Blues for Ceaușescu

Quai de Javel’s final act, or simply its slightly underpolished Craiovian cousin? We examine the Oltcit. 

Oltcit Club. (c) autobible.euro.cz

Given its geographical location, it probably wasn’t all that surprising that once-independent Romania would end up as part of Russia’s collection of Warsaw Pact satellites once the post world war II dust settled.

By the early 1970s, Romania’s communist government was led by Nicolae Ceaușescu. Outwardly an internationalist, acting with considerable independence from Moscow, the Romanian leader seemed intent on building up the country’s soft power, influence and economic strength on the international stage. However, for those inside the country, he was simply another self-obsessed, exploitative and repressive dictator.

As part of Ceaușescu’s plan to Continue reading “Blues for Ceaușescu”

Non-Conformist (Part One)

The future arrived in 1970. It was called GS.

(c) citroenorigins

Bernardo Bertolucci’s 1970 Franco-Italian feature film, The Conformist is billed as a cinematic masterpiece. Set during the 1930s fascist-era Italy, its themes of politics, betrayal, and psycho-sexual guilt, framed within Vittorio Storaro’s lavish cinematography remain as provocative today as they were when first screened in cinemas half a century ago.

As the 1960s gave way, France had witnessed a stark moment of unease in the Spring of 1968 when the conformism of French society was violently challenged in the streets of Paris by a younger generation, determined to Continue reading “Non-Conformist (Part One)”