This looks very much like an authentic period review of the 1976 Renault 5 GTL by revered motoring writer Archie Vicar.
The text first appeared under the headline “Another New Renault” in The Amman Valley Chronicle and East Carmarthen News, June 5, 1976. The original photographs were by Douglas Land-Windermere. Due to the effects of xylophagic fungi, the original images could not be used.
This article was initially published on DTW in October 2018.
Renault, Renault, Renault. This firm does try hard and is to be commended for its efforts to keep up with trends sooner or later. That means they are once again on the “hatchback” bandwagon, or staying on the bandwagon in the case of the 5 tested here today. The 5 appeared on the market in 1972 and the firm is sticking with the formula of front-drive and a hinged opening panel on the rear of the car in place of a proper separate boot.
A vanishingly rare version of an increasingly rare car falls under our Danish correspondent’s purview today. (First published on 1st May 2017)
Very clearly the work of a singular vision, that of Michel Boué, the Renault 5 impresses with the clarity of its concept. This example shows how it could be more than a basic conveyance. In this instance, we have here a really tidy, time-warp example with very little sign of tear or wear. We’ll get to the interior in a moment, with its comfortable sports seats and very inviting ambience. The 5 is a reduction of the essential themes of the Renault 4, using simple industrial design form language. The surfaces are minimal and the discipline of the radii is consistently applied. The lamps fit neatly into the surrounding surface and the features are aligned in an orderly fashion. Despite all this formal correctness, the car is quite cheerful and friendly. Continue reading “Not Alone is the Winter’s Chalice Replenished”
1975 was not a year to be recalled with much fondness across the global automotive industry, as the effects of Yom Kippur 1973 hit home. A number of carmakers would not survive the year, while others would undergo painful reinventions under dramatically altered circumstances. Renault, to some extent insulated by French Government stewardship, would undergo change too, Pierre Dreyfus, the CEO who had steadfastly guided them for two decades had elected to retire, nominating Bernard Vernier-Palliez in his stead. Prior to his departure, Dreyfus made another significant appointment, luring design-lead Robert Opron to Continue reading “Voiture à Vivre [Part Four]”
The scientific approach to motor car design was one which was taken up with some enthusiasm in France during the post-war period, resulting not only in some of the more compelling examples of motive modernity, but the most significant of the modern era. The results of intellectual rigour and no small quantum of application, these cars were also imbued with another, more nebulous quality: a piquant and distinctive character. Certainly, it was a potent amalgamation of elements that in this instance created a car both of its time, yet also timeless. A car for living. A car for life.
Towards the end of the 1960s, amid Europe’s engineering centres and styling studios, a new evolution of car was being forged. With matters of powertrain layout and body format still to be definitively established, nobody was entirely sure what would emerge as the dominant strain. But while Mirafiori, Turin would in the fullness of time lay claim to the precise technical layout of the compact front wheel drive car, it was their Transalpine rivals at Boulogne-Billancourt who would go on to Continue reading “Voiture à Vivre [Part One]”
Four into five equals seven. A brief look back at a uniquely Iberian Cinq.
A mainstay of the European motoring scene from its inception in 1962, Renault’s rear-engined R8 saloon was also (it’s stated) assembled in the former Eastern bloc, North Africa, Laos, South America, Australia and New Zealand. The French state-run carbuilder ceased production at the Flins plant, outside Paris in 1973. Renault never directly replaced the 8 – well actually, that’s not entirely true.
Very clearly the work of one person’s vision, Michel Boué, the Renault 5 impresses with the clarity of its concept. This example shows how it could be more than a basic conveyance.
In this instance we have here a really tidy, timewarp example with very little sign of tear or wear. We’ll get to the interior in a moment, with its comfortable sports seats and very inviting ambience.
Five reasons why the Cinq was a benchmark small car
1. Like many significant car designs, the Cinq was the brainwave of one man, originally created as something of a thought experiment. In 1968, Renault designer Michel Boué sketched the design proposal in his spare time, marking out the now familiar outline superimposed upon a photo of a contemporary Renault 4. Hence the silhouette and unusually tall canopy.