A brief, meteoric rise and sudden precipitous fall.
While there may have been some discord as to the conceptual nature of Citroën’s 1970 flagship, the matter of its style appears to have been more assured. Certainly, there are few observers who could cogently argue that the SM’s styling was not a success – indeed it remains probably the car’s defining feature – still a futurist marvel, despite a half-century having elapsed since its introduction.
Within Citroën’s Bureau d’Études, the Style Centre was hidden away in an unkempt and dingy section of the Rue de Théàtre facility. Overseen by longstanding Citroën design chief, Flaminio Bertoni, he alongside his small team of fellow designers and put upon artisans would work largely in seclusion, without much by way of recognition.
Originally training as an architect at the Ecole des Beaux arts in Amiens, Robert Opron joined Citroën’s style centre in 1962. He quickly developed a rapport with the mercurial Bertoni, the two men sharing mutual interests in art, cuisine and culture. Opron was said to be devastated when in 1964, he learned of his sudden and premature demise.
A closer look at the SM’s Maserati-sourced V6 engine.
Like most aspects of historical record, the story behind the development of Maserati’s 114-series 2760 cc V6 engine is dependent upon whose account one reads; the orthodoxy suggesting that the engine supplied to Citroën was a derivation of an existing Maserati V8 unit. However, its bespoke basis has been placed beyond doubt.
When the request from Paris came through, Maserati technical director, Giulio Alfieri took a pre-existing 4.2 litre 90° V8 unit from his workshops, and by effectively slicing two cylinders from the block, fashioned a 2.9 litre prototype engine. However, while the subsequent production engine may have shared the original unit’s included angle, it was in fact new from the ground-up and designed specifically to Continue reading “The Transalpine Formation”
“After all this, they have created an enormous car; I wanted a Porsche.” These are the words of none other than Citroën President, Pierre Bercot, spoken at the time to delegate-Maserati administrator, Guy Malleret. Quite some statement to have made, one which flies in the face of all conventional lore on the subject; the commonly held version of the SM’s creation saga being that Projet S was schemed almost entirely to Monsieur le Président’s specification.
Jacques Fleury was the Citroën director responsible for factories, production and acquisitions. By consequence, the Maserati factory in Modena, and the SM engine programme would come under his purview. Speaking to Marc Sonnery, Fleury suggested that the S-programme had lost focus, morphing into the type of Grand Turismos Maserati were already producing. But by that point he suggested, it had become too late to Continue reading “Oh Lord Won’t You Buy Me A… Porsche?”