field the Astra and its peers are playing on.
We may not even have a library photo of a hard-top convertible-cabriolet.
We do, above. There are not many more. Maybe they are not a DTW type of car. Dear goodness, I find when checking the date of the Mercedes SLK, the R170, that it’s celebrating its 20th anniversary. It seems natural to start with this one. Continue reading “Theme: Bodies – The CC”
Some months ago I photographed a flat blue Nissan QX. Shortly after I deleted the series despite the rarity of the car. Why, Richard, why?
Despite the good lighting I could not get the forms to stand out. Tonal treatment failed as did all the other variables. That says something about that colour which makes you want to ask why Nissan offered such an anonymising shade for an already anonymous vehicle. Continue reading “Theme: Colour – Flat Blue Is the Colour”
The first car I bought with my own money was a Mark One Ford Focus.
Having decided that a Focus was going to be the car for me, I spent months scouring local dealerships, newspaper classifieds and Autotrader for the right car. Eventually a dealer called me with a candidate. And there it was: a sky blue three door in 2.0 Zetec trim. Despite spending five years gracing the surface of this planet whilst being blasted with wind, rain, road salt and solar radiation, the Focus looked as if it had rolled out of the Saarlouis factory just last week. An inspection and test drive confirmed my impressions: it was a peach. Continue reading “Objects In The Rear View Mirror”
Does Ford really think that this is acceptable? (Caution : Viewer Discretion Required).
Throughout the month I have been accumulating images with a view to presenting a rogue’s gallery of bad shutlines. Never one to run from the crude and obvious, I had intended giving the post the title of ‘Shitelines’.
However, when I look at my collection, one stands out in my view so much that it deserves its own post. That a major manufacturer who employs some of the best trained designers could have produced something as ugly and inept as the rear light treatment of the current Focus doesn’t just surprise me – it offends me. The left lamp treatment is bad enough, particularly where the rather wide shutline of the hatchback meets it. But the right hand lamp, with the half-arsed attempt to merge the shape of the fuel flap into the shape of the lens is ….. beyond any excuse.
The ubiquity of this car means that I have to see it every day, and time has not endeared it, quite the opposite. I can’t really say any more.
Yesterday, Driven to Write gave you an overview of the A-pillar. Today however, we’re going a little deeper.
Since we started this month’s theme I’ve spent more time looking at shutlines and panel gaps than is either healthy or rational. Nevertheless, it’s been an absorbing study, giving rise to a number of observations about the manner in which manufacturers have managed these transitions over recent years. From a purely scientific perspective of course, we should really be limiting ourselves to those junctions where at least one of the abutting panels opens, but I’m trusting our editor will let this pass – and lets face it, we’re not about to get into all this again any time soon.
After “New Edge” came what exactly? And when? And why?
For some considerable time I have been wondering about the legacy of Ford Europe´s design director, Chris Bird. What did he achieve and where is he now? First a short review of the received wisdom. Prior to taking up his position at Ford in 1999, Bird was at Audi (where he did the first A8) then renowned for its ice-cool design approach. Continue reading “Industrial Design Archaeology: New Edge to Kinetic Design”
Qoros are not selling on looks and they are not selling on price. What then?
The 2014 Geneva expo had among its new car launches the Qoros 3 hatch, a variant of the Qoros 3 saloon. Founded in 2007, Qoros´ first car was presented at Geneva last year. This time around they have chopped some length off the car to woo customers in a lower price range. The company is a joint venture between Israel Corporation and Chery Automotive; for a while the firm was called Chery Quantum Automotive but a new product demanded a new name, hence the change. Whilst you may have heard of Chery, you might not know so much about Israel Corporation. Continue reading “After the Great Leap Forward”