Dawn of the Iconoclast (Part one)

The Mini is one of the most ingenious, most innovative cars ever, but is also one of the most maddeningly inconsistent. In this two-part essay, DTW considers both icon and author.

(c) pinterest

The problem with icons is that often their venerated position can act as a shield against scrutiny, an insuperable barrier to unsentimental analysis or critique. How after all does one approach one of the most significant motorcars of all time objectively, without skirting the boundaries of iconoclasm?

Because to look at the Mini through one narrow prism is to Continue reading “Dawn of the Iconoclast (Part one)”

Summer Reissue – Champagne Supernova

This weekend sees our editor in-chief in celebratory mood…

Image credit: The Telegraph

I’m pleased to inform our regular readers that no hats were lost in the creation of this article. However, what millinery there was to hand has been at least metaphorically cast skywards in honour of my erstwhile fellow-DTW antagonist’s departure earlier this week across the Irish Sea. He means well, but our Mr. Doyle I find, is best appreciated from the distance of several hundred nautical miles.

But let us not Continue reading “Summer Reissue – Champagne Supernova”

Theme : Special – Maximising the Mini

Would you blow £35,000 on a luxury version of a Ford Ka? Back in the Sixties someone did the equivalent and others followed.

Peter Sellers original Mini - image : allposters.co.uk
Peter Sellers’ original Mini – image : allposters.co.uk

There’s a partial myth about British class barriers finally breaking down in the 1960s. Yes, this was a time when working class kids like David Bailey could make it without having to go to elocution classes and when satire suddenly made the establishment seem less intimidating. But beneath the veneer, and outside the world of ‘creativity’, for most it was business as usual. Continue reading “Theme : Special – Maximising the Mini”