Anniversary Waltz 1970 – Help the Bombardier!

“They’re trying to kill me”, Yossarian told him calmly. “No one’s trying to kill you”, Clevinger cried. “Then why are they shooting at me?” Yossarian asked. “They’re shooting at everyone”, Clevinger answered. “They’re trying to kill everyone”. “And what difference does that make?”

Alan Arkin as Captain Yossarian in a still from Mike Nichols’ adaptation of Catch-22. Image: rob’s movie vault

History did not demand Yossarian’s premature demise, justice could be satisfied without it, progress did not hinge upon it, victory did not depend on it. That men would die was a matter of necessity; which men would die, though, was a matter of circumstance, and Yossarian was willing to be the victim of anything but circumstance.

Joseph Heller’s 1961 novel, Catch-22 characterised the blind terror, numbing futility, banality and sheer mindlessness of war through the eyes and experiences of a US Air Force bombardier who becomes grimly determined to Continue reading “Anniversary Waltz 1970 – Help the Bombardier!”

The Labour and the Wounds Are Vain – Turin Motor Show 1970 Part 1

Fifty years from the day it opened, we look back at the 1970 Salone dell’Automobile di Torino.

Italdesign Porsche 914 Tapiro Image: viaretro.com

In late 1970 much of Europe was in the grip of a pandemic, but not one which hindered the annual motor show round which had started in neutral Amsterdam and closed in Turin with a high-art extravaganza where function took a distant third place after form and fashion.

The pandemic was not biological but ideological, manifesting itself in social, political and industrial turmoil, and acts of terrorism by far-left, far-right and nationalist elements. In Italy the phenomenon was given a name – Anni di piombo – ‘The Leaden Years’, and was to Continue reading “The Labour and the Wounds Are Vain – Turin Motor Show 1970 Part 1”