Today, we take a brief hiatus from our analysis of Allegro and its commercial fate to return briefly to aspects of its style, and in particular, to the third ADO67 bodystyle to be offered.
Closely aping its predecessor, Allegro was introduced as a single format bob-tailed saloon – with two or four doors – and unlike its stablemate Marina, both Allegri employed the same silhouette and styling theme. Of the two saloons, the two-door might be considered the most cohesive, a factor which could be explained by its cleaner, less cluttered DLO treatment, which did away with the four-door’s rear quarterlight. In the photo appended below, one can appreciate this and just maybe, Continue reading “Allegro Con Spazio”
There are certain irrefutable qualities which help determine successful product design. Of these, appearance, while arguably the least important in absolute terms, is the most easily perceived, and clearly the most subjective, but it goes without saying that in the absence of a robust visual appeal, even the best wrought product will struggle. The Allegro’s appearance forms an essential component of its subsequent notoriety, but like most aspects of the car’s iconography, this aspect of ADO67 remains subject to varying levels of hysteria.
The Allegro’s style garnered little overt press criticism at its introduction. This would not have been unusual behaviour from the home team – but in this instance the UK press may have been a little over-keen to Continue reading “Running With Scissors [Part Three]”
From DLOs to DRGs. Pillars, A through (occasionally) D, manufacturers and commentators spend countless hours unpicking these traits. Directives about placement, rules concerning dimensions, legislative measures, crash tests and, finally, the greasy paws of the customer. However much we admire (or admonish) a car’s looks, our first point of contact with any is that oubliette feature: the door handle.
Through an exhaustive half hour lunch break during the no longer recent summer – cobalt blue skies and the mercury nudging thirty degrees – my gaze became fixed upon the indents and recessed areas our digits seek out in order to Continue reading “For the German Bands”
Settle down, you rabble. You’re in for a while. Get another Bog Myrtle in and pay attention, there’ll be questions later.
[Editor’s note: This article was written prior to the current restrictions on gatherings and in no way advocates the practice of public house lock-ins – well, not in the current climate at least…]
Much like home door locks, car locks had been rudimentary for years. The 1970s witnessed a change in thinking (in a pretty vain attempt) to prevent rampant car theft. Years in the development stages, mainly in the USA, Wilmot-Breedon would become an integral cog of the British car industry, sadly suffering a similar fate.
Carl Louis Breedon enters proceedings around 1929 when the engineering firm Josiah Parkes & Son of Willenhall, Birmingham introduced the wafer tumbler lock to him. This used flat metal wafers that required the correct key in order for the lock to Continue reading “It’s A Lock In!”
Car advertising (like almost all advertising) commonly emphasises the new and the improved. There is not a single advert drawing attention to the subtle and not-so-subtle second lives of components intended for one car but which lived on in another…and another…and another…
Last week we discussed the afterlife of the Buick aluminium 215 engine. Such a re-use is not what I have in mind in terms of rooting around the parts bins. Rover had the decency to rework the engine –endlessly – to make it work so that by the time they had stopped fiddling in 2004 there was little a Buick engineer from 1957 might recognise other than the porosity problems and flagrant thirst. Continue reading “Theme: Secondhand – Rooting in the Parts Bins”